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@wallachartgallery

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Columbia University’s premier art gallery. Free and open to the public Wed. through Sun, 12 noon-6pm, on 6th floor of the Lenfest Center for the Arts.

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Join us for a lunch 𝘄𝗼𝗿𝗸𝘀𝗵𝗼𝗽 with Gail Day (University of Leeds) and Steve Edwards (Courtauld Institute of Art), authors of 𝘈𝘮𝘱𝘩𝘪𝘣𝘪𝘰𝘶𝘴 𝘙𝘦𝘢𝘭𝘪𝘵𝘪𝘦𝘴: 𝘛𝘩𝘦 𝘋𝘰𝘤𝘶𝘮𝘦𝘯𝘵𝘢𝘳𝘺 𝘗𝘰𝘦𝘵𝘪𝘤𝘴 𝘰𝘧 𝘈𝘭𝘭𝘢𝘯 𝘚𝘦𝘬𝘶𝘭𝘢 (Verso, 2025), the first monograph on the artist, photographer, filmmaker, and Marxist theorist Allan Sekula.

The workshop will offer an opportunity for sustained discussion with the authors around selected readings from their new book, focusing on Sekula’s film The Lottery of the Sea and the literary and aesthetic forms through which documentary art addresses global capitalism, maritime space, and political economy.

𝗧𝗵𝘂𝗿𝘀𝗱𝗮𝘆, 𝗢𝗰𝘁𝗼𝗯𝗲𝗿 𝟮𝟵, 𝟭𝟮:𝟬𝟬–𝟭:𝟯𝟬 𝗣𝗠
𝗘𝗮𝘀𝘁 𝗣𝘆𝗻𝗲 𝟭𝟮𝟳, 𝗣𝗿𝗶𝗻𝗰𝗲𝘁𝗼𝗻 𝗨𝗻𝗶𝘃𝗲𝗿𝘀𝗶𝘁𝘆

Lunch will be provided. Space is limited; 𝗥𝗦𝗩𝗣 𝗿𝗲𝗾𝘂𝗶𝗿𝗲𝗱. Readings will be circulated to registered participants in advance.

The workshop is part of Amphibious Realities: The Documentary Poetics of Allan Sekula, a three-part event series that also includes a screening of The Forgotten Space (Oct. 27) and a public conversation with Gail Day, Steve Edwards, and Sally Stein (Oct. 28).

𝗙𝘂𝗹𝗹 𝗽𝗿𝗼𝗴𝗿𝗮𝗺 & 𝘄𝗼𝗿𝗸𝘀𝗵𝗼𝗽 𝗿𝗲𝗴𝗶𝘀𝘁𝗿𝗮𝘁𝗶𝗼𝗻:
https://bit.ly/4xKOCLb

Organized by Florian Endres @floend, Prof. Ben Baer, and Prof. Thomas Levin.

Hosted by the Department of Comparative Literature. Co-sponsored by the Committee for Film Studies, Humanities Council @princetonhumanities, Humanities Initiative, Department of English @princetonenglish, Department of Art & Archaeology @artandarchaeologyprinceton, Program in Media and Modernity @mediamodernity, European Cultural Studies, and Princeton University Art Museum @princetonuniversityartmuseum.

Poster design @hso.nyc

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Join us for 𝘼𝙢𝙥𝙝𝙞𝙗𝙞𝙤𝙪𝙨 𝙍𝙚𝙖𝙡𝙞𝙩𝙞𝙚𝙨: 𝙏𝙝𝙚 𝘿𝙤𝙘𝙪𝙢𝙚𝙣𝙩𝙖𝙧𝙮 𝙋𝙤𝙚𝙩𝙞𝙘𝙨 𝙤𝙛 𝘼𝙡𝙡𝙖𝙣 𝙎𝙚𝙠𝙪𝙡𝙖 — a three-part event series centered on Gail Day and Steve Edwards’s new book on Allan Sekula, the artist, photographer, filmmaker, writer, and theorist whose work transformed debates on documentary, labor, globalization, maritime space, and the visual culture of capitalism.

𝗦𝗰𝗿𝗲𝗲𝗻𝗶𝗻𝗴: 𝘛𝘩𝘦 𝘍𝘰𝘳𝘨𝘰𝘵𝘵𝘦𝘯 𝘚𝘱𝘢𝘤𝘦 (2010) Tuesday, Oct. 27, 7:00 PM Tuttle Lecture Hall, Princeton University Art Museum

𝗣𝘂𝗯𝗹𝗶𝗰 𝗽𝗿𝗲𝘀𝗲𝗻𝘁𝗮𝘁𝗶𝗼𝗻 & conversation with Gail Day, Steve Edwards, and Sally Stein Wednesday, Oct. 28, 5:00 PM Betts Auditorium

𝗟𝘂𝗻𝗰𝗵 𝘄𝗼𝗿𝗸𝘀𝗵𝗼𝗽 with the authors Thursday, Oct. 29, 12:00–1:30 PM East Pyne 127 RSVP required; reading will be circulated to participants.

Organized by Florian Endres @floend, Prof. Ben Baer, and Prof. Thomas Levin.

Hosted by the Department of Comparative Literature. Co-sponsored by the Committee for Film Studies, Humanities Council @princetonhumanities, Humanities Initiative, Department of English @princetonenglish, Department of Art & Archaeology @artandarchaeologyprinceton, Program in Media and Modernity @mediamodernity, European Cultural Studies, and Princeton University Art Museum @princetonuniversityartmuseum.

More details: https://bit.ly/4xKOCLb

Poster design @hso.nyc.

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Dindga McCannon, Blues Queens, 2021 as seen in the Uptown Triennial curated by @souleouniverse @wallachartgallery

@dindga @dindgamccannon #artliveshere @childrensartcarnival #contemporaryart #fiberart

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🥰 Part 1 of 2: With all my gratitude 🥰

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These artworks were included in the Uptown Triennial @wallachartgallery . The exhibition curated by @souleouniverse celebrates the legacy of The Children’s Art Carnival. Both artists @elancadiz and @tomomoriart are currently in residence at the Children’s Art Carnival, adding their voice to Betty Blayton’s vision.

I am honored to have both artists as part of the Art Lives Here community.

#artliveshere #childrensartcarnival @lenfestshows #harlem

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Betty Blayton was the legendary Executive Director of The Children’s Art Carnival from 1969 - 1997. Today Sunday, September 13th is the last day to see the monumental exhibition curated by @souleouniverse @wallachartgallery featuring the works of artists that have a history with the career building non profit that still serves the creative community in Harlem.

I went back for a second visit yesterday and if you haven’t seen this show, don’t miss it.

@bettyblayton #contemporaryart #artliveshere

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This weekend, join us @wallachartgallery for a pair of presentations that consider the pedagogical underpinnings of the Children’s Art Carnival from its inception at MoMA in 1942 to its re-imagining in 1969 as the Harlem Children’s Arts Carnival. The program will also explore the role of community organizations like the Children’s Art Carnival in relation to the social movements of the 1960s and 1970s and New York City public education.

Sunday, September 13, 1-2 pm

Radical Arts Education: Youth Development and the Children’s Art Carnival

Katharina Otto-Bernstein Screening Room,
Lenfest Center for the Arts, 2nd Floor
New York City

Dr. kecia hayes has been a champion of antiracist k-12 leadership and praxis across a variety of organizational settings in New York City for more than two decades. Most recently, she led two community-focused organizations at Columbia University including the Double Discovery Center where she transformed the organization’s approach to college access and support for low-income and first-generation community youth; and the Raising Educational Achievement Coalition in Harlem where she was the founding Director and chief architect of Teachers College’s university-assisted, community school initiative. She is currently Senior Professorial Lecturer at American University’s Baker School of Education.

Sara Torres-Vega holds a PhD in Fine Arts and is an artist, educator, and researcher at the Autonomous University of Barcelona (UAB). Her work explores the potential of art as a tool for social transformation through archival projects and collaborative practices developed with institutions such as Tate in London, MoMA in New York, and the Museo Reina Sofía in Madrid. She currently serves as Director of MAAAL (Museum of Art and Open-Air Learning) at the Autonomous University of Barcelona.

This program is presented in conjunction with the exhibition Children’s Art Carnival in Harlem: The Making of Contemporary Artists, on view at the Wallach Art Gallery through September 13.

#Uptown2026 #ChildrensArtCarnival #WallachArtGallery #Harlem

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⭐️ Link in bio & story for the full recording of our @themuseumofmodernart talk on the @childrensartcarnival exhibition with is on view now through September 13 at Columbia University’s @wallachartgallery ⭐️

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📣 Press Alert! Thank you @columbianeighbors & writer Brandee Sanders for spotlighting our @childrensartcarnival exhibition at Columbia University’s @wallachartgallery ⭐️ Check out interviews with exhibition curator @souleouniverse & exhibiting artists @jortiz76 & @robinholder.work ⭐️

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📣 It’s the final week to pick up a free exhibition catalog before our @childrensartcarnival exhibition closes on September 13 at Columbia University’s @wallachartgallery 📣

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Join us Saturday, September 19 at 1 PM for a Curators’ Conversation on "Lotty Rosenfeld: Disobedient Spaces" 🎨

Cocurators Natalia Brizuela (@_n_brizuela_) and Julia Bryan-Wilson discuss Rosenfeld’s approach to art under authoritarianism, feminist strategies for disobedience, materiality and ephemerality, and her work across performance and video.

Lotty Rosenfeld: "Disobedient Spaces" originated at the Miriam and Ira D. Wallach Art Gallery (@wallachartgallery), Columbia University, with support from Teiger Foundation (@teigerfoundation) and the collaboration of the Fundación Lotty Rosenfeld (@lottyrosenfeld). The exhibition is cocurated by Natalia Brizuela, Professor of Film & Media and Spanish & Portuguese, UC Berkeley, and Julia Bryan-Wilson (@juliaqbw1), Professor of Art History and Archaeology, Columbia University. The presentation at BAMPFA is organized by Anthony Graham (@grahamrecently), Senior Curator.

Tickets are required, with gallery admission included with ticket purchase.

Learn more and get tickets at bampfa.org/calendar or the link in bio. 🎟️ Promotional graphic for a curators’ conversation and book launch featuring Natalia Brizuela and Julia Bryan-Wilson. The graphic includes a black-and-white image of a person walking alongside a long white object on a city street. Text reads “Sat / Sep 19 / 1 PM.”

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📣 Press Alert! Thank you @carpazinemagazine for featuring my exhibition “Children’s Art Carnival in Harlem…” ⭐️ on view now through Sept. 13 at Columbia University’s @wallachartgallery 😁

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