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The Resource Rush | 2026

Contemporary architecture has become the executive arm of the rush for natural resources, serving systems of capital and power through infrastructures designed to maximize extraction.
The Dead Sea potash conveyor, the Karish FPSO, the Diamond Exchange, and the Soreq Nuclear Reactor may appear unrelated, yet they share the same logic: architecture becomes a monumental object that conceals environmental damage and distances the public from its natural resources.
This project proposes an architectural approach shaped by the Aftermath- designing beyond the era of extraction, with responsibility toward the resource, the land, and the community.
Tiberias was chosen as a case study of a city that grew around its natural resources- the hot springs, the Sea of Galilee, and basalt- but gradually lost access to them. The route of the Old City wall becomes the backbone of a new public system, while an open aqueduct returns the spring water to the city through bathhouses, pools, public spaces, and viewpoints. Built with minimal impact on the ground, the proposal combines local basalt gabions with a lightweight modular structure, introduces floating fishing platforms, and transforms the existing waterfront building into an active public infrastructure.
Rather than concealing resources, the proposed architecture reveals them, restoring public access and re-establishing a direct relationship between people and the natural systems that sustain them.

Guided by Arch. Ifat Finkelman, Arch. Deborah Pinto
Fdeda. 

@bezalel_architecture @bezalel_academy @ifatfinkelman @deborah_pinto_fdeda
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holidays ๐Ÿ“๐Ÿ“๐Ÿ“
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โค๏ธโค๏ธ Firenze eฬ€ amore
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Recently๐Ÿฅฒ๐Ÿชฉ๐Ÿ’Œโค๏ธโ€๐Ÿ”ฅ๐Ÿ‡ฎ๐Ÿ‡น๐Ÿน๐ŸŒฆ๏ธ
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โจ	ื‘ื™ื™ ื™ืจื•ืฉืœื™ื.
ืขื™ืจ ืฉื”ื™ื” ืœื™ ืœื ืคืฉื•ื˜ ืœืื”ื•ื‘ ื•ืื ื™ ื‘ืกืคืง ืื ื”ืฆืœื—ืชื™. 
ืฉืœื•ืฉ ืฉื ื™ื ืฉืœ ื™ื—ืกื™ื ืžื•ืจื›ื‘ื™ื ืื™ืชืš ืžื’ื™ืขื•ืช ืœืกื™ื•ืžืŸ ื•ืขื›ืฉื™ื• ืืคืฉืจ ืœื”ืกืชื›ืœ ืขืœ ื“ื‘ืจื™ื ืื—ืจืช.
ืืชื’ืขื’ืข ืœืฉื™ืขืจ ืฉืžืกืชื“ืจ, ืœืจื“ื™ืื˜ื•ืจ ื‘ื—ื•ืจืฃ, ืœืžืกื™ื‘ื•ืช ืคื™ื’ืณืžื•ืช ื•ืœืฆืœืคื™ื ื‘ื›ืœ ืคื™ื ื”.
ืžื›ืืŸ ืœืคืจื™ื–โฉ
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Studio 6 | Abandoned Princess Hotel
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ืชืžื•ื ื•ืช ืžื›ืœ ื”ื–ืžื ื™ื
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