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Haris Zambarloukos BSC, GSC

@zambagram

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Director of Photography

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I watched the documentary "Oasis: Don't Look Back In Anger." I liked it! Oasis: Don't Look Back In Anger is a reflective, nostalgic, and celebration of the legendary band.

The film written by Steven Knight combines rehearsing, the performances, and stories of fans to show the cultural impact the band has had on the world.

The cinematography is impressive and it is accompanied by many of the band's iconic songs. It's masterfully edited as well. Will Lovelace & Dylan Southern did a great job directing this heartfelt, riveting, and feel-good documentary that I would recommend.

#oasis #dontlookbackinanger #disney #rocknroll #documentary

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Huge thanks to Haris Zambarloukos BSC GSC (@zambagram) for an amazing Q&A hosted by Jake Polonsky BSC on the #Oasis Documentary DON’T LOOK BACK IN ANGER. This wonderful Q&A was sponsored by our Patrons @sonyprofilmmaking and @panavisionofficial who were instrumental in bringing the film together.

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OASIS: Don't Look Back In Anger hits #Cinema screens today! This documentary charts the record-breaking concert tour by OASIS in 2025 and features our own Haris Zambarloukos BSC GSC (@zambagram) as Director of Photography! Check out the trailer and make sure to head to the cinema to relive this amazing event!

Joining Haris on this adventure were Rachel Clark BSC, Ruben Woodin Dechamps, Dylan Southern, Ross McLennan, David Foulkes, George Steel BSC, Erik Wilson BSC, Adam Scarth, Luke Redgrave, Ben Fordesman BSC, Toby Lloyd, Will Pugh, Sebastian Feehan, Hamish Doyle Ditmas and James Tonkin who added their Cinematography during the shooting of the concerts.

#Cinematography#Cinematographer

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Is Mamma Mia! ADHD-friendly? The Netflix musical, scored 🐿️

Sophie has three possible fathers, one Greek island, and twenty-two ABBA songs to get through before the wedding. The plot is a clothesline. The songs are the laundry. The film knows this, and that is the whole trick.

Our review scores the Netflix musical at Film Quality 6.3 and ADHD Binge-ability 7.0. That gap is the point. Craft and finishability are separate measurements, and a film can be ordinary on one and near the ceiling on the other.

Why it works for an ADHD brain: a song lands every few minutes, each number closes before the next opens, and there is nothing to bank. One island, one question, no timeline to hold. You can join at any minute, leave for ten, and rejoin without losing anything. Rewatch scored 9.0, one of the highest numbers on our board.

Meryl Streep gives The Winner Takes It All the weight of a much better film. Pierce Brosnan sings. Both of those are true at once.

Send this to whoever you’re watching with tonight 🐿👇

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A big thank you to the @panavisionofficial team for hosting us.
Great day introducing the Stemirax and seeing it in action.
Head to @eclat.lenstools for the full showreel and technical specs.

#stemirax #panavision #dop

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@CanonEMEAPro Day at Raindance 🎥🩷

Thank you to our incredible main sponsors for kicking off the indie film forum with a day of super insightful and engaging sessions.

Don’t miss out on speaking to the team at the Canon Lounge about your next project from 10am-5pm daily.

📸: @zrjphoto, @jonathanfphotos

#Raindance2026 #Canon

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Introducing our Cinematography Day presented by @CanonEMEAPro 🎥🩷

We’re kicking off the day with a deep dive into the art and craft of cinematography with the legendary Haris Zambarloukos (Beetlejuice Beetlejuice, Thor, Belfast). In the afternoon, Jack Adair from #Canon, sits down with the @JanayBoulos and @Abd_Alkader_Habak to talk about their first-hand experience capturing footage in areas of conflict. The day ends with an interview with the filmmakers behind selected Raindance films to discuss their films shot on Canon cameras.

🎟️ All Indie Film Forum sessions are free to access with either a Festival Pass, Indie Film Forum Pass or Day Pass.

📍Join us at the Canon Lounge at @OneNinetyFour_Piccadilly daily from 18 to 26 June!

#Raindance2026 #CanonEurope

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I watched the film "Ladies First" a couple of days ago. I really enjoyed it! Ladies First is a hilarious, delightful, and relevant fantasy-tinged comedy with a raunchy, irreverent wit, likable inherently flawed characters, and a self-reflective heart.

The superb script by Natalie Krinsky, Cinco Paul, and Katie Silberman(based on the Netflix film by Eléonore Pourriat) tells a sharp satire about sexism, empowerment, identity, and evolution in quite a charming mischievous way.

Sacha Baron Cohen & Rosamund Pike star in terrific charismatic performances. There is also a superb supporting cast that includes Fiona Shaw, Richard E. Grant, Charles Dance, Tom Davis, Emily Mortimer, Weruche Opia, Red Tennant, and Kathryn Hunter.

The cinematography is well done by Haris Zambarloukos, and it is accompanied by a really good soundtrack and score by Atli Örvarsson. It's nicely edited by Mark Everson, and it has some spectacular costume design, set decoration, art direction, and production design. Thea Sharrock did a fantastic job directing this endearing, funny, and thoughtful comedy that I would highly recommend.

#ladiesfirst #comedy #movie #netflix #streaming

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Ladies first …
I Insist
Out on Netflix now
Fun one to work on

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1- Men in Black - Barry Sonnenfeld, 1997
2- Beetlejuice Beetlejuice - Tim Burton, 2024
3- They Will Kill You - Kirill Sokolov, 2026

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The countdown is on! It’s almost the biggest day of the year for us - Digital Orchard’s 15th anniversary. To celebrate, we’re sharing the major milestones that shaped our journey, starting right at the beginning ⭐️

In 2011, CEO Callum Just founded Digital Orchard at the dawn of the digital revolution. As one of the first Digital Imaging Technicians, and the first to join the GBCT in 2011, his vision was to provide cinematographers with the technical support they needed on set. In those early days, the role was fundamentally about security; as sets moved away from physical stock, productions needed an expert on-site to handle the data, set up the cameras, and ensure every frame was backed up safely

The DIT role was a vital one, managing on-set image quality, live color grading, and a secure backup of digital footage to ensure a seamless transition from camera to post-production. We began as a specialised agency, providing skilled technicians and the bespoke kits they needed, to act as technical guardians on set

On iconic sets like Pirates of the Caribbean: On Stranger Tides, Prometheus, and Game of Thrones, we weren’t just keeping up - we were helping to define the industry’s shift..

From our first offices in White City to our move to Leavesden Studios, we’ve always been hands-on. Callum personally led workshops at Leavesden, teaching the craft of building Livegrade rigs and mastering technical workflows. He continues to teach at our current Nara Park HQ, to nurture emerging, industry talent

🎬 Following the expansion of our DIT agency, we felt it was time to move into Video Playback and offering a full Dailies service, which specialised in near-set and international labs that processed rushes every evening, no matter the location

When Callum eventually stepped off-set to focus entirely on growing the company, Digital Orchard transformed into the full-service partner it is today

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kenneth branagh and his family / the belfast cast. 🤍
caitríona balfe as ma, jamie dornan as pa and jude hill as buddy.

#caitríonabalfe #caitrionabalfe #jamiedornan #kennethbranagh #stpatricks

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