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zeitguised

@zeitguised

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To Fail the World with an Open Heart In 1902 the Venice Campanile collapsed. In 1911 Denver built a taller copy - and the papers joked Venice was copying Denver. Murano//HUD:$ync.DF returns the glass to the ghost: Simulated Venetian glass on a Venetian tower that outlived its own original, now displaying time it never kept. Night Lights Denver — To Fail the World with an Open Heart Daniels & Fisher Tower, Denver Curated by @studiorobertseidel #projectionmapping #monumentalart #murano #generativeart
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Venetian glass has no fixed colour. It splits light into whatever angle you catch it. Simulated Murano, mapped onto 115-year-old stone: refracting, twitching, re-forming across the windows and cornices. Not projected decoration: a heads-up display locked to the building's own grid, syncing to the second. Old architecture running as a live optical instrument. Murano//HUD:$ync.DF Curated by @studiorobertseidel "To Fail the World with an Open Heart" Programme and Venue @night_lights_denver #publicart #monumentalart #architectureart #generativeart #projectionmapping
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A clock tower that wears time instead of telling it. For one month, Denver's Daniels & Fisher Tower was dressed in Venetian glass. The surface twitches once per second- seconds passing, rendered as glass instead of digits. And the host is perfect, as it is also a simulation: the tower is a 1911 replica of the Campanile di San Marco in Venice. We reconnected it back to Venice with a simulation of its Murano Glass. Murano//HUD:$ync.DF Curated by @studiorobertseidel "To Fail The World With an Open Heart" for @night_lights_denver #publicviewing #largeformat #projectionmapping #generativeart
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Murano//HUD:$ync.DF (2026) by @zeitguised Zeitguised stages a rhythmic intervention on Denver’s Daniels & Fisher Tower, built in 1910 as an American replica of Venice’s St. Mark’s Campanile – a structure whose own history stretches from 888 to 1513, shaped by successive reworkings and extensions. This layered architectural genealogy is central to the work’s logic: that historical forms are never settled but perpetually reappropriated in the pursuit of a universal beauty. Fusing two distinct visual registers – the refractive elegance of Murano glasswork, rooted in Venice’s craft tradition, and the data-driven aesthetics of a modern skeuomorphic heads-up display – the piece reimagines the tower’s stone façade as a living digital interface. The passage of time is marked by deliberate refractive twitches, a kinetic homage to the tower’s original function as a timekeeper. Holding the analog and the digital not in opposition but in dialogue, the work remains hyper-chromatic and diffracts the histories embedded in the structures it illuminates. “Murano//HUD:$ync.DF” (2026) is part of the May 2026 program, To Fail the World with an Open Heart, curated by @studiorobertseidel Read more about this month’s program on our website.
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⚡🌍🤲💖 I am excited to announce that my curated projection program, featuring 7 artists, will run throughout May as part of Night Lights Denver To Fail the World with an Open Heart Daniels & Fisher Tower May 1 – 31, 2026 Lillian Schwartz, Mutations, 1972* Chia Amisola, Arkipelago, Ark 1, 2026 Patricia Detmering, l’imaginaire, 2025 Zeitguised, Murano//HUD:$ync.DF, 2026 Natalia Stuyk, Celeste, 2026 Grischa Lichtenberger, Loss of Words, 2001/2008/2026 Lorna Mills, Step This Home, 2026 Curated by Robert Seidel Supported by Denver Theatre District Trailer Score by @n_v_sal * Courtesy of the Collections of The Henry Ford, gift of the Lillian F. & Laurens R. Schwartz Collection 𝒞𝓊𝓇𝒶𝓉ℴ𝓇𝒾𝒶𝓁 𝒞ℴ𝓃𝒸ℯ𝓅𝓉 ⚡🌍🤲💖 Our world is constant stress – a relentless churn of information, crisis, and change. Artists working today must navigate this turbulence knowing that any attempt to capture beauty, truth, or meaning is provisional at best. The tools we use will become obsolete. Social platforms will shift. Political ground will move beneath our feet. To make art now is to accept, from the beginning, that we will fail. Yet failure, when approached with an open heart and an attentive mind, becomes something else entirely. It becomes a practice of attention. A commitment to the process rather than the outcome. And within that process – in the unexpected glitches of technology, the surprising tenderness of algorithmic mirrors, the unpredictable collisions between artist, medium and viewer – something emerges that resists anticipation or control. The artists in the program work at the frontier of innovation, not because they believe technology will save us, but because they understand that new techniques reveal unknown modes of perception. They explore emerging platforms, experimental hardware or software, and hybrid forms that dissolve boundaries rather than merely blur them. Their tools may be contemporary, but their gestures echo backward through time – to early cinema’s wonder at moving images, to the avant-garde’s disruption of narrative, to ancient human impulses to make
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Out now! Soft Book Launch Dialog Beyond Disciplines goes Leipzig Book Fair Hold the book in your hands and meet the authors Corinna Gratzl and Julia Klass at Galerie Jochen Hempel on Spinnereigelände for a deep dive into open-disciplinary working methods. Sunday, 22nd March 2026 11.30 am – 1.30 pm Galerie Jochen Hempel, Spinnereistraße 7, Halle 4, 04179 Leipzig www.jochenhempel.com https://form.de/collections/bucher/products/dialog-beyond-disciplines Edited by Barbara Glasner for www.form.de
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‏‎‎‏⠀‎‎‏⠀⠀⠀⠀⠀ "ودعنا ننسى" (2025) لتسايتغايزد عمل ينساب فيه الضوء كنسيج حيّ، تتغيّر ملامحه باستمرار عبر خوارزميات تصنع حركة بين الانضباط والعشوائية. تجربة بصرية تكشف جمال التحوّل، وتجمع ما بين الرقمي والمادي في لغة واحدة من الخيال. #الرياض_آرت #نور_الرياض #في_لمح_البصر “&forget with me” (2025) by ZEITGUISED unfolds as a living digital system, continuously reshaping itself through algorithmic motion balanced between control and chaos. A visual experience where light, code, and form create their own language of transformation. #RiyadhArt #NoorRiyadh #InTheBlinkOfAnEye
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‏‎‎‏⠀‎‎‏⠀⠀⠀⠀⠀ استوديو تسايتغايزد؛ فريق يبحث في حدود الفن الرقمي، حيث يتقاطع الخيال بالتقنية ويُصنع عالمًا فنيّا من الضوء والحركة. #الرياض_آرت #نور_الرياض #في_لمح_البصر Berlin-based studio ZEITGUISED redefines the boundaries of digital art, where form, light, and motion merge into living imagery. From Berlin to Riyadh, their work transforms technology into emotion and design into a poetic vision. #RiyadhArt #NoorRiyadh #InTheBlinkOfAnEye
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‏‏‎‎‏⠀‎‎‏⠀⠀⠀⠀⠀ ‎‏هنريك ميلير رئيس "استديو تسايتغايزد"، يتحدث عن #نور_الرياض؛ حيث تتسع آفاق الإبداع لعوالم جديدة وشيّقة من الفن. #الرياض_آرت #في_لمح_البصر In their #NoorRiyadh interview, ZEITGUISED reflects on the shifting nature of imagery, where the virtual and the tangible converge and light becomes the language of art. #RiyadhArt #InTheBlinkOfAnEye
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THE ABBE NUMBER - tangente digital art ZEITGUISED - 17. bis 31. Oktober 2025 täglich zu jeder halben Stunde von 19 bis 22 Uhr Jenoptik, Carl-Zeiss-Straße 1. Jena Kurator Galerie Huber & Treff und Robert Seidel
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The publication „Dialog Beyond Disciplines“ moves between disciplines – where boundaries blur, perspectives shift, and new ways of thinking about design emerge through exchange. As part of a joint project, the two communication designers Corinna Gratzl and Julia Klass visited renowned design studios and institutions in Italy, the Netherlands, France, and Germany. The designers and experts, who work across disciplines at the intersection of architecture, scenography, product design, craftsmanship, graphic design, art, and science, were interviewed and photographed in their working environments. A selection of these interviews, in situ photographs, and object scans are arranged and summarized in the publication. An additional glossary provides a general overview of open-disciplinary working methods. Design and architecture journalist Jasmin Jouhar was invited to conduct an introductory foreword interview with the two authors. Participating studios/institutions @2050.plus @atelier522 @luma_arles @bnag.cc @ertlundzull @fanfare_amsterdam @formafantasma @gonzalezhaase_aas @las_artfoundation @meyersfuegmann @somethingfantastic_net @staatsballettberlin @zeitguised @zirka.space • Content and design: Corinna Gratzl and Julia Klass, In Search Of @insearchof.cc • Foreword interview: @jasminjouhar • Verlag form, edited by @barbaraglasner • Full language: German and English • 212 pages • Format: 200 x 297 mm • Softcover, thread binding, decorative banderol • 4-colour • ISBN 978-3-943962-77-2 Release date December 2025 Pre-order at www.form.de
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✨ I had the pleasure to create the title sequence for The Wrong Biennale 24 @thewrong.biennale together with @zeitguised 🚀 Exploring digital abstraction, motion and form — 🌍💫 #digitalart #art #artwork #instaart #artoftheday #artist #creative #contemporaryart #abstractart #digitalartist #motiondesign #animation #titleanimation #motiongraphics #visualart #designart #abstractdesign #digitalabstraction #experimentalart #artandtechnology #newmediaart #artproject #biennale #digitalbiennale #artinstallation #helloawalker #studiowalker #zeitguised #holdthedots #holdandscroll
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