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Rome zyman

@zlhhq

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@themodelslabkl
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wearing our attitude on our feet w/ @dr.cardin_
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KLFW 2026. RUNWAY @taguwa.ruwa 050826 1500PM Fashion, in many ways, is all about dedication. Every designer dedicates their work to someone, or something. Some to a friend who is no longer here. Some to a mother who believed in them from the very beginning. Some dedicate their work to a community, a culture, or simply the people who stood by them whilst they were still building. Perhaps that is why everybody wants to be part of fashion. But fashion is also about pressure. Before the work. During the work. And even after the work is done, the pressure doesn’t leave with it. Once the show is over, comes the criticism. The judgement. The opinions. And almost certainly, someone will have something to say, whether the work was brilliant or otherwise. You can give it 290% and still get dragged. You can give it 290% and still get dragged. Fashion is brutal like that. Fashion is not built in one season, and neither is luxury. Luxury is never merely about the product. It is built on perception. That is why a designer brings their buyers into the room. Potential clients. Their society. Their people. They understand the importance of media, collaboration, conversation and, sometimes, a little propaganda. Because making beautiful clothes is one thing. Making people understand why they matter is another. And this is where I get slightly fucked off with people who think understanding fashion simply means understanding clothes. For me, you need to understand Music. Art. Hair. Subculture. History. Behaviour. Society. The street. The establishment. Culture, as a whole. Because fashion has never existed on its own. It borrows. It responds. It rebels. It remembers. And sometimes, it becomes the very evidence of the time we are living in. The applause may last for a moment. The judgement tends to stay a little longer. And yet, you carry on. Fuck the noise. Fuck the approval. Fuck the need to be understood by everyone. Let them talk. Let them judge. Let them have their opinions. Everybody wants to be part of fashion. But to truly understand it, you have to understand more than the clothes. The music. The hair. The art. The street. The society. The history. The re
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fashion show with them 🤝
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#klfw26
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Funny how some of the best evenings are never planned. Just good friends, a table full of nasi, and a meal so good it made everyone quiet for a minute. Wahhh. Sedap gila. Supposed to reach a meeting at 11am today, but it got cancelled last minute. Then it was Bandar Sri Permaisuri, Seri Kembangan, and back to Bandar Sri Permaisuri again. One cancellation here, another delay there. I genuinely thought I’d make it back to the hotel early and sneak in a bit of rest before my 6pm class. Ended up spending 55 minutes stuck in traffic from God knows where and only reached the hotel at 6:55pm. In between all that, I made a few calls. “Oi, korang dinner dekat mana?” One was attending an event, another was busy, and meanwhile aku dah kebulur, really not in the mood to makan seorang diri. Then the phone rang. “Heyyy Ooi, Rome and Sera free tonight. Jom dinner sekali.” And just like that, the whole day changed direction. Good friends, good conversations, a table full of nasi, and a meal that genuinely deserved a moment of silence. Sometimes, after being cancelled here and there and delayed here and there, life quietly sends you exactly where you’re supposed to be.
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a great night with familiar faces at #elledifitri 🦢🖤
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Sedikit gambar serta kata kata berlian tentang melintas masa dalam kehidupan. ✌🏽 Sedia Maklum pengajarannya. ⚫️🥷🏽🎬
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A visual narrative of distance, in a moment of uncertainty, as told by #MensFolio. Seen here, the coin bralette (worn as a belt), Alien Skin Jeans and 3D silver dragon corset. Editorial Director @izwanabdllh Shot by @michele_yong Styled by @00fflinex Grooming by @chufan Hair by @boondylan Assisted by @alexanderdinventor Models @lidiachatura, @zlhhq @themodelslabkl
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Sendja Anayra & Galur. Made for each other by @qhiam.official @sendja.kl
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ROME ZYMAN @ellemenmalaysia GROOMING SPREAD MAKEUP : @ezadibrahim HAIR : @codychua MAKEUP USING @dolcegabbana_beauty #DolceGabbanaBeauty #DolceBeauty
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SUGANYA/ CYII CHENG/ ROME ZYMAN/ SHIKIN RAMLAN/ BATRISYIA RAZAK/ ANIQ RAZAK/ NAZURAH HUSNA/ AMIR ISKANDAR/ GBRIL/ ALIYA MARISSA/ BIDADARI/ ELANA NAIR/ MIA LATISHA/ NIA ATASHA for @svgwrldwide ARTchive Summer 2026 #OurLocalModelsCan #themodelslabkl
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The evolution of Malaysian streetwear has rarely been instantaneous. It is often born from prolonged observation rather than sudden ambition. Much of it emerged through small-scale economies, second-hand cultures, bundle stores, and modest offline and online ventures shaped by local socio-economic realities. From these spaces, designers learned fabric by touch, form by necessity, and style by lived experience. Fashion here did not begin as spectacle. It began as survival, curiosity, and community. Brands like SVG are a testament to this organic education. Learning materials, understanding fashion beyond aesthetics, grasping ethics of dressing, and slowly translating all of that into a local brand language. It is a journey that mirrors the grassroots nature of Malaysian streetwear itself. Built quietly. Grown patiently. @ashrafanuarr frames clothing through the lens of camaraderie. Fashion, in this universe, is not positioned as exclusionary or elite. It is communal. It carries the spirit of standing together, moving together, growing together. This ethos was made visible through the recent SVG fashion show held on Sunday, 8th February 2026, a date that now feels less like a coincidence and more like a ritual within the brand’s timeline. Titled ArtcHIVE Summer, the runway opened with @hoganduhslayurz from @topboicitizen , a deliberate choice that set the tone immediately. The energy did not dip from the first step onto the runway to the final look. Across four to five collections, a total of 120 garments were presented. What stood out was not only the scale, but the intent. @svgwrldwide has consistently used its runway as a platform for collaboration across the Nusantara and wider Asian landscape. The expansion is gradual, deliberate. Previously through a collaboration with a brand from Indonesia, and this season through Gentle Woman from Thailand. A quiet widening of dialogue, one collection at a time. But what intrigued me most was not the volume. It was the subtlety within it. Three, two, one. In 85second count down 🇲🇾
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