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The Menil Collection
Tessellation Figures (6), 2011 by @terrywintersstudio
51
12 days ago
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The Menil Collection
Terry Winters: Vitalized Geometry
September 25, 2026 - April 4, 2027

Azimuth, 2024
Portfolio of 10 intaglios by @terrywintersstudio
56
a month ago
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Cricket Music, 2010

Matthew Brown Gallery
390 Broadway, New York
Cricket Music: Opening June 30
Julie Beaufils, Michaela Eichwald, Tomm El-Saieh, Cynthia Hawkins, Stefanie Heinze, Marguerite Humeau, Nora Kapfer, Olivia van Kuiken, Heidi Lau, Terry Winters, Masaomi Yasunaga
June 30 – July 31, 2026 by @terrywintersstudio
28
4 months ago
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Modern Art
Along the River
5 June — 11 July 2026

Private View
Thursday 4 June, 6–8pm

Bennet Street, SW1A by @terrywintersstudio
90
4 months ago
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Planting a Flag; Jasper Johns and the Enduring Power of Printmaking — with Christophe Cherix, Bill Goldston and Terry Winters
Saturday, April 11th — 2:00PM
IFPDA Print Fair by @terrywintersstudio
11
6 months ago
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MINIMAL
Bourse de Commerce, Paris

Walter De Maria
High Energy Bar, 1966

Brice Marden
Numbers, 1972 by @terrywintersstudio
7
a year ago
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The Aeolipile
June 26 - August 1, 2025
Theta
184 Franklin St, LL, NYC

Michael Bala
Eli Coplan
Kelsey Isaacs
Nandi Loaf
Gedi Sibony
Richard Sides
Johnathan Wilborn
Terry Winters

The world’s first steam turbine was created in the 1st century AD by Hero of Alexandria. In his book Pneumatica, the aeolipile was described as a hollow sphere mounted to turn on a pair of hollow tubes that pushed steam into the sphere from a cauldron below, causing it to revolve. The aeolipile is the first known device to transform steam into rotary motion, and it was used as little more than a party trick. Two millennia passed before the idea of steam power would finally connect to functional industrial use with a practical steam turbine.
 
The systems that govern how we live are vast, intricate, and resistant to mastery. While the artist is not a physicist, both work by extending networks of existing knowledge to invent new forms. In art, though, mastery can be subverted by abstraction, or ornamented into something else entirely. Perhaps the scribbles of a mad scientist are just as beautiful as the resolution of their hypothesis. Everything in this exhibition is a container of ideas—responses to the inherited forms and formulas that shape how we express a vision of progress. by @terrywintersstudio
18
a year ago
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After Rhoda Kellogg, 2025
Graphite on paper
18 x 23 inches

UPSIDE DOWN ZEBRA
The Watermill Center by @terrywintersstudio
8
a year ago
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Inflection, Vector, Frame / 2, 2009

A Celebration: Acquisitions in Honor of the Morgan’s Centennial
The Morgan Library & Museum
May 9 - August 17, 2025 by @terrywintersstudio
13
a year ago
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NO DIAGNOSIS
Drawings by Painters 

June 7 - July 18

Curated by Ivy Shapiro

Richard Aldrich
Nicolas Bermeo
Cecily Brown
Michaela Eichwald
Keltie Ferris
Marley Freeman
Wade Guyton
Mary Heilmann
Charline von Heyl
Jacqueline Humphries
Jutta Koether
Molly Rose Lieberman
Dona Nelson
Albert Oehlen
Laura Owens
Jay Payton
Walter Price
David Reed
Andy Robert
Shane Rossi
Amy Sillman
Ryan Sullivan
Anh Trân
Terry Winters 
Christopher Wool

Reena Spaulings Fine Art
165 East Broadway 
Floor 2
New York, NY 10002 by @terrywintersstudio
26
a year ago
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Re-imagining the Catalogue Raisonné
A Conversation with Terry Winters and Jennifer Farrell

Sunday, March 30, 2:00PM
IFPDA Print Fair, Park Avenue Armory, New York
Tickets required

In conjunction with the publication of Terry Winters: The Printed Work, A Catalogue Raisonné, winner of the 2025 International Fine Art Print Dealers Association Book Award, Winters will appear in conversation with Jennifer Farrell, The Metropolitan Museum of Art’s Jordan Schnitzer Curator of Drawing and Prints. by @terrywintersstudio
28
2 years ago
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The Printed Work, A Catalogue Raisonné 
432 pp with 8 multi-panel gate folds 
Richard H. Axsom
Jordan Schnitzer Family Foundation 

2025 IFPDA FOUNDATION BOOK AWARD by @terrywintersstudio
41
2 years ago
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