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Museum as Muse

An Arkansas International Special Feature with the University of Arkansas Museum 

Have you ever looked at an artifact in a museum and wondered about its story, or even began inventing the story yourself? Who used that 1930s embalming kit containing artery-hardening liquid and a shaving kit, or what happened to Mrs. Moore the day she wore her clay-colored suit made from hand-woven cloth that she hoped would help restart the loom industry? Whose windows rattled in Fayetteville as they watched this black meteorite fall to Earth? Which item would ignite your imagination?

This fall the Arkansas International will collaborate with the University of Arkansas Museum to publish a special online feature highlighting writing inspired by any of the millions of artifacts in the museum’s archives. We are delighted for writers to have this opportunity to explore and find inspiration from items in the collection to create new work.

Writers are invited to access the museum’s collections via this online portal featuring over 150 highlights selected by museum staff, and to browse the museum’s broader database for additional inspiration. Submissions may be poetry, fiction, non-fiction, or comics. Translated work is also welcome. Selected pieces will be published by the Arkansas International in a special online feature in the spring of 2027 by @thearkint
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18 days ago
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Issue 18 is here! The gorgeous Spring 2026 issue of the Arkansas International includes work by Frank Stanford, C.D. Wright, Geffrey Davis, Henry Dumas, Ben Bird, Ukata Edwardson and many more! 

With a cover by Carroll Cloar, from his luminous painting “Moonstricken Girls,” a Gustav Carlson comic written by Charles Portis, the author of True Grit, and interior art by Rachel Trusty. 

This is our long-waited Arkansas issue, with works by writers and artists with a significant connection to the Natural State. Order now for May delivery at arkint.org—or go to the link in our bio.

#writer #writing #writingcommunity #writersofinstagram #clmp by @thearkint
1
6 months ago
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The C. D. Wright Emerging Poets Prize is here!!
 
SUBMISSIONS OPEN: October 5 - November 15th Judge: Shane McCrae
Entries for the C.D. Wright Emerging Poet’s Prize should be 3-5 poems originally written in English, with a total of no more than 6 pages. You may submit more than once, but each new entry must be accompanied by a separate entry fee.
 
Contest Guidelines:
• Open to writers who haven’t yet published a full-length poetry book, and who have no book forthcoming before December 31st, 2026. Writers with chapbooks are allowed. Writers with a self-published book with a print run under 300 copies are allowed.
• All work will be considered for inclusion in the print magazine.
• Only previously unpublished work will be considered.
• The contest will be judged blindly, so please DO NOT include your cover letter, your name, or any contact information in your uploaded document.
• Submit your work as a single .doc, or .docx file.
• Close friends of the judge, as well as anyone recently affiliated with the University of Arkansas, which includes those who have studied or worked there within the past 4 years, are ineligible. by @thearkint
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4 days ago
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Read Holden Schmale’s review of The Last Father of the Man by Beowulf Sheehan. The review is live on our website!! by @thearkint
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a month ago
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In an unforgettable work of magical realism, young Ekwe is swept into a journey that will carry him across Nigeria, geographical plains, conflict zones, and a nation’s unraveling. A SIEGE OF OWLS follows a child’s adventure as he comes of age, bearing witness to the violence, upheaval, and hope in a rapidly changing society. 

Join us on October 1st at 6:30 p.m. as we host author, Uchenna Awoke for a reading of his new novel. The event will commence with a reading of a variety of African writers selected to appear in the latest issue of the Arkansas International. You won’t want to miss it!

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ABOUT THE AUTHOR:

UCHENNA AWOKE is a writer from Nsukka, Nigeria and the author of The Liquid Eye of a Moon. His short stories have appeared in Transition, Elsewhere, Trestle Ties, Oyster River Pages, Evergreen Review, and other publications. He has received fellowships from MacDowell and the Vermont Studio Center. He is an Artist Protection Fund Fellow and was the inaugural Arkansas International Writer-at-Risk Residency Fellow, currently enrolled at the University of Iowa Writers’ Workshop. He was a 2019 Graywolf African Fiction Prize finalist.

#independentbookstore #indiebookstore #fayettevillearkansas #fayettevillear #northwestarkansas taken in Pearl's Books by @thearkint
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2 months ago
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Click the link in our bio to read Marius Kurbatova’s interview with the gifted translator and writer Lucy Lee Jones! Jones recently translated German author Ronald M. Schernikau’s SMALLTOWNNOVELLA. The conversation is live on our website!! by @thearkint
12
2 months ago
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Read Ebonee Rice-Nguyen’s review of Claudia Rankine’s beautiful new book Triage. Live on The Arkansas International website!!
#book#review#literature#arkansasinternational by @thearkint
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2 months ago
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Read Jace Einfelt’s review of Drew Burton’s Daytona Teddy Riggs: https://www.arkint.org/magazine/daytona-teddy-riggs by @thearkint
9
2 months ago
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Submissions open now!!! by @thearkint
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3 months ago
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We are thrilled to announce that The Arkansas International has been selected as a 2026 grant recipient by the Community of Literary Magazines and Presses( CLMP), in collaboration with the Amazon Literary Partnership. This critical support will allow us to advance our mission of publishing. Our sincere thanks to @clmporg and Amazon Literary Partnership. by @thearkint
10
3 months ago
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Read Holden Schmale’s review of The Even Tenor of Our Ways on our website! by @thearkint
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3 months ago
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Huge congratulations to our 2026 Henry Dumas Prize Winner Siavash Saadlou for his incredible piece “Mi Padre”!! 

Judge John Keene said:

“Mi Padre” is a resonant and timely work of short fiction, melding a poignant, compelling narrative with thematic depth and psychological sophistication. “Mi Padre” follows the experience of its protagonist, Jubin, an Iranian graduate student at a Milan polytechnic university, after he decides to travel to the United States to visit to friends from his undergraduate years, Pourria and Layla, who are firmly settled in their lives as immigrants in Brighton, Massachusetts. Almost as soon as Jubin arrives in the US, however, he learns in an email from his younger brother, still in Iran, that their father, Farhad, with whom Jubin has had a complicated relationship, has been beaten to death by the authorities, primarily for his activism on behalf of Iran’s Kurdish population. Farhad, the reader learns, was of Kurdish ancestry and moved to Tehran as a young man, and his increasingly visible activism on behalf of Kurdish autonomy over the years led to his social isolation and financial ruin. “Mi Padre” explores the nuances of Jubin’s grief at his father’s murder and regret at their fractured connection, his inability to share his feelings even with his longtime friends, his decision to seek asylum in the US, Jubin’s growing emotional and economic precarity, and his negotiation of the potential new life ahead of him. Throughout, “Mi Padre” demonstrates skill at every aspect of storytelling, producing a story whose details and contours linger with the reader well after finishing it.

This piece will be published in Issue 20 of The Arkansas International. The publication date will be in early spring 2027. by @thearkint
4
3 months ago
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