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The Black Editions Group

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No Commercial Consideration. Black Editions, BEArchive, Thin Wrist & La Musica. Creative music live & on record. 2220 Arts + Archive, L.A.

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Marisa Anderson in L.A. this Friday, Oct. 16th ✨ An evening with the master guitarist, composer and improviser performing music from her Anthology of UnAmerican Folk Music. >> Ticket Link in Bio✨

Marisa Anderson channels the history of the guitar and stretches the boundaries of tradition. Her playing is fluid, emotional, and masterful, featuring compositions and improvisations that re-imagine the landscape of American music. The New Yorker calls Anderson ‘one of the most distinctive guitar players of her generation’, and NPR refers to her as among ‘this era’s most powerful players’. Her music has been featured in Rolling Stone, NPR, The New York Times, Pitchfork, the BBC and The Wire. Festival appearances include Big Ears, Pitchfork Midwinter, Le Guess Who and the Copenhagen Jazz Festival. Anderson is the recipient of the 2025 Spark Award for Oregon Artists presented by the James F. and Marion L. Miller Foundation.

In addition to her solo work, Anderson is sought after as a collaborator and composer. Swallowtail, her second record in duo with drummer Jim White was released May 2024 on Thrill Jockey Records. 2024 also saw the release of the feature film score ‘ A Perfect Day For Caribou’, as well as appearances on records by Charlie Parr, Myriam Gendron and Big|Brave. In addition to multiple solo releases, past projects include 2021’s Lost Futures with guitarist William Tyler, and contributions to recordings by Matmos, Tara Jane O’Neil, Beth Ditto, Sharon Van Etten and Circuit Des Yeux, among others.
Classically trained, Anderson honed her skills playing in country, jazz and circus bands. Her current work is focused on a mid-20th century archive of recorded music from the Islamic world, Southeast Asia and the Soviet Union.

‘One of the best emotional mediums in the field of solo guitar, Anderson is a master of lovely melancholy.’ - Pitchfork

Video excerpt from Marisa Anderson Live at the @kexp Studio, September 15, 2026

#marisaandersonmusic #marisaanderson #thrilljockey taken in 2220 Arts + Archives by @theblackeditions

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Cecil Taylor Unit “Live at the KiMo Theater Albuquerque 1979” will be out this Friday 10/16/26. A major new archival work from one of the apex creative artists to emerge in the 20th century. Deluxe gatefold double LP & digital download. ✨Check links in our bio to listen and purchase✨

𝙋𝙞𝙖𝙣𝙞𝙨𝙩, 𝙘𝙤𝙢𝙥𝙤𝙨𝙚𝙧 & 𝙗𝙖𝙣𝙙𝙡𝙚𝙖𝙙𝙚𝙧 𝘾𝙚𝙘𝙞𝙡 𝙏𝙖𝙮𝙡𝙤𝙧'𝙨 𝙘𝙖𝙥𝙖𝙘𝙞𝙤𝙪𝙨 & 𝙖𝙪𝙙𝙖𝙘𝙞𝙤𝙪𝙨 𝙤𝙧𝙞𝙜𝙞𝙣𝙖𝙡𝙞𝙩𝙮 𝙧𝙚𝙨𝙝𝙖𝙥𝙚𝙙 𝙩𝙬𝙚𝙣𝙩𝙞𝙚𝙩𝙝-𝙘𝙚𝙣𝙩𝙪𝙧𝙮 𝙢𝙪𝙨𝙞𝙘. 𝙄𝙣 𝙖𝙣 𝙖𝙨𝙩𝙤𝙪𝙣𝙙𝙞𝙣𝙜 𝙖𝙘𝙩 𝙤𝙛 𝙖𝙧𝙩𝙞𝙨𝙩𝙞𝙘 𝙛𝙤𝙧𝙗𝙚𝙖𝙧𝙖𝙣𝙘𝙚 𝙨𝙥𝙖𝙣𝙣𝙞𝙣𝙜 𝙨𝙞𝙭𝙩𝙮 𝙮𝙚𝙖𝙧𝙨 𝙤𝙛 𝙥𝙚𝙧𝙛𝙤𝙧𝙢𝙞𝙣𝙜 & 𝙧𝙚𝙘𝙤𝙧𝙙𝙞𝙣𝙜, 𝙏𝙖𝙮𝙡𝙤𝙧 𝙙𝙞𝙙𝙣'𝙩 𝙬𝙞𝙣 𝙤𝙫𝙚𝙧 𝙨𝙤 𝙢𝙪𝙘𝙝 𝙖𝙨 𝙬𝙚𝙖𝙧 𝙙𝙤𝙬𝙣 𝙩𝙝𝙚 𝙟𝙖𝙯𝙯 𝙚𝙨𝙩𝙖𝙗𝙡𝙞𝙨𝙝𝙢𝙚𝙣𝙩 𝙩𝙝𝙧𝙤𝙪𝙜𝙝 𝙩𝙝𝙚 𝙛𝙤𝙧𝙘𝙚 & 𝙗𝙧𝙞𝙡𝙡𝙞𝙖𝙣𝙩 𝙚𝙭𝙚𝙘𝙪𝙩𝙞𝙤𝙣 𝙤𝙛 𝙝𝙞𝙨 𝙞𝙙𝙚𝙖𝙨. 𝙃𝙞𝙨 𝙢𝙚𝙩𝙝𝙤𝙙𝙤𝙡𝙤𝙜𝙞𝙚𝙨 & 𝙡𝙖𝙣𝙜𝙪𝙖𝙜𝙚, 𝙞𝙛 𝙨𝙩𝙪𝙙𝙞𝙚𝙙 𝙖𝙩 𝙖𝙡𝙡, 𝙧𝙚𝙢𝙖𝙞𝙣 𝙪𝙣𝙖𝙨𝙨𝙞𝙢𝙞𝙡𝙖𝙩𝙚𝙙 𝙗𝙮 𝙩𝙝𝙚 𝙩𝙬𝙚𝙣𝙩𝙮-𝙛𝙞𝙧𝙨𝙩 𝙘𝙚𝙣𝙩𝙪𝙧𝙮 𝙟𝙖𝙯𝙯 𝙢𝙖𝙞𝙣𝙨𝙩𝙧𝙚𝙖𝙢 & 𝙞𝙩𝙨 𝙞𝙣𝙨𝙩𝙞𝙩𝙪𝙩𝙞𝙤𝙣𝙨. 𝙇𝙞𝙣𝙘𝙤𝙡𝙣 𝘾𝙚𝙣𝙩𝙚𝙧 𝙩𝙪𝙧𝙣𝙚𝙙 𝙩𝙝𝙚 𝙝𝙤𝙪𝙨𝙚 𝙡𝙞𝙜𝙝𝙩𝙨 𝙤𝙣 𝙙𝙪𝙧𝙞𝙣𝙜 𝙏𝙖𝙮𝙡𝙤𝙧’𝙨 𝙛𝙞𝙧𝙨𝙩 𝙥𝙚𝙧𝙛𝙤𝙧𝙢𝙖𝙣𝙘𝙚 𝙩𝙝𝙚𝙧𝙚 (2007), 𝙖 𝙨𝙩𝙖𝙧𝙠 𝙧𝙚𝙢𝙞𝙣𝙙𝙚𝙧 𝙩𝙝𝙖𝙩 𝙞𝙣 𝙨𝙥𝙞𝙩𝙚 𝙤𝙛 𝙂𝙪𝙜𝙜𝙚𝙣𝙝𝙚𝙞𝙢 & 𝙈𝙖𝙘𝘼𝙧𝙩𝙝𝙪𝙧 𝙁𝙚𝙡𝙡𝙤𝙬𝙨𝙝𝙞𝙥𝙨 & 𝙞𝙣𝙘𝙧𝙚𝙖𝙨𝙚𝙙 𝙧𝙚𝙨𝙥𝙚𝙘𝙩 𝙖𝙢𝙤𝙣𝙜 𝙨𝙤𝙢𝙚 𝙤𝙛 𝙝𝙞𝙨 𝙩𝙧𝙖𝙙𝙞𝙩𝙞𝙤𝙣-𝙢𝙞𝙣𝙙𝙚𝙙 𝙥𝙚𝙚𝙧𝙨, 𝙩𝙝𝙚 𝙨𝙝𝙤𝙘𝙠 𝙤𝙛 𝙝𝙞𝙨 𝙢𝙪𝙨𝙞𝙘 𝙝𝙖𝙙 𝙣𝙤𝙩 𝙙𝙞𝙢𝙞𝙣𝙞𝙨𝙝𝙚𝙙 & 𝙝𝙚 𝙬𝙖𝙨 𝙨𝙩𝙞𝙡𝙡 𝙖𝙣 𝙤𝙪𝙩𝙡𝙞𝙚𝙧, 𝙞𝙛 𝙣𝙤𝙩 𝙖𝙣 𝙤𝙪𝙩𝙡𝙖𝙬, 𝙥𝙧𝙚𝙨𝙚𝙣𝙘𝙚. 𝙒𝙞𝙩𝙝 𝙇𝙞𝙫𝙚 𝙖𝙩 𝙩𝙝𝙚 𝙆𝙞𝙈𝙤 𝙏𝙝𝙚𝙖𝙩𝙚𝙧 𝘼𝙡𝙗𝙪𝙦𝙪𝙚𝙧𝙦𝙪𝙚 1979, 𝘽𝙡𝙖𝙘𝙠 𝙀𝙙𝙞𝙩𝙞𝙤𝙣𝙨 𝘼𝙧𝙘𝙝𝙞𝙫𝙚 𝙥𝙧𝙤𝙪𝙙𝙡𝙮 𝙥𝙪𝙩𝙨 𝙞𝙩𝙨 𝙨𝙝𝙤𝙪𝙡𝙙𝙚𝙧 𝙞𝙣𝙩𝙤 𝙜𝙧𝙤𝙬𝙞𝙣𝙜 & 𝙚𝙣𝙝𝙖𝙣𝙘𝙞𝙣𝙜 𝙏𝙖𝙮𝙡𝙤𝙧'𝙨 𝙡𝙚𝙜𝙖𝙘𝙮. - Michael Ehlers

CT photographed by Raymond Ross / CTS Images. by @theblackeditions

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this edition of Album of the Week is Te Oro o te Ao by Rachel Shearer, an incredible avant-garde charting of the complex collision course between the natural and the human worlds.. Shearer’s past projects, like noise band Queen Meanie Puss, are always worth diving into.. a legend of New Zealand’s underground.. beauty.. released October 9th, through Thin Wrist by the wonderful @theblackeditions..

#newzealand #avantgarde #fieldrecording #noise #albumoftheweek by @theblackeditions

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Out today! Rachel Shearer’s “Te Oro o te Ao” LP
✨Sound & Purchase links in our bio✨
 The first album Shearer has released under her name; A bold sonic dreaming from a singular sound artist who over three decades has released works with Xpressway (NZ), Flying Nun (NZ), Ecstatic Peace (US), Corpus Hermeticum (NZ), Family Vineyard (US) among others. Each of her works is a portal into a vast aural realm.

“𝘚𝘰𝘶𝘯𝘥 𝘦𝘮𝘦𝘳𝘨𝘦𝘴 𝘪𝘯 𝘵𝘩𝘦 𝘱𝘳𝘰𝘤𝘦𝘴𝘴 𝘰𝘧 𝘢𝘯 𝘶𝘯𝘧𝘰𝘭𝘥𝘪𝘯𝘨 𝘶𝘯𝘪𝘷𝘦𝘳𝘴𝘢𝘭
𝘤𝘰𝘯𝘴𝘤𝘪𝘰𝘶𝘴𝘯𝘦𝘴𝘴, 𝘸𝘩𝘪𝘤𝘩 𝘨𝘪𝘷𝘦𝘴 𝘳𝘪𝘴𝘦 𝘵𝘰 𝘴𝘩𝘢𝘱𝘦, 𝘧𝘰𝘳𝘮, 𝘵𝘪𝘮𝘦, 𝘢𝘯𝘥 𝘴𝘱𝘢𝘤𝘦. 𝘚𝘰𝘶𝘯𝘥 𝘪𝘴 𝘵𝘩𝘦 𝘦𝘹𝘵𝘦𝘯𝘴𝘪𝘰𝘯 𝘰𝘧 𝘵𝘩𝘰𝘶𝘨𝘩𝘵 𝘢𝘯𝘥 𝘮𝘰𝘷𝘦𝘮𝘦𝘯𝘵, 𝘸𝘦𝘢𝘷𝘪𝘯𝘨 𝘵𝘩𝘦 𝘴𝘱𝘪𝘳𝘪𝘵𝘶𝘢𝘭, 𝘵𝘩𝘦 𝘱𝘩𝘪𝘭𝘰𝘴𝘰𝘱𝘩𝘪𝘤𝘢𝘭, 𝘢𝘯𝘥 𝘵𝘩𝘦 𝘮𝘢𝘵𝘦𝘳𝘪𝘢𝘭 𝘵𝘰𝘨𝘦𝘵𝘩𝘦𝘳.”

The album includes an extended essay by the artist discussing the intersection of the Māori concept of whakapapa, field recording, ecology, Pauline Oliveros’s Deep Listening, Pierre Schaeffer’s acousmatic approach, and an understanding of sound as well as the word itself that diverges profoundly from canonical western thought.

Te Oro o Te Ao was first realized as an immersive eight-channel sound installation made in response to a close listening to the earth. It was also released as a limited artist’s acetate edition of 10. Thin Wrist is pleased to present Te Oro o Te Ao in a vinyl and digital edition mastered by Rashad Becker, Clunk Berlin. Housed in a tip-on gatefold jacket with embossed black paper stock, ink pigment foil stamping, with a mounted booklet in the inner gatefold and printed inner sleeves. Pressed at Optimal, Germany.

Design by @seenstudio ! by @theblackeditions

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9 days ago

Wed. Sept 30th @2220arts - A night of deep listening and sound art excursions with New Zealand / Aotearoa sound artist and composer Rachel Shearer and Abby Dahlquist’s Ecco the Dolphin! The concert will celebrate the release of Shearer’s new LP “Te Oro o te Ao” on Thin Wrist Recordings.
✨Concert Ticket & Album Pre-Order links are in our bio✨

For over three decades, Aotearoa / New Zealand based sound artist and composer Rachel Shearer has researched and engaged with a wide range of Māori and Western practices in listening to the Earth. On the first full length album released under her name, Te Oro o te Ao (the resounding of the world) Shearer has created a bold work of sonic dreaming and remembrance. A personal realization channeled through the Māori concept of whakapapa; embracing the belief that the whole of creation, past/present/future is a dynamic interconnected movement. With field recordings, electronics, and voice, Shearer creates immersive analogs of earthly processes that move like tumbling avalanches and crashing waves. Subterranean volcanic activity transmutes into super-heated air rising into frequencies beyond human hearing. Shearer posits that consciousness, like the environment, is not a closed system; that the mind is an ecosystem where our thoughts are the ‘flora’ and ‘fauna’ and the perception of sound vibrations in the material world is a gateway to metaphysical realms.

Ecco the Dolphin is a project by musician, Deep Listener, and artist Abby Dahlquist. Dahlquist began working under the name Ecco the Dolphin to express resistance and earth consciousness through peaceful listening. Ecco explores the human-nature relationship through multimedia presentations that evoke the memory of home recorded new age ambient cassettes found in thrift stores on long drives up and down the pacific coast highway and Audrey Horne’s foray into environmental activism. Holding a certificate from Pauline Oliveros’ Deep Listening Institute, Dahlquist regularly facilitates workshops and has lectured at Philosophical Research Society and Shelterfest in Olympia, Wa. taken in 2220 Arts + Archives by @theblackeditions

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24 days ago

We’re thrilled that New Zealand / Aotearoa sound artist and composer Rachel Shearer will make an extremely rare U.S. appearance on Wednesday September 30th at 2220 Arts Los Angeles- performing in a concert to celebrate the release of her new album “Te Oro o te Ao” on Thin Wrist / Black Editions Group. ✨Concert Ticket & Album Pre-Order links are in our bio!✨

For over three decades, Aotearoa / New Zealand based sound artist and composer Rachel Shearer has researched and engaged with a wide range of Māori and Western practices in listening to the Earth. On the first full length album released under her name, Te Oro o te Ao (the resounding of the world) Shearer has created a bold work of sonic dreaming and remembrance. A personal realization channeled through the Māori concept of whakapapa; embracing the belief that the whole of creation, past/present/future is a dynamic interconnected movement. With field recordings, electronics, and voice, Shearer creates immersive analogs of earthly processes that move like tumbling avalanches and crashing waves. Subterranean volcanic activity transmutes into super-heated air rising into frequencies beyond human hearing. Shearer posits that consciousness, like the environment, is not a closed system; that the mind is an ecosystem where our thoughts are the ‘flora’ and ‘fauna’ and the perception of sound vibrations in the material world is a gateway to metaphysical realms.

Te Oro o Te Ao was first realized as an immersive eight-channel sound installation made in response to a close listening to the earth. It was also released as a limited artist’s acetate edition of 10. Thin Wrist is pleased to present Te Oro o Te Ao in a vinyl and digital edition mastered by Rashad Becker, Clunk Berlin. Housed in a tip-on gatefold jacket with embossed black paper stock, ink pigment foil stamping, with a mounted booklet in the inner gatefold and printed inner sleeves. Pressed at Optimal, Germany.

Shearer has been active as an experimental musician since the late 1980’s and has released material with labels Xpressway (NZ), Flying Nun (NZ), Ecstatic Peace (US), Corpus Hermeticum (NZ), Family Vineyard (US) among others. taken in 2220 Arts + Archives by @theblackeditions

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a month ago

Out October 16: Cecil Taylor Unit Live at the KiMo Theater Albuquerque 1979 (BEA-005, 2LP, Digital)  ⚡️Pre-Order link up now in our Bio⚡️

Black Editions Archives presents a novel, never before documented formation of the Cecil Taylor Unit operating with full kinetic intensity. Jimmy Lyons (alto saxophone) & Ramsey Ameen (violin), newly arrived Jerome Cooper (drum kit, balafon, shenhai, whistle) & return champion Alan Silva (bass, cello) join the Maestro on a rare swing through the American West to bring forth a concert recording as unique & thrilling as any in the Taylor canon.

2LPs of all previously unreleased music crisply captured for NPR’s -Jazz Alive- by the recordist for the New Mexico Symphony Orchestra, but never broadcast.

Available digitally and in a deluxe gatefold LP heavy tip-on 2LP gatefold jacket with ink pigment and metallic foil stamping on uncoated paper, metallic spot color gatefold. Detailed, color printed 12-page listening guide by Ben Young. Cut by Kevin Gray, pressed to audiophile vinyl by Fidelity Record Pressing. by @theblackeditions

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a month ago

I am very thrilled about the upcoming release of my album „chimeric“, July 31 on @theblackeditions / Thin Wrist Recordings.
My voice expanding into swarms of birds, metallic breath, chameleon tongues with mouth driven drum, jaws harp, bird whistles, hydrophone used as throat mic, brass megaphone.

Available digitally and on Deluxe-LP. Incredible art work (by @zardkom) and liner poetry (by @peared_ear). Mastered by @rashad__becker. Recorded and mixed by Rabih Beani @morphine_records_raum
A huge thank you to @peter_kolovos for making this incredible project happen! For preorder: link in bio.

Snippet from video by @filipborelli.art
(concert @kontejner_org) by @theblackeditions

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3 months ago

a crucial bastion of historic avant-garde reissues..

#freejazz #freeimprovisation #noise #playlist #vinylreissue by @theblackeditions

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3 months ago

For long summer days and the dusk hours slowly fading into night, Go Hirano’s “The Habit” LP is available on deluxe vinyl, download and streaming. ✨Visit the album link in our bio✨

On The Habit, Go Hirano assembles recordings that span decades of his playing the piano and other instruments on a daily basis. The core of the album was recorded in 2020 at Pianola Records in Tokyo, while other pieces draw from recordings dating as far back as the late 1980s. Through this span of years, a coherent vision emerges, marked by patient, subtle engagement with repetition, space, and resonance. Hirano works with a restrained palette—piano, pianica, wind chime, percussion, and synthesizer—to develop simple melodic figures that gradually shift in harmony and texture. Spacious piano chords expand through soft synthesizer tones. Near-imperceptible rhythmic frameworks intertwine with tranquil phrases that drift and merge with the sounds of the world around them.

This synthesis of music and the environment in which it is created is critical to Hirano’s approach. Rather than isolating the music from its surroundings, he embraces the atmosphere of the moment, the room in which each piece is played, capturing the subtle sounds and artifacts of the artist’s daily experience and the surrounding natural world. For Hirano, these “imperfections” are pathways to vibrant, living expression.

While he may share affinities with Ryuichi Sakamoto, Hiroshi Yoshimura, and even Brian Eno, Hirano’s dedication to “initial, unadorned expression” and processing the environment through his own particular filter sets him apart. The Habit reveals a meditative, melodic language unfolding over the decades and within the many spaces of a life in music marked by a unique warmth and beauty by @theblackeditions

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3 months ago

We’re extraordinarily thrilled about the upcoming release of Ute Wasserman’s “chimeric” album on July 31st! Available Digitally and on Deluxe LP housed in a double die-cut, neon spot-color jacket with spot UV gloss, two full color inserts and printed inner sleeve. ✨Artwork and design by Liz Kosack and liner poetry by Andrew Choate. ✨Pre-Order link in our bio✨

Few artists have expanded the possibilities of the voice as radically and masterfully as Berlin based voice artist, composer and improvisor Ute Wassermann. For her, the voice is an ecosystem: a living field of relationships between body, object, space, and the listener’s ear. Her music moves between the transcendental and the quotidian at once – breath as ritual, sound as touch, acoustic experience as something simultaneously otherworldly and utterly present. Dissolving the perceived boundaries between mind and body, she offers instead a full-bodied immersion in ever-changing stillness, an idiosyncratic engagement with sound that is all-at-once fierce, tender, and free.

On her new album “chimeric”, Wassermann extends her voice with a wide array of implements; breath-driven drums, hydrophones used as throat microphones, bird whistles, jaw harps, brass megaphones. These objects don’t just function as embellishments or demonstrations, but rather, as companions – materials with which she communicates and is herself transformed. The result is a music in which the lines between self, object, and environment are constantly blurred, erased and redrawn.

chimeric is an album teeming with vivid colors and transcendental beauty that reveals the voice as a truly limitless instrument.

Video created by John Dawson featuring Liz Kosack’s artwork ✨ by @theblackeditions

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4 months ago

Shane Parish, guitarist, composer, improviser, and interpreter, performs his acclaimed work Autechre Guitar live at 2220 Arts + Archives, Sunday June 14 !
✨Ticket Links in Our Bio✨
Parish focuses on the translation of music across traditions, canons, and technologies. Known for his precise and expressive fingerstyle technique and his nuanced approach to transcription, Parish treats interpretation as a compositional practice, using existing works as material for structural and sonic transformation.

On February 27, 2026, Shane Parish released the album Autechre Guitar on Bill Orcutt’s Palilalia Records. A seemingly impossible task, Parish arranged ten songs by the electronic UK duo Autechre for solo acoustic guitar, and performed them with warmth, feeling, and precision. A beautifully recorded collection of songs, the album was met with universal acclaim, going into multiple pressings, and leading to a slew of international festival invitations to perform the music live.

“In the midst of an ever-expanding discography that swerves from jazz and avant-garde to folk and blues, free improv and studious composition and attention-grabbing covers, Shane Parish is the perfect artist to take [Autechre’s Music] on: a master’s thesis after years of intense field work.” —Sam Sodomsky, Pitchfork

“Autechre Guitar is elegant and crystalline, a set of fascinating miniatures composed of unexpected links and gaps. It’s as confounding and crafted as an Escher staircase.” — Derek Walmsley, The Wire

“Ultimately, Autechre Guitar works on multiple levels… an invitation to listen deep inside the music… and to simply get lost in Shane’s astonishingly fleet playing.” — Philip Sherburne, taken in 2220 Arts + Archives by @theblackeditions

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4 months ago