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🖼️ I Remember When
📍The Goat Farm • 1200 Foster St NW, Studio 109
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What’s all the buzz about? 🐝

We are SO excited to announce this year’s Honeycomb 2026 artists. Look forward to seeing the work of these 52 incredible artists as we gear up for our annual small works show!! 

Thank you to everyone who submitted artwork. We truly love pollinating the community. 🦋

Honeycomb III runs from November 5 - December 11, 2026

Image: Chris Campbell, Hive #7, Mixed media, $475 by @thepollinatorartspace
13
7 days ago
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What a great night we had at The Pollinator. Thanks to @samlasseter @ilonapainter @mrhopthescissor @extremely_michael @seanmccormickart for such a great exhibit. The weather gods were kind. And SITE III is in the books. We appreciate all he love tonight! by @thepollinatorartspace
1
12 days ago
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Goat Farm’s annual SITE is THIS SATURDAY 10.3. The Pollinator’s doors will be open so please stop by and check out our current exhibition ✨ I Remember When ✨ by @thepollinatorartspace
3
16 days ago
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Come see the amazing Mike Stasny during Site and see our exhibit, I Remember When. 

His current two-dimensional projects, “COLLLECTION” and “YEARBOOOK,” use pop-cultural objects, forgotten iconography, and found vintage yearbooks as source material. Some of these images are deeply personal. Others are simply, generically old: familiar things pulled from a shared cultural past without any obvious hierarchy or explanation.
The drawings are produced rapidly and in volume, favoring quantity, instinct, and repetition over polish. They function as loose studies of time passed—an almost frenzied form of meditation on the things that once surrounded us and quietly defined reality. Many of these objects and images did not make much sense then, and they make even less sense now.
There is humor in that distance, but also sadness. The passage of time reveals how fragile and temporary the human experience can be. People, products, fashions, celebrities, technologies, and private memories that once seemed permanent gradually become unfamiliar. The objects of our youth were once actions: things we used, watched, listened to, wore, wanted, or believed in. Now, many of them survive only as relics.
We used to be the people in our yearbooks. Now, Stasny finds it both amusing and quietly devastating when someone looks at an old photograph and says, “Wow. Good for you. You still look like yourself.”

Mike Stasny likes to describe his work as “the same thing I was doing at four, but now inside the much larger body of a 45-year-old.”

In practice, Stasny works as a kind of creative polymath. His projects have included giant inflatables, creatures assembled from broken furniture, experiments with economic systems presented as performance art, and serving as co-writer and producer of the viral video “What What (In the Butt).” Across these forms, his work is driven by play, curiosity, humor, and an ongoing fascination with the strange systems, objects, and images that people collectively agree are normal. by @thepollinatorartspace
0
16 days ago
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We are delighted to share Chris Moss' work in our current exhibit, I Remember When.

How we hold ourselves in our body, how we present, is a recurring theme in my work. This developed out of
an intense period of self-observation and scrutiny. The subject of my earliest mature work was performance
anxiety and a fear of failure. It was personal, for sure, but really, I’ve come to recognize this anxiety as one of
our least helpful psychological constructs. Insecurity is plainly useless. Insecurity, and the various ways people react to it, has probably done more harm than good to humankind.
It's better, probably, to take this all very seriously and to laugh at it.

For at least the last ten years I have wondered at the ubiquitous avatar. The mechanism through which the
individual is reduced a generic representation - eyes and mouths. Heads all look similar, yet the nuances and variations of each demonstrate infinite variability. Maybe they are not anonymous avatars but individuals
rendered as such.

These new works have presence, volume, and depth. Like sentient beings, these heads react to changes in the environment. In many I have used photochromic and thermochromic pigments and more traditional paints. [Photochromic paint charges with color in sunlight - like transition lenses - while thermochromic pigments become more colorful below 77°F.] 

We see a representation of a not-human, but look closer - therein lies the fear, hope, anxiety, and joy we
might experience from moment to moment. The "head" presents a candy-colored tabula rasa. They are silly and cute, yet redolent of potential and meaning. They are holy fools.

Christopher Moss (b. Wilkes-Barre, PA) received a BFA in 2000 from Marywood University,
Scranton, PA and an MFA in 2006 from CUNY Brooklyn College. Since 2011 his work has been included in multiple solo and group exhibitions at Theodore (New York, NY). He has also
exhibited at Shaheen Contemporary (Cleveland, OH), Grizzly Grizzly (Philadelphia, PA) Field Projects (New York), LABspace (Hillsdale, NY), SEASON (Seattle, WA), Sulfur Studios
(Savannah, GA) and Kai Lin Gallery (Atlanta, GA). #artexhibit by @thepollinatorartspace
4
18 days ago
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Today is the last day to apply! Application is in bio or our website. We will accept applications until midnight. 🦋🦋🦋🦋🎈 by @thepollinatorartspace
3
21 days ago
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We are delighted to share Sam Lasseter's work in our current exhibit!

Sam Lasseter received a BFA in sculpture from the Savannah College of Art and Design. He has worked as a fabricator at companies in theater, theme park, and movie industries in Atlanta, Portland, and New York. In 2015 he exhibited in a solo gallery show called Joy, where all of the art was meant to make the viewer smile and share a laugh. This set the course for his current body of work. Lasseter’s work pulls inspiration from the Pop Art movement, enlarging classic American toys and candies into hyper-realistic fiberglass sculptures. He currently works and resides in Atlanta, Georgia.

ARTIST STATEMENT
In my current body of work, I explore classic American toys and candies, magnifying them into hyper-realistic fiberglass sculptures. Inspired by the Pop Art movement, much of the subject matter is pulled from popular culture of the era. The pieces are built with every detail to allow viewers to see and connect with the familiar. I want the viewer to fall into the nostalgia of the toy or candy, to be able to recall their own memories; the way it tasted, where they would eat or play with it, who they shared it with, and/or how it sounded when opened. These memories are so embedded into our psyche and all at once, they come flooding back to us full of emotion and meaning. Not only that, the work is meant for the masses, injecting irony into the white-wall space so anyone off the street can connect with the art. At its core, the work is for the everyday person, to show them a piece of themselves and, just for a moment, recall being a kid again. 

Sam will be at SITE October 3rd. Come see his amazing works!

#artgalleries #sculpture by @thepollinatorartspace
0
21 days ago
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We are delighted to have Ilona Anderson in our current exhibit.

Artist Statement

I am intrigued by the notion of impermanence and change, which is our constant experience. 
I craft my animations by following an idea and sometimes include cannibalized sections of previous works, be they watercolours, drawings or large early paintings that have previously been exhibited in the Nelson Mandela Museum or the Carnegie International. I add to this repertoire photos I capture of life around me, shadows, rainbows  enticing moments. This compelling approach - using “cannibalism” of my own artwork creates this beautiful cycle of creation, destruction, and rebirth that’s at the heart of impermanence. The fact that i am manipulating it all by hand in Procreate adds an intimate, personal layer to this process of constant transformation, which is both surprising and satisfying.

Biography
The artist resides in Boston MA and will be at SITE! Anderson is originally from South Africa and came to the US on a Fulbright Scholarship. Her works have been exhibited nationally and internationally. We are thrilled to show her still shots from her animation series as well as her video series. Come talk to her about her amazing works.

#animationart #artforsale #artexhibit taken in Goat Farm by @thepollinatorartspace
0
23 days ago
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Don’t have FOMO! Link for the application is above and in our website. Download the pdf. Fill it out send us some images. That’s all! No fee to apply. Thanks to  @ramiecay and @jeffreywilcoxpaclipan for being our crusaders! #openartcall #callforart #smallworks #thepollinatorartspace taken in Goat Farm by @thepollinatorartspace
4
24 days ago
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We had a wonderful day meetings dozens and dozens of Georgia Tech students this week. Our lovely intern Nola Charles is a senior biomedical engineer student. Come see her at the space soon! 
#atlantaarts 

@nolacharles_ taken in Georgia Tech by @thepollinatorartspace
1
a month ago
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‼️NOW OPEN‼️ Honeycomb III artist applications are available on our website or through the link in our bio

Honeycomb is The Pollinator’s annual open call seeking small works from local artists. For the third year in a row, Honeycomb aims to showcase small, affordable works from emerging and established local artists. Our mission for this show is to cross-pollinate creatives and the community, allowing for a diverse intersection of artists and collectors. 🦋

• Applications close September 25th
• Show runs October 29th through December 11th
• Works no larger than 12x12
• No application fee ($35 if accepted into the show)

Email thepollinatorartspace@gmail for questions

We cannot wait to see what’s in store this year 🐝

#opencall #atlantaartist #atlantaart #opencallforartists by @thepollinatorartspace
2
a month ago
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💭💭Just because we’re closed today doesn’t mean you have to miss out on our current show, “I Remember When.” Consider this as your personal tour. 

Like what you see? Come visit us in person tomorrow Sat. 8/29 11am-3pm!

🦋

#atlantagallery #atlantaarts #gallery #worksforsale taken in Goat Farm by @thepollinatorartspace
1
2 months ago
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