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🎬 Helping filmmakers tell permissionless stories
🌊 Sundance/TIFF writer/director @islechildmovie
💌 Co-founder @the.vandalist
👇 Check THIS out:
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Your proof-of-concept shouldn’t feel like just a trailer for the real thing.

Comment “concept” and I’ll send you a free breakdown on finding big donors outside your friends and family 👇

#indiefilm #shortfilm #filmmaking #proofofconcept #crowdfunding​​​​​​​​​​​​​​​​ by @thomas.pk
3k
7 months ago
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The number one mistake filmmakers make when crowdfunding is crowdfunding in the first place…

Comment “Alabama” and I’ll send you the full breakdown! :)

#indiefilm #filmfinancing #crowdequity #filmmakers #independentfilm taken in Alabama by @thomas.pk
3k
7 months ago
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Most filmmakers don’t know this financing model exists... and I wish someone had shown me sooner.

If you want to learn how this works, comment “equity” and I’ll send you a free breakdown straight to your DMs! See you there.

#indiefilm #wefunder #crowdequity #filmfinancing #independentfilm by @thomas.pk
2k
7 months ago
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Film distribution is just marketing plus delivery, and other companies currently control both of them.

Marketing now means social media… But just posting about the film isn’t enough. You have to learn (or spend money to hire) the skills of hooks, pattern interrupts, curiosity gaps, packaging, and retention to win this game.

Delivery of your movie means converting as much of the attention you’ve generated into actual sales by processing payment and delivering the film to their TV. But that currently means going through PNA, sales agents, distributors, theater bookers, and aggregators. It means waiting for their permission and giving them a huge cut.

I’m releasing my first feature, @islechildmovie in the coming months — stay tuned to learn more! by @thomas.pk
8
4 days ago
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Let me know if y'all want our pitch deck template as well? If we get enough traction here in the comments, I'll make a separate video giving it away for free.

Or comment CROWD for more info on our permissionless film financing method! by @thomas.pk
123
18 days ago
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Hollywood spends tens of millions of dollars guessing what audiences want based on words on a page. 

The problem is that you cannot predict story resonance, execution, or audience reaction from a script alone.

So we're trying something different in NYC this year with a $100,000 annual pool for indie films:
- Seed ~10 small proof-of-concept films
- Help produce and package the projects
- Screen the cuts in our NYC microcinema with a live audience, investors, and producers
- Double down on the breakout stories for an expanded feature or series

If you are a filmmaker and want to learn more about what we are looking for when funding opens, comment “FUND” and we’ll send you the link to be first notified 👇 by @thomas.pk
57
23 days ago
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Film school gives you structure and puts you in a room with like-minded peers who become lifelong collaborators.

The problem is the education model. You pay $200k+ to learn outdated formulas and walk away having directed maybe one or two actual short films across four years.

Directing is a trade built on volume and reps with a crew, not lecture halls.

We’re building The Vandalist Foundry in New York to give filmmakers the collaborators, the cinema, the gear, and the reps, without the financial barrier.

Comment “NYC” to get on the waitlist for the space! 👇 by @thomas.pk
81
25 days ago
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The apprenticeship model that trained Spielberg and Scorsese is gone. The festival ladder that launched Nolan and Aronofsky is broken.

Filmmakers spend years making movies for festival programmers, while studios only look for de-risked IP. Nobody is developing original talent to make films audiences actually want to see.

So we're building our own studio model in NYC: The Vandalist Foundry. A physical clubhouse for filmmakers, in-house funding, and so much more.

If youore an indie filmmaker, comment “MOVIES” and I'll send you the early access waitlist link! 👇 by @thomas.pk
802
a month ago
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Making movies can be a lonely endeavor... until you have a room full of like-minded peers pushing you forward.

What would you want in a shared studio space? Editing/ color bays? Micro cinema? Late night cafe to work with other creatives? taken in Manhattan, New York by @thomas.pk
19
a month ago
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We've helped first-time filmmakers raise over $3 million without Hollywood.

I'm Thomas Percy Kim, a Sundance, TIFF, HBO Max writer/director. Callaway Stivers, my co-host, is a producer and 1st AD of 10+ features and top branded commercials.

We run The Vandalist Academy – a free live show on YouTube where we teach filmmakers how to finance, produce, and sell their films without asking for anyone's permission.

Every Thursday at 4pm PT / 7pm ET, we break down the money behind independent film – how to raise capital using new financing strategies, how to spend that money wisely, and how to make it back. All from the deals we've done ourselves.

The industry wants you to wait around for permission. We'd rather you just go make your film.

Comment "FUND" for a free pitch deck template to help you attach producers and investors for your next project and join our Academy! by @thomas.pk
25
4 months ago
Download
We've helped first-time filmmakers raise over $3 million without Hollywood.

I'm Thomas Percy Kim, a Sundance, TIFF, HBO Max writer/director. Callaway Stivers, my co-host, is a producer and 1st AD of 10+ features and top branded commercials.

We run The Vandalist Academy – a free live show on YouTube where we teach filmmakers how to finance, produce, and sell their films without asking for anyone's permission.

Every Thursday at 4pm PT / 7pm ET, we break down the money behind independent film – how to raise capital using new financing strategies, how to spend that money wisely, and how to make it back. All from the deals we've done ourselves.

The industry wants you to wait around for permission. We'd rather you just go make your film.

Comment "FUND" for a free pitch deck template to help you attach producers and investors for your next project and join our Academy! by @thomas.pk
29
4 months ago
Download
We've helped first-time filmmakers raise over $3 million without Hollywood.

I'm Thomas Percy Kim, a Sundance, TIFF, HBO Max writer/director. Callaway Stivers, my co-host, is a producer and 1st AD of 10+ features and top branded commercials.

We run The Vandalist Academy – a free live show on YouTube where we teach filmmakers how to finance, produce, and sell their films without asking for anyone's permission.

Every Thursday at 4pm PT / 7pm ET, we break down the money behind independent film – how to raise capital using new financing strategies, how to spend that money wisely, and how to make it back. All from the deals we've done ourselves.

The industry wants you to wait around for permission. We'd rather you just go make your film.

Comment "FUND" for a free pitch deck template to help you attach producers and investors for your next project and join our Academy! by @thomas.pk
16
4 months ago
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