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Tony Trischka

@tonytrischka

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Earl Jam 2, Tony's follow-up to the Grammy-nominated album, is out now
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@johnhartfordofficial once told me this song bought him his bus. He was inspired to write it after seeing Doctor Zhivago in 1966. @belafleckbanjo produced the track and crafted the beautiful fiddle and @billystrings vocal intro, along with the unexpected outro. The key change in the banjo break came from balancing two essentials: keeping Billy’s vocal in his sweet spot while placing Earl’s recreated solo exactly where Earl originally played it. Listen to “Gentle On My Mind” and pre-order the album at the link in my bio. by @tonytrischka
Earl Jam for your consideration #GRAMMYs by @tonytrischka
Get on out there 🗳️ #vote by @tonytrischka
Feeling the fall vibes today with @tonytrischka & @sistersadiemusic’s “Maple On The Hill” from Earl Jam 2. 🍂🪕 About the song, Trischka says: “Maple” is based on a version recorded by the Original Carter Family in 1939 for radio broadcasts on Mexican border stations. It was written by Gussie Lord Davis, the first successful African American songwriter, in 1880. Sister Sadie are one of the finest bluegrass groups out there today. Their vocals here are searing and heart-rending and their instrumental prowess is up there with the best. Gena’s an incredible banjo player and though she’s laying down rock solid rhythm guitar here, I couldn’t let the opportunity slip by without her playing the five string. That’s all Gena, grooving the back-up behind the vocals. I replicate Earl’s solos at the beginning and end. Deanie, in addition to providing a wonderfully lush double fiddle break, was hugely helpful in producing the vocals. Listen at the link in bio. by @tonytrischka
Happy Halloween, banjo lovers 🎃 This is a solo version of "Step by Step", my halloween song feat. @martharedbone, streaming everywhere. Stay spooky friends ✨ by @tonytrischka
Wintertime in Woodstock wouldn't be complete without a little banjo, fiddle, shape note singing, and comedy ❄️ The Annual TT Holiday Show comes to @bearsvilletheater on Sunday, Dec 6 with @timeriksenmusic @hanread @engel_jared and @leftist.kid.rock Get your tickets at the link in bio 🔗 by @tonytrischka
Our good friend @tonytrischka dropped by to answer a few quick questions at IBMA! Who doesn't love a good Boston Cream! #ibma #banjo #deeringbanjos by @tonytrischka
We asked some of the artists featured in No Depression over the years to say a few words about the publication and its importance in their lives and careers, and we were blown away by the response. In the nineteenth of many testimonials, Tony Trischka talks about what No Depression has meant to him and the greater roots music community. Thirty years later, No Depression is still covering the best in roots music, Americana, or “whatever you want to call it.” Become a supporting member today at nodepression.org to read the best in roots music journalism and discover more of your favorite artists, like Tony Trischka! by @tonytrischka
Today's intensive highlight: Tony Trischka! Bluegrass Banjo Roots and Branches. Thursday, 10am-1pm Space is limited. To register for this, or any other intensive, including our Never Too Late Adult Academy: https://events.humanitix.com/wintergrass-2027/tickets#group3 by @tonytrischka
Do you hear what I hear? 🪕✨ Tickets at tonytrischka.com / link in bio @timeriksenmusic @hanread @engel_jared @leftist.kid.rock by @tonytrischka
For your consideration ✨ @tonytrischka @billystrings @downtheroadrecords by @tonytrischka
Tony Trischka brought the banjo to the Relix office and delivered three tunes: “Elinora,” a “Bill Cheatham / Cripple Creek” pairing, and “Hoagie for Béla,” a nod to his most famous former student. Watch the full session on Relix YouTube channel. by @tonytrischka

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