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Tringa Gashi

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Final week: Tringa Gashi, 𝘖𝘭𝘥 𝘕𝘦𝘸𝘴

Throughout the summer, Tringa Gashi’s 𝘖𝘭𝘥 𝘕𝘦𝘸𝘴 has occupied the windows of Galleri Format, unfolding in the space between the gallery and the street — viewable by day and lit up at night.

There is just one more week to see the exhibition before it comes down on 14 August. by @tringity

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2 months ago

Tomorrow between 17.00—19.00 we will open our summer window exhibition, Tringa Gashi’s installation ‘Old News’ will be viewable around the clock until 16 August.

Newspapers cover the gallery windows, presenting the space as inaccessible or in transition. Overlaying the pages are images from the artist’s own archive. Through this gesture a counter-feed emerges; inserting personal narratives into systems of public communication, disrupting the familiar circulation of information while remaining entangled within it. Old News brings together fragments of everyday life, blurring the boundaries between private memory and public news.

Tringa Gashi (b. 1996) is based in Copenhagen/Malmö and educated at the Royal Danish Academy of Fine Arts (2024) and Malmö Art Academy (2021). As a Swedish-Kosovar Albanian artist, she works from a cross-cultural perspective, exploring how intimate experiences are intertwined with economic and historical systems. In her work, a recurring interest lies in the circulation of images in public and commercial spaces. Through photography, film, and installation, she examines how images are shaped by—and simultaneously reproduce—economic structures, desire, and cultural imaginaries. by @tringity

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3 months ago

Garments on Demand by Tringa Gashi

Short video story about garments and days we spend in them. Full lenght on preview soon on Journal garmentsondemand.eu taken in Kopenhagen, Denmark by @tringity

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3 months ago

Garments on Demand by Tringa Gashi

Short video story about garments and days we spend in them. Full lenght on preview soon on Journal garmentsondemand.eu taken in Copenhagen, Dennmark by @tringity

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4 months ago

Garments on Demand by Tringa Gashi

Short video story about garments and days we spend in them. Full lenght on preview soon on Journal garmentsondemand.eu taken in Copenhagen,Demark by @tringity

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4 months ago

We are delighted to announce the selected artist for our recent open call is Tringa Gashi
@tringity

Tringa Gashi (b. 1996) is based in Copenhagen/Malmö and educated at the Royal Danish Academy of Fine Arts (2024) and Malmö Art Academy (2021). As a Swedish-Kosovar Albanian artist, she works from a cross-cultural perspective, exploring how intimate experiences are intertwined with economic and historical systems.

In her work, a recurring interest lies in the circulation of images in public and commercial spaces. Through photography, film, and installation, she examines how images are shaped by—and simultaneously reproduce—economic structures, desire, and cultural imaginaries.

Tringa’s work will be presented in our upcoming window exhibition during the summer (more info to come).

We would also like to give a huge thanks to everyone who applied. This year we received a total of 119 proposals from all over the world and the high quality and diversity of submissions made the selection process incredibly difficult! by @tringity

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5 months ago

Garments on Demand by Tringa Gashi taken in Copenhagen, Dennmark by @tringity

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5 months ago

Garments on Demand by Tringa Gashi, 2026 taken in Copenhagen, Dennmark by @tringity

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5 months ago

Garments on Demand by Tringa Gashi, 2026 taken in Copenhagen, Dennmark by @tringity

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5 months ago

A dream come true to have our work Common Desire screened on the busy streets of Gothersgade throughout December 2025.

Huge thanks to @open_source.tv for curating and making this happen, and to @svanekokkenet for hosting.

Supported by @statenskunstfond by @tringity

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8 months ago

Flipped, digital scan, series of 12, 2025.
Some of the images that I contributed with in the latest issue of @__materia_______
Thank you @ritabarbro and @sirihammaren for inviting me. by @tringity

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10 months ago

Spent summer at @kkvgrafik developing the photogravure series Shadow Economy 🪄

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Shadow Economy is a photographic exploration of parallel economies and the hidden mechanisms that operate beneath official systems—focusing specifically on the circulation of counterfeit euros in Kosovo. The four images investigate the boundaries between legitimate and illegitimate value, questioning the authority of economic systems and the symbols that sustain them.

The work zooms in on the euro coin—not merely as a unit of currency, but as a cultural artifact loaded with power and trust. Through close-up photographs revealing subtle details, textures, and imperfections, the work highlights how value is both constructed and contested. These images delve into the minute dots, edges, and metallic properties that distinguish authentic coins from counterfeit ones—markers often invisible to the casual eye but crucial to the systems of control that govern daily transactions.

One key method used to detect fake coins in Kosovo involved a simple magnet test. Real €2 coins, embedded with ferromagnetic metals, would stand upright when placed on a magnet, while counterfeit ones would fall. This magnetic behavior becomes a symbolic gesture in the work—speaking to the forces that separate what is accepted from what is rejected. by @tringity

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a year ago