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Tristan Perich

@tristanperich

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By RSVP only: please join me and mixing engineer Nathaniel Reichman this Sunday for an intimate listening of the multi-channel mix of Infinity Gradient (for organ and 100-channel 1-bit electronics) played through the immersive sound system at Engine Room Audio (NYC). Performed by James McVinnie, mixed and mastered by Reichman in Dolby Atmos, and released on Erased Tapes, hear it in exquisite dimensional detail in the studio's multi-channel mixing room. The event is free. Wine and snacks will be served. Space is extremely limited — please RSVP to reserve a spot.

RSVP at this link or by direct message: https://forms.gle/21DXqFmn8fA6fTZq8

@nyreichman @jmcvinnie @erasedtapesrecords @engineroomaudio by @tristanperich

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18 hours ago

Three days at Big Ears 2027. Friday April 2: "Surface Image" with Vicky Chow. Saturday April 3: "Open Symmetry" with UMich Percussion. Sunday April 4: Tristan Perich solo electronics.

@bigearsfestival @vcpianos @perkoperc by @tristanperich

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3 days ago

Infinity Gradient is on the first-round GRAMMY® ballot. The grand collaboration from composer Tristan Perich and organist James McVinnie, Infinity Gradient is an hour-long composition for organ and 100-channel 1-bit electronics, pitting cascading sheets of Perich's signature gritty and gleaming 1-bit electronics against the physical immensity and expansive sonic colors of the organ. Commissioned by Festival Musica and La Soufflerie, and premiered at Festival Musica in Strasbourg (France), the work is Perich's largest to date, having been performed around the world, from MUTEK in Montreal to Southbank Centre in London, and is traveling next to the Barbican (London) and Voices of Ascension (NYC).

Composed by Tristan Perich.
Performed by James McVinnie.
Immersive mix by Nathaniel Reichman.

If you are a voting member of the GRAMMYs®, please watch for Infinity Gradient:
* Best Contemporary Classical Composition
* Best Classical Instrumental Solo
* Best Immersive Audio Album See less

@jmcvinnie @nyreichman @erasedtapesrecords by @tristanperich

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5 days ago

A glimpse into the hypnotic world of Tristan Perich’s ‘Formations’, performed here by cellist Alice Purton. 🔊

Combining the raw simplicity of 1-bit electronics with acoustic instruments, Perich creates music that The Wire has described as “an austere meeting of electronic and organic”.

We’re excited to introduce UK audiences to two of Perich’s works in our first concert of the season, ‘The Mad Moon and the Owls’, alongside music by Natacha Diels, Jack Sheen and Iannis Xenakis.

📍 The Horse Hospital, London
📅 Tuesday 20 October, 7:30pm

🎟️ Tickets via the link in our bio!

#newmusic #experimentalmusic #chambermusic #london by @tristanperich

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6 days ago

NYC: Infinity Gradient with James McVinnie at Voices of Ascension (January 7), with Nico Muhly "Nativity Cycle" premiere, and Pérotin "Viderunt Omnes."

Info: https://www.voicesofascension.org/mcvinnie27

@voascension @jmcvinnie @nicomuhly by @tristanperich

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8 days ago

Today’s venue. by @tristanperich

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15 days ago

Soundcheck. by @tristanperich

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15 days ago

Setting up for Thursday’s show (Berlin)

@jmcvinnie @gamut.inc by @tristanperich

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16 days ago

Die Donaueschinger Musiktage mitten in der Stadt und für alle – so wie im vergangenen Jahr bei der Aufführung von Tristan Perichs „Reflections of a Bright Object“ mit HANATSU miroir – gibt es auch in diesem Jahr wieder!

Eine nächtliche Performance erwartet das Donaueschinger Publikum: Für „Filtered by Fire“ entzündet Klangkünstler Yann Leguay im Schlosspark Feuer 🔥 Die Flammen bewegen und formen den Klang der Komposition, bevor er das Publikum erreicht.
Wir freuen uns auf eine Performance, die sicherlich Augen und Ohren gleichermaßen anspricht!

📆 Freitag, 16. Oktober 2026
🕙 23:00 Uhr
📍 Schlosspark
🎟️ Eintritt frei

Mitten in der Stadt sind natürlich auch die Klanginstallationen in Orangerie, Alter Molkerei und Museum Art.Plus, die am Donnerstag, den 15.10. eröffnet werden.
Von Freitag bis Sonntag können Sie anschließend die Werke von Gwendoline Robin, Yann Leguay und Miles Jefferson Friday den ganzen Tag über bei freiem Eintritt erleben.
Gwendoline Robins „Coexistences #2“ bleibt auch über das Festival hinaus im Museum Art.Plus zu sehen.

@tristanperich
@hanatsumiroir

@phonotopy
@mtwtfriday
@gwendolinerobin
@eventlocation_museumartplus

#musiktage #donaueschingen #musikfreunde #swr taken in Donaueschingen by @tristanperich

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18 days ago

Thursday in Berlin at AGGREGATE.

@jmcvinnie @gamut.inc by @tristanperich

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19 days ago

Next week in Berlin, on the second night of the Aggregate Festival of new music for pipe organs: Infinity Gradient, for organ and 100 speakers (with James McVinnie). October 1 at St Hedwigs Kathedrale, with Marcel Andreas Ober, Benjamin Geyer, Mauricio Silva Orendain.

@gamut.inc @sankt_hedwig_mitte @jmcvinnie by @tristanperich

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21 days ago

Tomorrow at Festival Musica (France), ensemble 0 plays my "Open Symmetry", for 3 vibraphones and 20-channel 1-bit electronics.

Info: https://festivalmusica.fr/en/editions/musica-2026/show/1793.open-symmetry

@festival_musica_strasbourg @ensemble.0 @garinjulien @alexandre_babel by @tristanperich

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23 days ago