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Ali

@trumannali

2.3K
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1527
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Image Architect
be nice & don’t be scared
@famfirstmag
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ISSUE 08 — out now. Baltimore to Charlotte to New York and back again. Conversations with @mavi4mayor + @_____iloveusomuch. Photo essays from @funkybabygurl & @blu3sdigitals , and unfiltered reflections from artists across the Family First orbit. A snapshot of what’s real, right now. Get your copy — $30. (link in bio) by @trumannali
7
a year ago
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THRONE For Family First Magazine Issue #7 photography, set design & editing: @trumannali lighting: @enhues location: @clovr_collective model: @411ison by @trumannali
10
2 years ago
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Bleed me dry by @trumannali
22
5 years ago
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Artscape 2026 by @trumannali
9
3 months ago
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Booty Bass & Beyond Cover art & Outtakes CD & Photography: @trumannali models: @briabaltimore & @_oddie_k logo design: @jjj4y0_o I always love when someone comes to me with an idea that’s deeper than just making something look cool. When Jay first reached out about this project, he told me he wanted the visuals to connect to the Black diaspora and Pan-Africanism, but without leaning on the imagery we usually associate with it. No flags, no obvious color palettes. He wanted it to feel different. That immediately made me start researching. Being Caribbean myself, I started thinking about different Carnival traditions throughout the islands, and I kept coming back to Jab Jab in Grenada. The tradition dates back to the abolition of slavery, when freed Africans covered themselves in black oil, fashioned their shackles as necklaces, and wore horns to reclaim the “devil” label that had been forced onto them by colonizers. What was meant to shame them became something powerful. That idea really stuck with me. From there, we mixed that history with the energy of Miami Ghetto Tech. I wanted it to feel raw, loud, sweaty, and alive. Something that felt rooted in history but didn’t feel like a history lesson. That’s honestly my favorite part of making work like this. Taking someone’s vision, asking a million questions, going down rabbit holes, and finding references that aren’t the first thing everyone thinks of. Really grateful to Jay for trusting me with this project and letting me run with the concept. And thank you to everyone who helped make it happen, both in front of the camera and behind the scenes. This is a special one to me. 🖤 by @trumannali
22
4 months ago
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Recent flyer work for @bmorealien. by @trumannali
2
6 months ago
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Concept shoot material all in good fun CD, Styling, Photography & Editing: @trumannali Models: @guapochloe @valentheen MUA: @dewydecay Sponsor: @forsomebodies @y.k.visions by @trumannali
13
10 months ago
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Some shots & excerpt from our interview with @_____iloveusomuch in Issue #8. Get your copy today❄️ 📸: @trumannali Rings in first pic by @baraeceurself taken in Baltimore, Maryland by @trumannali
53
10 months ago
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Go behind the scenes with @aheebi shooting the cover for issue #8 coming this October 👻 by @trumannali
7
a year ago
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sugar, i’m saving my sweetness for u 🍰 by @trumannali
9
a year ago
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Doing my first ever artist talk this Friday at @motorhousebaltimore hosted by @officialsitdown / @kardagod It’s also 2 days before my bday so bring me flowers too 💋💐 by @trumannali
1
a year ago
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Did a photo story of @the_urbanoasis opening ceremony for @baltimorebeat Go check it outtttt🌳 by @trumannali
8
a year ago
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