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Ulises Matamoros Ascención

@ulisesmatamorosstudio

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Stepping Softly on the Earth: (Un)spoken Territories 8—9 December 2023 Fri, 6 – 8pm; Sat, 10am – 7.15pm Baltic Centre for Contemporary Art A two-day event of conversations, film screenings, listening sessions, workshops, and performance considering connections between land, territory and language, with artists, activists and filmmakers from Mexico, Peru, Syria and Morocco. An invitation to listen carefully and actively to conversations, soundscapes, storytelling, textile experiences and live performances of Indigenous people, and hear the land from different oral and aural perspectives. (Un)Spoken Territories relates to experiences where the acknowledgement of a territory is the acknowledgement of a language through orality, the spoken expression of the world of many worlds, of many cosmovisions. Here, the dispute over territory is as well a struggle of language resistance. The inhabitants of colonised territories — often referred to as Indigenous people, have been subjected to an enforced silence in order to erase their language, their culture and therefore, their rightful connection to the Land. However, words have been spoken in secret, carrying specific wisdom and knowledge that build a collective memory through the body and the voice. The event is curated by Eva Posas and it is part of the public programme for the group exhibition Stepping Softly on the Earth. @evaposas @balticgateshead @ireneari @chasenthajni by @ulisesmatamorosstudio
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2 days ago
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Stepping Softly on the Earth: (Un)spoken Territories 8—9 December 2023 Fri, 6 – 8pm; Sat, 10am – 7.15pm Baltic Centre for Contemporary Art A two-day event of conversations, film screenings, listening sessions, workshops, and performance considering connections between land, territory and language, with artists, activists and filmmakers from Mexico, Peru, Syria and Morocco. An invitation to listen carefully and actively to conversations, soundscapes, storytelling, textile experiences and live performances of Indigenous people, and hear the land from different oral and aural perspectives. (Un)Spoken Territories relates to experiences where the acknowledgement of a territory is the acknowledgement of a language through orality, the spoken expression of the world of many worlds, of many cosmovisions. Here, the dispute over territory is as well a struggle of language resistance. The inhabitants of colonised territories — often referred to as Indigenous people, have been subjected to an enforced silence in order to erase their language, their culture and therefore, their rightful connection to the Land. However, words have been spoken in secret, carrying specific wisdom and knowledge that build a collective memory through the body and the voice. The event is curated by Eva Posas and it is part of the public programme for the group exhibition Stepping Softly on the Earth. @evaposas @balticgateshead @ireneari @chasenthajni by @ulisesmatamorosstudio
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2 days ago
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SEMINARIO EN LÍNEA: ARTE Y ARCHIVO 🗂️ La emergencia del archivo en las prácticas artísticas: la memoria, la huella y la ceniza. 🕰️📚 ✨ ¿Te interesa el arte y su relación con la memoria, la historia y los archivos? Este seminario explorará cómo la emergencia del archivo como concepto y las prácticas artísticas vinculadas a él han transformado el arte contemporáneo. 🖼️🔍 A través de diversas perspectivas teóricas y ejemplos de producción artística, reflexionaremos sobre el archivo como espacio de investigación, construcción de memoria y producción de conocimiento; como lugar de disputa por los sentidos del pasado, pero también como espacio desde el cual imaginar y abrir posibilidades de porvenir. 🧠📖🌱 📅 Fechas: Del 7 de noviembre de 2026 al 6 de febrero de 2027. 💻 Modalidad: En línea, vía Zoom. 📚 Programa: 12 sesiones en vivo + 2 sesiones grabadas complementarias. 🗓️ Horario: Sábados, de 5:00 a 7:00 p. m. (hora de la Ciudad de México). 🏖️ El seminario tendrá una pausa durante el periodo vacacional de diciembre. 💬 Un espacio de reflexión y diálogo dirigido a artistas, investigadores, estudiantes y personas interesadas en las posibilidades críticas del archivo en el arte contemporáneo. 📣 INSCRIPCIONES ABIERTAS | CUPO LIMITADO 🚨 💰 Costo regular: $1,900 MXN, en dos pagos. ✨ PROMOCIÓN ESPECIAL: $1,500 MXN para las primeras 10 personas inscritas. 🎉 📩 Informes e inscripciones: 💬 Envía un mensaje directo (DM) o comunícate por WhatsApp al 📱 +52 221 408 9547. 👨‍🏫 Imparte: Ulises Matamoros Ascención. 🌟 Invitada: Lenka Holíková. 🌐 Consulta el programa completo, los detalles del seminario y la información de inscripción en nuestra plataforma: 🔗 www.chasenthajni.org/arteyarchivo2026 #ArteYArchivo #ArteContemporáneo #ArchivoYMemoria #PrácticasArtísticas #InvestigaciónArtística #TeoríaDelArte #EstudiosVisuales #ArteYMemoria #CulturaVisual #EstudiosDeArchivo #MemoriaHistórica #ArchivoContemporáneo #SeminarioEnLínea #FormaciónArtística #ChasenThajni by @ulisesmatamorosstudio
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5 days ago
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Stepping Softly on the Earth: (Un)spoken Territories 8—9 December 2023 Fri, 6 – 8pm; Sat, 10am – 7.15pm Baltic Centre for Contemporary Art A two-day event of conversations, film screenings, listening sessions, workshops, and performance considering connections between land, territory and language, with artists, activists and filmmakers from Mexico, Peru, Syria and Morocco. An invitation to listen carefully and actively to conversations, soundscapes, storytelling, textile experiences and live performances of Indigenous people, and hear the land from different oral and aural perspectives. (Un)Spoken Territories relates to experiences where the acknowledgement of a territory is the acknowledgement of a language through orality, the spoken expression of the world of many worlds, of many cosmovisions. Here, the dispute over territory is as well a struggle of language resistance. The inhabitants of colonised territories — often referred to as Indigenous people, have been subjected to an enforced silence in order to erase their language, their culture and therefore, their rightful connection to the Land. However, words have been spoken in secret, carrying specific wisdom and knowledge that build a collective memory through the body and the voice. The event is curated by Eva Posas and it is part of the public programme for the group exhibition Stepping Softly on the Earth. @evaposas @balticgateshead @ireneari @chasenthajni by @ulisesmatamorosstudio
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13 days ago
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Stepping Softly on the Earth: (Un)spoken Territories 8—9 December 2023 Fri, 6 – 8pm; Sat, 10am – 7.15pm Baltic Centre for Contemporary Art A two-day event of conversations, film screenings, listening sessions, workshops, and performance considering connections between land, territory and language, with artists, activists and filmmakers from Mexico, Peru, Syria and Morocco. An invitation to listen carefully and actively to conversations, soundscapes, storytelling, textile experiences and live performances of Indigenous people, and hear the land from different oral and aural perspectives. (Un)Spoken Territories relates to experiences where the acknowledgement of a territory is the acknowledgement of a language through orality, the spoken expression of the world of many worlds, of many cosmovisions. Here, the dispute over territory is as well a struggle of language resistance. The inhabitants of colonised territories — often referred to as Indigenous people, have been subjected to an enforced silence in order to erase their language, their culture and therefore, their rightful connection to the Land. However, words have been spoken in secret, carrying specific wisdom and knowledge that build a collective memory through the body and the voice. The event is curated by Eva Posas and it is part of the public programme for the group exhibition Stepping Softly on the Earth. @evaposas @balticgateshead @ireneari @chasenthajni by @ulisesmatamorosstudio
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13 days ago
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The Sounds That We Are Missing. June 6, 1932. Stepping Softly on the Earth. (Un)Spoken Territories. 1.ª ed. Newcastle: Ediciones Chasen Thajni y BALTIC Centre for Contemporary Art. 2024 What began to take shape in Santa Inés Ahuatempan, as part of a research project supported by the MUAC-UNAM Artistic Projects Fund, eventually became a published book. The research developed through conversations, translations, editing, and collective work, bringing together fragments of a history, voices, documents, and sounds that remain present in the territory. I want to thank Katerina, Lenka Holíková and Piotr Sikola Chasen Thajni: Catalina Sillero Alejandra Colmena for the collaboration and translation, as well as Cristina Climaco Arellano and Natalia Colmena (†) for their contributions to this process. I am also grateful to Eva Posas anda Irene Aristizabal for her curatorial accompaniment and for the context in which this work first found its public form. @meetfactory @balticgateshead @chasen_thajni @evaposas @ireneari @lenkaholikova.studio @katerina.penc @whatisart_babydonthurtme by @ulisesmatamorosstudio
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15 days ago
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The Sounds That We Are Missing. June 6, 1932. Stepping Softly on the Earth. (Un)Spoken Territories. 1.ª ed. Newcastle: Ediciones Chasen Thajni y BALTIC Centre for Contemporary Art. 2024 What began to take shape in Santa Inés Ahuatempan, as part of a research project supported by the MUAC-UNAM Artistic Projects Fund, eventually became a published book. The research developed through conversations, translations, editing, and collective work, bringing together fragments of a history, voices, documents, and sounds that remain present in the territory. I want to thank Katerina, Lenka Holíková and Piotr Sikola Chasen Thajni: Catalina Sillero Alejandra Colmena for the collaboration and translation, as well as Cristina Climaco Arellano and Natalia Colmena (†) for their contributions to this process. I am also grateful to Eva Posas anda Irene Aristizabal for her curatorial accompaniment and for the context in which this work first found its public form. @meetfactory @balticgateshead @chasen_thajni @evaposas @ireneari @lenkaholikova.studio @katerina.penc @whatisart_babydonthurtme by @ulisesmatamorosstudio
0
15 days ago
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The Sounds That We Are Missing. June 6, 1932. Stepping Softly on the Earth. (Un)Spoken Territories. 1.ª ed. Newcastle: Ediciones Chasen Thajni y BALTIC Centre for Contemporary Art. 2024 What began to take shape in Santa Inés Ahuatempan, as part of a research project supported by the MUAC-UNAM Artistic Projects Fund, eventually became a published book. The research developed through conversations, translations, editing, and collective work, bringing together fragments of a history, voices, documents, and sounds that remain present in the territory. I want to thank Katerina, Lenka Holíková and Piotr Sikola Chasen Thajni: Catalina Sillero Alejandra Colmena for the collaboration and translation, as well as Cristina Climaco Arellano and Natalia Colmena (†) for their contributions to this process. I am also grateful to Eva Posas anda Irene Aristizabal for her curatorial accompaniment and for the context in which this work first found its public form. @meetfactory @balticgateshead @chasen_thajni @evaposas @ireneari @lenkaholikova.studio @katerina.penc @whatisart_babydonthurtme by @ulisesmatamorosstudio
0
15 days ago
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The Sounds That We Are Missing. June 6, 1932. Stepping Softly on the Earth. (Un)Spoken Territories. 1.ª ed. Newcastle: Ediciones Chasen Thajni y BALTIC Centre for Contemporary Art. 2024 What began to take shape in Santa Inés Ahuatempan, as part of a research project supported by the MUAC-UNAM Artistic Projects Fund, eventually became a published book. The research developed through conversations, translations, editing, and collective work, bringing together fragments of a history, voices, documents, and sounds that remain present in the territory. I want to thank Katerina, Lenka Holíková and Piotr Sikola Chasen Thajni: Catalina Sillero Alejandra Colmena for the collaboration and translation, as well as Cristina Climaco Arellano and Natalia Colmena (†) for their contributions to this process. I am also grateful to Eva Posas anda Irene Aristizabal for her curatorial accompaniment and for the context in which this work first found its public form. @meetfactory @balticgateshead @chasen_thajni @evaposas @ireneari @lenkaholikova.studio @katerina.penc @whatisart_babydonthurtme by @ulisesmatamorosstudio
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15 days ago
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2023, MeetFactory, Prague. Editing the booklet June 6, 1932. The Sounds That We Are Missing, produced specifically for the programme Stepping Softly on the Earth: (Un)Spoken Territories, curated by the extraordinary Eva Posas at BALTIC Centre for Contemporary Art, Newcastle. A project that began to take shape in Santa Inés Ahuatempan, as part of a research project supported by the MUAC-UNAM Artistic Projects Fund. This line of research matured through the curatorial guidance of the extraordinary @evaposas, eventually becoming a work and a publication that, a few months later, found their place in Newcastle. @evaposas @chasen_thajni 2023, MeetFactory, Praga. Editando el cuadernillo 6 de junio de 1932. Los sonidos que nos faltan, realizado ex profeso para el programa Stepping Softly on the Earth: (Un)Spoken Territories, curado por la extraordinaria Eva Posas en BALTIC Centre for Contemporary Art, Newcastle. Un proyecto que comenzó a tomar forma en Santa Inés Ahuatempan, como parte de una investigación apoyada por el Fondo de Apoyo a Proyectos Artísticos del MUAC-UNAM. Esta línea de investigación fue madurando a través del acompañamiento by @ulisesmatamorosstudio
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15 days ago
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2023, MeetFactory, Prague. Editing the booklet June 6, 1932. The Sounds That We Are Missing, produced specifically for the programme Stepping Softly on the Earth: (Un)Spoken Territories, curated by the extraordinary Eva Posas at BALTIC Centre for Contemporary Art, Newcastle. A project that began to take shape in Santa Inés Ahuatempan, as part of a research project supported by the MUAC-UNAM Artistic Projects Fund. This line of research matured through the curatorial guidance of the extraordinary @evaposas, eventually becoming a work and a publication that, a few months later, found their place in Newcastle. @evaposas @chasen_thajni 2023, MeetFactory, Praga. Editando el cuadernillo 6 de junio de 1932. Los sonidos que nos faltan, realizado ex profeso para el programa Stepping Softly on the Earth: (Un)Spoken Territories, curado por la extraordinaria Eva Posas en BALTIC Centre for Contemporary Art, Newcastle. Un proyecto que comenzó a tomar forma en Santa Inés Ahuatempan, como parte de una investigación apoyada por el Fondo de Apoyo a Proyectos Artísticos del MUAC-UNAM. Esta línea de investigación fue madurando a través del acompañamiento by @ulisesmatamorosstudio
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20 days ago
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¿Tienes una idea para un proyecto artístico o cultural? Conviértela en un proyecto sólido para aplicar a convocatorias. Taller: Escritura de proyectos artísticos y culturales Curso práctico dirigido a artistas, gestores y agentes culturales interesados en desarrollar y fortalecer sus proyectos para postular a becas, apoyos y subsidios culturales. Durante 6 sesiones trabajaremos en la estructura, claridad y argumentación de tu proyecto para que puedas presentar una propuesta coherente, sólida y bien articulada. 📅 Del 30 de octubre al 4 de diciembre 🗓️ Todos los viernes ⏰ 5:00 a 7:00 p. m. 📚 6 sesiones 💰 Costo: $1,400 MXN 🔥 PROMOCIÓN DE INSCRIPCIÓN $1,200 MXN para las primeras 10 personas inscritas. 📌 Aparta tu lugar con el 50%. Cupo limitado. 📩 Informes e inscripciones por mensaje directo. by @ulisesmatamorosstudio
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25 days ago
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