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Veronika Eberhart

@v.v.vulpes

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Brussels / Vienna
veronikaeberhart.com
@wiels_brussels / Affiliate Nov. 2026
@thereal_limecrush

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Various layers of glue petrified
2017
Gefärbter Leim / Colored Glue

soon part of

MALEFICAE: THE JUDGEMENT TOWER @ugm_maribor
Curated by Flóra Gadó, Jure Kirbiš, Dalma Eszter Kollár
@floragado , @dalmaeszterkollar @ostrovshka

My film 9 is one and 10 is none will also be on view.

Join us for the opening June 18th 19:00 taken in Maribor, Slovenia by @v.v.vulpes

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4 months ago

After the Swim ·
Andreas Dvořák & Sasha Pirker
expo at Begijnhof / Institute of Architecture Hasselt

opening 12.10.26 6pm

Part of the programme:
VIENNA, Social Architecture and the Legacy of Red Vienna
Curated by Veronika Eberhart, PhD Candidate in Architecture

Open lectures & PhD workshop:

Swimming: A Daily Routine
Lecture by: Andreas Dvořák
Monday 12th of October: 15:00 - 16:00 Kapittelzaal H2/1.04

Beyond the Façade, Architecture and the Social through the Lens of Filmmaker Sasha Pirker
Lecture by Sasha Pirker
Tuesday 13th of October: 12:00 - 14:00 Kapittelzaal H2/1.04

Red Clocks and the Modern Metropolis: Municipal Housing in Red Vienna (1919–1934) as a Counter-Hegemonic Politics of Time
Lecture by Jerome Becker
Tuesday 27th of October: 14:00 - 15:00 Kapittelzaal H2/1.04

Situated Methods: Listening, Walking and Narrating Architecture
Workshop with Rebekka Hirschberg und Veronika Eberhart
Tuesday, 3rd of November 13:00-17:00 Kapittelzaal H2/1.04

Free entrance

Opening hours: Monday - Friday 12:00 - 18:00
Location: Begijnhof (huisje 5-6), Zuivelmarkt 33, 3500 Hasselt by @v.v.vulpes

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19 days ago

Grateful for my time as O’Brien Distinguished Visiting Professor at Scripps College.

Special thanks to Kevin Vennemann for the invite to talk about my research, Aly Ogasian and Kim-Trang Tran for having me in their class, Kaya Rae Savelson & Elinor Attisani for doing the engaging Q&A with me.
T. for the great tour in the archive of @ruthchandlerwilliamsongallery
Agnieszka Lazorczyk for the help in organising and #alfredoramosmartínez for #theflowervendors, a beautiful mural at the Campus

#gartensprengen #spectorbooks #kevinvennemann by @v.v.vulpes

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8 months ago

A highlight from last season: welcoming Friedl Kubelka vom Gröller and Veronika Eberhart to OFFoff.

Veronika curated a two-day screening program with us, running parallel to her exhibition ‘Alles pelt zich’ at @kioskgent

Analog photos by @nikiweitzer

#friedlkubelka #friedlkubelkavomgröller #veronikaeberhart taken in Kunsthal Gent by @v.v.vulpes

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9 months ago

2025: A crooked cross & DJing with a snare between my feet without noticing

1. creation of the new lithurgic zone of the church of St. Lorenzen am Wechsel
📸 by @markuskrottendorfer

2. DJing for 20 years of @fettkakao at 1baumöbl
📸 by @d_u_b_a_i_s or @wagashishi

#vibration by @v.v.vulpes

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10 months ago

Holder (many men have tried)
on
Veneered Plinth

Plaster, pigment, mdf, maple, 2021/2025

Documented by Isabelle Arthuis @kioskgent
#allespeltzich by @v.v.vulpes

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10 months ago

Some details and installation shots of 𝗩𝗲𝗿𝗼𝗻𝗶𝗸𝗮 𝗘𝗯𝗲𝗿𝗵𝗮𝗿𝘁’s exhibition 𝘼𝙡𝙡𝙚𝙨 𝙥𝙚𝙡𝙩 𝙯𝙞𝙘𝙝
.
𝘗𝘦𝘯𝘢𝘯𝘤𝘦, 2025
Wood, amulet, brass, 50 × 9 × 9 cm
.
detail of I 𝘏𝘰𝘭𝘥𝘦𝘳 (𝘔𝘢𝘯𝘺 𝘔𝘦𝘯 𝘏𝘢𝘷𝘦 𝘛𝘳𝘪𝘦𝘥), 2021
Plaster, pigment, 50 cm × 30 cm × 23 cm
.
detail of I 𝘏𝘪𝘴𝘴 𝘰𝘧 𝘵𝘩𝘦 𝘈𝘹𝘦, 2025
Steel, bent, hammered, bird’s eye maple veneer, quartz stone, screws, 430 × 50 × 165 cm
.
𝘓𝘰𝘷𝘦 𝘰𝘧 𝘵𝘩𝘦 𝘞𝘰𝘭𝘧, 2025
Three-layer solid wood panel (spruce), various veneer, oil, 30 x 42 cm
.
detail of I 𝘗𝘳𝘪𝘯𝘤𝘦 𝘪𝘯 𝘚𝘱𝘭𝘪𝘵 𝘞𝘦𝘳𝘬𝘣𝘢𝘯𝘬, 2025
Split used planer’s bench, Prince matchbox, 130 × 64 × 12 cm
.
.
𝗩𝗲𝗿𝗼𝗻𝗶𝗸𝗮 𝗘𝗯𝗲𝗿𝗵𝗮𝗿𝘁
𝘼𝙡𝙡𝙚𝙨 𝙥𝙚𝙡𝙩 𝙯𝙞𝙘𝙝
until 21.12
open daily 12:00-18:00

#kiosk gent #kioskexhibits #veronikaeberhart taken in KIOSK by @v.v.vulpes

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10 months ago

𝗘𝘅𝗵𝗶𝗯𝗶𝘁𝘀 I 𝗩𝗲𝗿𝗼𝗻𝗶𝗸𝗮 𝗘𝗯𝗲𝗿𝗵𝗮𝗿𝘁, 𝘼𝙡𝙡𝙚𝙨 𝙥𝙚𝙡𝙩 𝙯𝙞𝙘𝙝

[..] 𝘖𝘯𝘦 𝘰𝘧 𝘵𝘩𝘦 𝘳𝘦𝘢𝘭 𝘫𝘰𝘺𝘴 𝘸𝘢𝘴 𝘶𝘴𝘪𝘯𝘨 𝘰𝘯𝘦 𝘰𝘧 𝘵𝘩𝘦 𝘭𝘢𝘳𝘨𝘦𝘳 𝘮𝘢𝘤𝘩𝘪𝘯𝘦𝘴 𝘪𝘯 𝘵𝘩𝘦 𝘸𝘰𝘳𝘬𝘴𝘩𝘰𝘱 𝘸𝘪𝘵𝘩 𝘸𝘩𝘪𝘤𝘩 𝘐 𝘱𝘳𝘰𝘥𝘶𝘤𝘦𝘥 𝘵𝘩𝘦 𝘷𝘦𝘯𝘦𝘦𝘳 𝘸𝘰𝘳𝘬𝘴, 𝘴𝘶𝘤𝘩 𝘢𝘴 “𝘛𝘩𝘦 𝘙 𝘸𝘪𝘭𝘭 𝘯𝘰𝘵 𝘣𝘦 𝘛”, “𝘖𝘳 𝘝”, 𝘢𝘯𝘥 “𝘓𝘰𝘷𝘦 𝘰𝘧 𝘵𝘩𝘦 𝘞𝘰𝘭𝘧”. 𝘍𝘰𝘳 𝘺𝘦𝘢𝘳𝘴, 𝘐 𝘸𝘢𝘵𝘤𝘩𝘦𝘥 𝘵𝘩𝘪𝘴 𝘩𝘶𝘨𝘦 𝘱𝘳𝘦𝘴𝘴 𝘮𝘰𝘷𝘦, 𝘢𝘭𝘮𝘰𝘴𝘵 𝘭𝘪𝘬𝘦 𝘰𝘣𝘴𝘦𝘳𝘷𝘪𝘯𝘨 𝘢𝘯 𝘢𝘯𝘪𝘮𝘢𝘭 𝘰𝘱𝘦𝘯𝘪𝘯𝘨 𝘪𝘵𝘴 𝘮𝘰𝘶𝘵𝘩, 𝘢𝘯𝘥 𝘯𝘰𝘸 𝘐 𝘤𝘰𝘶𝘭𝘥 𝘧𝘪𝘯𝘢𝘭𝘭𝘺 𝘧𝘦𝘦𝘥 𝘪𝘵. 𝘈𝘭𝘸𝘢𝘺𝘴 𝘸𝘪𝘵𝘩 𝘢 𝘩𝘪𝘯𝘵 𝘰𝘧 𝘧𝘦𝘢𝘳, 𝘢𝘸𝘢𝘳𝘦 𝘵𝘩𝘢𝘵 𝘱𝘭𝘢𝘤𝘪𝘯𝘨 𝘵𝘩𝘦 𝘰𝘣𝘫𝘦𝘤𝘵 𝘪𝘯𝘤𝘰𝘳𝘳𝘦𝘤𝘵𝘭𝘺 𝘤𝘰𝘶𝘭𝘥 𝘥𝘦𝘴𝘵𝘳𝘰𝘺 𝘱𝘢𝘳𝘵𝘴 𝘰𝘧 𝘮𝘦, 𝘰𝘳 𝘵𝘩𝘦 𝘸𝘰𝘳𝘬. 𝘗𝘦𝘳𝘩𝘢𝘱𝘴 𝘤𝘰𝘮𝘱𝘢𝘳𝘢𝘣𝘭𝘦 𝘵𝘰 𝘵𝘩𝘦 𝘉𝘰𝘤𝘤𝘢 𝘥𝘦𝘭𝘭𝘢 𝘝𝘦𝘳𝘪𝘵à. 𝘠𝘰𝘶 𝘣𝘦𝘵𝘵𝘦𝘳 𝘯𝘰𝘵 𝘭𝘪𝘦 𝘸𝘩𝘦𝘯 𝘱𝘶𝘵𝘵𝘪𝘯𝘨 𝘺𝘰𝘶𝘳 𝘩𝘢𝘯𝘥 𝘪𝘯𝘴𝘪𝘥𝘦 𝘵𝘩𝘪𝘴 𝘮𝘢𝘤𝘩𝘪𝘯𝘦; 𝘪𝘵 𝘤𝘰𝘶𝘭𝘥 𝘦𝘢𝘴𝘪𝘭𝘺 𝘤𝘳𝘶𝘴𝘩 𝘪𝘵 𝘵𝘰 𝘱𝘪𝘦𝘤𝘦𝘴.

An excerpt from Veronika Eberhart’s interview with Kris Pint on her exhibition 𝘈𝘭𝘭𝘦𝘴 𝘱𝘦𝘭𝘵 𝘻𝘪𝘤𝘩 at KIOSK. Read the full interview via link in bio.
.
𝘖𝘳 𝘝, 2025
Three-layer solid wood panel (spruce), stained bird’s eye maple, oil,
109 × 85 x 2 cm
.
.
𝗩𝗲𝗿𝗼𝗻𝗶𝗸𝗮 𝗘𝗯𝗲𝗿𝗵𝗮𝗿𝘁
𝘼𝙡𝙡𝙚𝙨 𝙥𝙚𝙡𝙩 𝙯𝙞𝙘𝙝
until 21.12
open daily 12:00-18:00

(c) Isabelle Arthuis
#kiosk gent #kioskexhibits #veronikaeberhart taken in KIOSK by @v.v.vulpes

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10 months ago

𝗜𝗻𝘁𝗲𝗿𝘃𝗶𝗲𝘄𝘀 𝗜 𝗩𝗲𝗿𝗼𝗻𝗶𝗸𝗮 𝗘𝗯𝗲𝗿𝗵𝗮𝗿𝘁, 𝙕𝙪𝙨𝙩𝙖𝙣𝙙

“𝘛𝘩𝘦 𝘳𝘦𝘭𝘢𝘵𝘪𝘰𝘯𝘴𝘩𝘪𝘱 𝘣𝘦𝘵𝘸𝘦𝘦𝘯 𝘣𝘰𝘥𝘺, 𝘵𝘰𝘰𝘭, 𝘢𝘯𝘥 𝘮𝘢𝘤𝘩𝘪𝘯𝘦 𝘪𝘴 𝘢𝘭𝘸𝘢𝘺𝘴 𝘭𝘢𝘺𝘦𝘳𝘦𝘥 𝘢𝘯𝘥 𝘤𝘩𝘢𝘳𝘨𝘦𝘥 𝘸𝘪𝘵𝘩 𝘵𝘦𝘯𝘴𝘪𝘰𝘯. 𝘒𝘯𝘰𝘸𝘭𝘦𝘥𝘨𝘦, 𝘱𝘰𝘸𝘦𝘳, 𝘢𝘯𝘥 𝘳𝘪𝘴𝘬 𝘢𝘳𝘦 𝘦𝘮𝘣𝘦𝘥𝘥𝘦𝘥 𝘪𝘯 𝘦𝘷𝘦𝘳𝘺 𝘭𝘦𝘷𝘦𝘳 𝘢𝘯𝘥 𝘦𝘥𝘨𝘦. 𝘍𝘰𝘳 𝘴𝘰𝘮𝘦 𝘺𝘦𝘢𝘳𝘴 𝘯𝘰𝘸, 𝘐 𝘩𝘢𝘷𝘦 𝘣𝘦𝘦𝘯 𝘢𝘱𝘱𝘳𝘰𝘢𝘤𝘩𝘪𝘯𝘨 𝘮𝘢𝘯𝘶𝘢𝘭 𝘸𝘰𝘳𝘬 𝘮𝘰𝘳𝘦 𝘤𝘭𝘰𝘴𝘦𝘭𝘺, 𝘰𝘱𝘦𝘯𝘪𝘯𝘨 𝘢 𝘮𝘰𝘳𝘦 𝘪𝘯𝘵𝘪𝘮𝘢𝘵𝘦 𝘢𝘯𝘥 𝘱𝘳𝘰𝘣𝘪𝘯𝘨 𝘳𝘦𝘭𝘢𝘵𝘪𝘰𝘯𝘴𝘩𝘪𝘱 𝘸𝘪𝘵𝘩 𝘮𝘺 𝘧𝘢𝘵𝘩𝘦𝘳’𝘴 𝘵𝘰𝘰𝘭𝘴. 𝘛𝘩𝘦𝘴𝘦 𝘵𝘰𝘰𝘭𝘴 𝘥𝘰 𝘯𝘰𝘵 𝘰𝘯𝘭𝘺 𝘤𝘢𝘳𝘳𝘺 𝘢𝘯 𝘦𝘹𝘵𝘳𝘦𝘮𝘦𝘭𝘺 𝘮𝘢𝘴𝘤𝘶𝘭𝘪𝘯𝘦 𝘱𝘳𝘦𝘴𝘦𝘯𝘤𝘦, 𝘵𝘩𝘦𝘺 𝘢𝘭𝘴𝘰 𝘵𝘦𝘭𝘭 𝘢 𝘴𝘵𝘰𝘳𝘺 𝘰𝘧 𝘤𝘳𝘢𝘧𝘵𝘴𝘮𝘢𝘯𝘴𝘩𝘪𝘱, 𝘴𝘮𝘢𝘭𝘭-𝘴𝘤𝘢𝘭𝘦 𝘪𝘯𝘥𝘶𝘴𝘵𝘳𝘪𝘢𝘭𝘪𝘻𝘢𝘵𝘪𝘰𝘯, 𝘢𝘯𝘥, 𝘧𝘰𝘳 𝘮𝘦 𝘱𝘦𝘳𝘴𝘰𝘯𝘢𝘭𝘭𝘺, 𝘢 𝘩𝘪𝘴𝘵𝘰𝘳𝘺 𝘰𝘧 𝘷𝘪𝘰𝘭𝘦𝘯𝘤𝘦. 𝘠𝘦𝘵 𝘐 𝘩𝘢𝘷𝘦 𝘢𝘭𝘸𝘢𝘺𝘴 𝘣𝘦𝘦𝘯 𝘥𝘦𝘦𝘱𝘭𝘺 𝘢𝘵𝘵𝘳𝘢𝘤𝘵𝘦𝘥 𝘵𝘰 𝘵𝘩𝘦 𝘱𝘰𝘸𝘥𝘦𝘳-𝘤𝘰𝘢𝘵𝘦𝘥 𝘩𝘦𝘢𝘷𝘪𝘯𝘦𝘴𝘴 𝘢𝘯𝘥 𝘵𝘩𝘦 𝘱𝘳𝘦𝘤𝘪𝘴𝘪𝘰𝘯 𝘰𝘧 𝘵𝘩𝘦𝘴𝘦 𝘮𝘢𝘤𝘩𝘪𝘯𝘦𝘴. 𝘛𝘩𝘦𝘺 𝘢𝘳𝘦 𝘣𝘶𝘪𝘭𝘵 𝘵𝘰 𝘭𝘢𝘴𝘵, 𝘣𝘶𝘵 𝘵𝘩𝘦 𝘱𝘢𝘤𝘦 𝘰𝘧 𝘪𝘯𝘥𝘶𝘴𝘵𝘳𝘪𝘢𝘭 𝘥𝘦𝘷𝘦𝘭𝘰𝘱𝘮𝘦𝘯𝘵 𝘮𝘰𝘷𝘦𝘥 𝘴𝘰 𝘲𝘶𝘪𝘤𝘬𝘭𝘺 𝘵𝘩𝘢𝘵 𝘵𝘩𝘦𝘺 𝘢𝘳𝘦 𝘯𝘰 𝘭𝘰𝘯𝘨𝘦𝘳 𝘱𝘳𝘢𝘤𝘵𝘪𝘤𝘢𝘭 𝘧𝘰𝘳 𝘵𝘩𝘦 𝘴𝘱𝘦𝘦𝘥 𝘰𝘧 𝘤𝘰𝘯𝘵𝘦𝘮𝘱𝘰𝘳𝘢𝘳𝘺 𝘧𝘶𝘳𝘯𝘪𝘵𝘶𝘳𝘦 𝘱𝘳𝘰𝘥𝘶𝘤𝘵𝘪𝘰𝘯. 𝘛𝘩𝘢𝘵 𝘮𝘢𝘬𝘦𝘴 𝘵𝘩𝘦𝘮 𝘴𝘺𝘮𝘱𝘢𝘵𝘩𝘦𝘵𝘪𝘤.”

Veronika Eberhart talked to philosopher and writer Kris Pint about her work and her current exhibition ‘𝘈𝘭𝘭𝘦𝘴 𝘱𝘦𝘭𝘵 𝘻𝘪𝘤𝘩’ at KIOSK. Read the full interview on our website (link in bio)

𝗩𝗲𝗿𝗼𝗻𝗶𝗸𝗮 𝗘𝗯𝗲𝗿𝗵𝗮𝗿𝘁
𝘼𝙡𝙡𝙚𝙨 𝙥𝙚𝙡𝙩 𝙯𝙞𝙘𝙝
until 21.12
open daily 12:00-18:00

#kiosk gent #kioskexhibits #veronikaeberhart⁩ taken in KIOSK by @v.v.vulpes

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10 months ago

Veronika Eberhart at KIOSK, Ghent
“Alles pelt zich”
Curated by Simon Delobel
October 18 – December 21, 2025
Photos: ©Isabelle Arthuis, images courtesy of the artist and KIOSK, Ghent
@kioskgent @v.v.vulpes taken in Gent, Belgium by @v.v.vulpes

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10 months ago

𝗘𝘅𝗵𝗶𝗯𝗶𝘁𝘀 I
Installation view and details of Veronika Eberhart’s exhibition ‘Alles pelt zich’
.
𝘗𝘳𝘪𝘯𝘤𝘦 𝘪𝘯 𝘚𝘱𝘭𝘪𝘵 𝘞𝘦𝘳𝘬𝘣𝘢𝘯𝘬, 2025
Split used planer’s bench, Prince matchbox,
130 × 64 × 12 cm
.
𝘋𝘦𝘷𝘰𝘵𝘪𝘰𝘯, 2025
Three-layer solid wood panel (spruce),
bird’s eye maple veneer, oil,
53 × 30 × 12 cm
.
.
𝗩𝗲𝗿𝗼𝗻𝗶𝗸𝗮 𝗘𝗯𝗲𝗿𝗵𝗮𝗿𝘁
𝘼𝙡𝙡𝙚𝙨 𝙥𝙚𝙡𝙩 𝙯𝙞𝙘𝙝
until 21.12
open daily 12:00-18:00

© Isabelle Arthuis
#kiosk gent #kioskexhibits #veronikaeberhart taken in KIOSK by @v.v.vulpes

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10 months ago

𝗘𝘅𝗵𝗶𝗯𝗶𝘁𝘀 𝗜 𝗩𝗲𝗿𝗼𝗻𝗶𝗸𝗮 𝗘𝗯𝗲𝗿𝗵𝗮𝗿𝘁, 𝘼𝙡𝙡𝙚𝙨 𝙥𝙚𝙡𝙩 𝙯𝙞𝙘𝙝

In her solo exhibition 𝘈𝘭𝘭𝘦𝘴 𝘗𝘦𝘭𝘵 𝘻𝘪𝘤𝘩, Veronika Eberhart works with the machines and materials of a former wood factory, transforming them into sculptural traces of labor, craftsmanship, and loss, showing how matter holds history as a fragile, living presence.
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𝘛𝘩𝘦 𝘙 𝘞𝘪𝘭𝘭 𝘕𝘰𝘵 𝘉𝘦 𝘛, 2025
Three-layer solid wood panel (spruce), bird’s eye maple veneer, wachs,
125 × 84 × 2 cm
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𝗩𝗲𝗿𝗼𝗻𝗶𝗸𝗮 𝗘𝗯𝗲𝗿𝗵𝗮𝗿𝘁
𝘼𝙡𝙡𝙚𝙨 𝙥𝙚𝙡𝙩 𝙯𝙞𝙘𝙝
until 21.12
open daily 12:00-18:00

© Isabelle Arthuis
#kiosk gent #kioskexhibits #veronikaeberhart taken in KIOSK by @v.v.vulpes

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a year ago