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Vincent Ignatius Namathai Pham

@vincezaaa

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Actor, Singer, Musician, Filmmaker, Rower
OW’22 - RADA YC’22 - RHUL ’25
ldn/cph/bkk/hcmc

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Swagged out in front of Toby Cavery waiting for Toyota Yaris uber to pick me up. taken in Windsor Riverside by @vincezaaa

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10 months ago

October 2023. Breathing in that crisp autumnal Surrey air, looking up at the sky, wishing the stars would grant me more MacBook storage so I have space to save my essay. taken in Founders, Royal Holloway by @vincezaaa

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10 months ago

Tired eyelids upon tired eyes by @vincezaaa

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a year ago

All set for a fantastic private dinner event at Khun Juk Oriental 63D Nyhavn! Great food, authentic flavours, and a lively atmosphere.

#khunjukoriental #thaiselect #taittinger #copenhagen #thaifood #nyhavn taken in Restaurant Khun Juk Oriental by @vincezaaa

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a year ago

Bear hug (can’t remember who was in the costume) taken in Royal Holloway, University of London by @vincezaaa

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a year ago

by @vincezaaa

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a year ago

I remember buying the play text for Jack Thorne’s “The Motive and The Cue” from the bookshop at the National Theatre where it was being staged in 2023. I was already a huge fan of Sir John Gielgud as I studied his work at school. I was also familiar with Richard Burton and Elizabeth Taylor, their public life, and Sinatra connection. There is no doubt this play was Vincent coded: 1960s, Old Hollywood, the Jazz Age.

Money was tight in first year to go watch plays (most of my money was spent in the pub). I read the play in one sitting; I was locked in. Each page flowed onto the next with no chance of stopping. That’s the Jack Thorne effect. The last time I read a book in one go was “Harry Potter and the Cursed Child” in the summer of 2016. I was age 12 in Hua Hin with no WiFi at the property. This too was a Jack Thorne play. He reemerged again in third year with Netflix’s “Adolescence” - another masterful piece of writing.

“Motive” transferred to the Noël Coward Theatre (West End) in 2024. I enjoyed watching the performance, despite the restricted upper circle view. The cast was powerful: Johnny Flynn @johnnyflynnmusic embodied Burton’s ruggedness, Tuppence Middleton @twopencemiddleton channeled Taylor’s sparkle, and Mark Gatiss @themarkgatiss stole the show as Gielgud. Flynn went on to play Dickie Greenleaf alongside Andrew Scott’s “Ripley” that same year, making it feel as if Christmas came early. Ultimately, I would like to see more ‘elegant’ plays like this. taken in Noël Coward Theatre by @vincezaaa

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a year ago

And did those feet in ancient time taken in National Liberal Club by @vincezaaa

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a year ago

21 today. The story has just begun. by @vincezaaa

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a year ago

All those French lessons at school just to be confronted with the realisation that they speak a whole different vernacular. taken in Eiffel Tower, Paris, France by @vincezaaa

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a year ago

Crawled into a few cobwebs to get up here taken in National Liberal Club by @vincezaaa

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a year ago

Lived in Founder’s Castle for a year; I’m still trying to find myself… by @vincezaaa

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a year ago