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These four drawings are inspired by the story of Medea, but told from the perspective of the children she murdered.

The dagger's silver gleam is soft as a soul,
Wine that no child should drink.
This burgundy-colored hatred, thrust in,
The wound weeps out in cries.
Stuffed by hunger,
My final breath,
As if there were a pallor called forgiveness.
Mother who deprives and gives.
--YIN.2026.7

gouache and graphite on acid free paper, 21*29.7cm, 2026

#workonpaper #contemporarydrawing #artistsketches by @yinsideyin

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12 hours ago

The arrogant and indulgent hands bears the curse of being forever hung in the spider's web, growing useless spirals in the emptiness.

HANGING HANDS, ink on acid free paper, 21*29.7cm, 2026.7

A SPIRAL HAND, ink on acid free paper, 21*29.7cm, 2026.7

SKETCHES, ink on note paper, 9.8*9.8cm, 2026.7

#inkonpaper #contemporarydrawing #artistsketches #Metamorphosis by @yinsideyin

159

5

4 days ago

Metamorphosis is the way to manage the passive dilemma through proactive torments.

DAPHNE 1&2
ink on acid free paper, 42*29.7cm, 2026.6

#inkonpaper #contemporarydrawing #artistsketches #Metamorphosis #daphne by @yinsideyin

263

6

16 days ago

The self that is unwilling to die is a sickness of life.

TUMOR, ink on acid free paper, 42*29.7cm, 2026.7

INTACT LESION , ink on acid free paper, 21*29.7cm, 2026.7

#inkonpaper #contemporarydrawing #artistsketches by @yinsideyin

168

3

14 days ago

Strangling, gnawing
The helpless mother.

The rising sun roars out a red like birth pangs,
With indulgence
I refuse the recurring cycle of life.

THE RISING SUN, 60*40*100cm, 2019,
3d print, paper, metal connects.

#installationart #feminismart #contemporyart by @yinsideyin

98

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2 days ago

The metal tulips, an imitation of life. A terrifying woman with terrifying flowers.

THE FUCKING TULIPS
LADY LAZARUS part4
Yin, 2021

#contemporyart #contemporarysculptures #3dartwork by @yinsideyin

165

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7 days ago

The softness can carry the pain.
The red threads and fabric bird are the soft part of the installation, it is about the emotions of hope, trace of warmth from home, the trace of life.

Part2 I AM NOT SCARED OF THE PAIN
LADY LAZARUS, Digital project by Yin, 2011

#contemporyart #contemporarysculptures #3dartwork by @yinsideyin

131

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18 days ago

I added Sylvia Plath reading her own poem Lady Lazarus in the segment of the work, to make a conversation between the poem and my visual work.

Part1 MY HEART IS A DEAD SPIDER
LADY LAZARUS, Digital project by Yin, 2011

#contemporyart #contemporarysculptures #3dartwork #spiderart by @yinsideyin

201

2

22 days ago

The metal in the installation is a symbol of hurtful things and hate. Hatred can be a medicine for other feelings and emotions.

THE PAINKILLER
LADY LAZARUS part3
Yin, 2021

#contemporyart #contemporarysculptures #3dartwork by @yinsideyin

162

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11 days ago

Lady Lazarus Chapter1 - When I Was Alive

I made this work back at 2021. it’s my first digital 3D project. Recently I am organizing my materials preparing for my Profhilo, and this work has profound impact.

This work was inspired by Sylvia Plath’s poem Lady Lazarus. I made so many materials both 3d installations and images to create my own narrative about so called a terrifying woman.

music: K. Leimer ‘Asleep a Moment’ from the album Found Objects - P&C Palace of Lights/First Terrace Records

#contemporarysculptures #contemporyart #feminismart by @yinsideyin

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23 days ago

CALLINGS UPON CALLINGS, acrylic on acid free paper, 59.4*84.1cm, 2026.6

CALLINGS UPON CALLINGS (A TWOMBLY STUDY), acrylic on acid free paper, 42*29.7cm, 2026.6

SKETCH, gouache on acid free paper, 21*29.7cm, 2026.6

#workonpaper #contemporarydrawing #artistsketches by @yinsideyin

206

5

a month ago

The calling falls upon me like a torment. I give myself over to drunkenness to be free. I sing the praises of this extravagant beauty of blood and blossom, of this cruel game I didn't chose, of this power that seized me and left me without a name. I run, I bleed, I feel utterly happy —I sing.

HUNTING GAME, cotton fabric, rattan, iron wire, 3D‑prints, 110*80*80 cm, 2019.

THE CALLING, gouache and graphite on acid free paper, 21*29.7cm, 2026.2

#contemporarydrawing #artistsketches #installationart #feminismart #contemporyart by @yinsideyin

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a month ago