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유킴 babybifo

@youkimforever

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#THISISNOTACRITIQUE
#이것은비평이아니다
🇩🇪🇰🇷🇬🇧 @clfw.co @auriss.edit
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[PLEASURES] In Love, ADOY @adoyband 아도이 새 앨범의 첫 타이틀 뮤비. 사람은 하나도 안 나오고 사람의 흔적만 담은 필름이에요. 아도이 유튜브에서 감상하세요 ☕️ Director Youkimforever DP Taesung Hwang @hwang.arc AC Seungwann Jin Lighting directer WOO Bestboy Seong Hyun Min Art director Jaeyeon Lee @rosestudioseoul Location-WW by @youkimforever
10
3 years ago
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박경률 작가의 작업실에서, 그녀가 영감을 받는 서울의 곳곳에서 찍은 프리즈 R&D 스톤아일랜드 필름 @StoneIsland showcased a short film directed by @youkimforever, featuring @park_kyungryul, (@baikartgallery) at #FriezeSeoul in September 2024, continuing the brand’s partnership with the art fair. by @youkimforever
4
2 years ago
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A Tale through Generations, 시엔느 10주년 영상 (exerpt 발췌) Last summer, I made a film I was quite drawn to. Time moves slowly, left untouched. Suspense is deliberately absent; repetition and rhythm take over, tracing generations in circulation. I wanted the film to have no ending—and truly, it doesn’t. Directed by me & @jonggeun__han Cinematograph @jinematography Grip @sang_j03 Styling @youngshil_b Act @kimjuuone @camelostrich @ym_studio @anne.cartereau @flight__agency 시엔느의 박초은 대표님과 @parkchoeunnn 처음 만나 나눈 얘기를 되짚어보며 쓴 글 “있잖아요, 불안한 20대에 여름날 새벽까지 놀다가 밖에 앉아 새벽 공기의 냄새를 맡으며 말없이 정적을 느끼던 그 시간. 그때 느껴지던 막연한 불안과 흥분. 아마도 정해진 게 하나도 없는 미래가 너무 활짝 열려 있어서였겠지요. 나른하게 가만히 앉아 있으면 풀 냄새, 벌레 울음소리, 느리게 감싸고 지나가는 더운 바람, 바로 옆에서 친구가 피우는 담배가 타들어가는 소리까지… 왜 여름밤에는 소리가 더 크게 들릴까요? 그렇게 고요하면서도 강렬한 기억들 말이에요, 우리 모두가 품고 있는. 그런 순간의 사진들이 모여 지금의 한 사람을 만든 게 아닐까 하는 생각이 들어요. 시엔느의 ‘그녀’는 누구일까, 상상해보면 말이죠. 세 명의 여성, 세 개의 세대. 서로 다른 시간과 삶을 살지만, 만약 그들이 닿을 수 있다면 아마도 기억의 가장 내밀한 차원일 거예요. 고독이 견디기 힘들면서도 동시에 눈부셨던 그 밤들. 자신이 연약하면서도 압도적으로 존재함을 느꼈던 순간들.” #시엔느10주년 #시엔느 #유킴 #한종근 by @youkimforever
9
10 months ago
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DRC외 48시간 부산여행: 신발원 만두-데카트론 서면 롯데-김영모피자-탄수호-적산가옥 오초량-올선데이 베이글 by @youkimforever
14
a day ago
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베를린에서 시작된 자연을 10월 19일부터 10 Corsocomo 청담점에서 Raerscents를 만나보실 수 있습니다. 100% 자연 원료를 손으로 소량씩 블렌딩해 만든 아티저널 퍼퓸을 매장에서 직접 경험해 보시길 바랍니다. From October 19, Raer Scents will be available at 10 Corso Como Cheongdam. Discover our artisanal perfumes, made from 100% natural ingredients and blended by hand in small batches. taken in 10 Corso Como Seoul by @youkimforever
0
2 days ago
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#광고 여러 겹을 겹쳐 입는 재미가 있는 가을. 질감이나 실루엣, 서로 다른 옷이 만났을 때 만들어지는 분위기가 돋보이는 날씨. 일라일(ILAIL)은 ‘삶의 레이어’라는 철학을 바탕으로, 깊이 있는 소재를 통해 일상적인 옷차림에 감각적인 변화를 꾀한다. 한층 더 풍부하고 다채로워진 26FW 컬렉션은 차분한 색감, 유려한 실루엣으로 우아하면서도 쿨하다. #일라일 #ILAIL by @youkimforever
0
3 days ago
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열심히 사는 유워니 + 와인과 진킴엔딩 by @youkimforever
4
4 days ago
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#ThisIsNotACritique #이것은비평이아니다 <Flowers, Trees, Mirrors> “…Black people mostly look down or look up but don’t look at each other, and white people mostly look away. The universe is nothing but a hollow drum.” (The Fire Next Time, Baldwin) “The universe is a hollow drum.” Of all the lines I’ve carried with me these past few years, this is the one I return to most. For a long time I couldn’t say why. I think now it’s because the line names something I had long sensed but never had words for: the strange emptiness between people. We live in the same world. We share streets and institutions, languages and histories, and still something is missing in the space between us, a pervasive layer of vacuum where people never quite meet. That absence resists being named. And when plain language fails, we borrow the poet’s. That’s when I say it: the universe is a hollow drum. What troubles me is that this emptiness need not announce itself through anything as blunt as hatred, anger, or violence. It can exist quietly, in the ordinary ways we pass one another without acknowledging the lives being lived around us. It is held in place by social structures, by institutions, by habits of perception that decide whose existence counts and whose does not. Often nothing visibly happens at all. Only a person missing from the way we understand the world. Perhaps that is why Baldwin’s hollow drum feels so precise to me: a world full of people, yet strangely empty of one another. Perhaps, then, the hollowness Baldwin describes comes not from an absence of people, but from our failure to recognise them as part of our world. This is where I find myself turning to the question of the Other. The Other takes many forms in philosophy. For Sartre, the other’s gaze makes me aware of myself as an object in someone else’s world. For Edward Said, the West constructs the East as its Other, defining itself through that distinction. In both, the Other is something that unsettles the self or is used to define it. Levinas moves in another direction. For him, the other person is neither a threat nor a mirror, but a demand: “The face of the other says to me: Thou shalt not kill.” It is through this li by @youkimforever
6
3 days ago
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#광고 #IsseyMiyake #이세이미야케 by @youkimforever
7
5 days ago
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쿠에른의 첫 컬렉션으로 시작한 VALENCIA의 열한번째 생일을 축하하는 자리 2026.10.09(금)- 10.25(일) 서울 성동구 성수이로 71 쿠에른 더 빌리지, 태너리에서. by @youkimforever
5
7 days ago
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#THISISNOTACRITIQUE #이것은비평이아니다 <Freedom, Market, Imagination> “What, then, is time? If no one asks me, I know; if I wish to explain it to one that asketh, I know not.” — Augustine I think the same could be said of ‘freedom’. Everyone desires freedom, and people are willing to resort to violence and sacrifice in order to defend it. Yet when asked what freedom actually is, we find ourselves struggling to give a clear answer. Freedom is an immense and abstract concept. Rather than attempting to define it, I find it more meaningful to trace how it has been spoken of in particular historical and social contexts. In South Korea, for instance, the words ‘freedom’ and ‘liberal democracy’ have been invoked with remarkable frequency as political slogans in recent years. This has led me to return to a question: what is freedom? From what I have observed in South Korea in the 2020s, freedom seems to function as a kind of rhetoric that presupposes a binary opposition. Yet what stands on the other side of that opposition is never fixed. It shifts according to the political convenience of the time and those in power, much as it did under McCarthyism. “I value my individual freedom, so why should I have to think about the collective?” “I worked hard and earned my money freely, so why should I be forced to redistribute it?” “If freedom of expression exists, then surely I have the freedom to express hatred too.” (I heard this one particularly often during Pride Month.) These invocations of freedom emerge from different political and social contexts, yet they share a particular understanding of the individual : someone whose freedom is imagined independently of the lives and conditions of others. This understanding bears a striking resemblance to the neoliberal conception of the human being—an autonomous, self-responsible individual whose relationship to society is increasingly defined through competition. Within this framework, freedom is understood as both the right and the achievement of an autonomous, self-responsible individual. Yet this freedom is sustained through the exclusion of others, while economic desire becomes its fundamental organising principle. Put sim by @youkimforever
5
8 days ago
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⠀ THE BLUE COLLAR | 시간이 지나야 알게 되는 것들 #팝컬처매거진 #THEBLUECOLLAR 여러 삶을 지나왔지만, 끝내 예술가라는 한 방향을 향해가다. EP. 62 🎥 필름메이커 유킴 (@youkimforever) Q. 순수미술과 디자인, 회사원과 모델을 거쳐 필름메이커가 되기까지, 여러 일을 해오셨는데요. 그 과정에서도 변하지 않은 유킴만의 기준이나 방향이 있었나요? A. 지금까지 여러 가지 일을 해왔지만, 결국 하나의 목적지를 향해왔던 것 같아요. 그건 예술가가 되는 것이었습니다. Q. 지금까지 만든 영화나 영상 중에서, 완성했을 때보다 시간이 지난 뒤 더 좋아졌거나 의미가 달라진 작업이 있나요? A. 작품을 끝내고 나면 다시 보는 게 항상 너무 힘들었어요. 그런데 시간이 지나면서 이제는 조금 더 편한 마음으로 볼 수 있게 된 것 같아요. Q. 오래 가지고 있는 것 중에, 낡거나 쓸모가 없어져도 계속 간직하고 싶은 물건이 있나요? A. 제가 원래 물건에는 크게 관심이 없는 편인데, 그래도 오래 가지고 가고 싶은 건 책들이에요. Q. 추후 바이크를 타게 된다면 어떤 Honda 바이크를 타고 싶으신가요? A. 혼다 Rebel1100MT를 타고 싶어요. 안정적인 주행이 가능할 것 같고, 점잖고 날렵한 외관이 마음에 듭니다. Q. 계속 새로운 질문을 찾으며 작업한다고 하셨는데, 요즘 가장 오래 마음에 남아 있는 질문은 무엇인가요? A. ‘이제 나는 어디서 살아야 할까?’, ‘어디가 나의 집일까?’, ‘무엇이 나의 집일까?’ 요즘은 이런 질문들이 가장 오래 남아 있는 것 같아요. Q. 스물다섯 살의 유킴을 다시 만난다면, 지금의 유킴은 어떤 말을 해주고 싶나요? A. 지금 어떤 고난을 겪고 있더라도, 그건 분명히 끝이 날 거라고 말해주고 싶어요. Q. 마지막으로, 유킴에게 ‘빈티지’란 무엇인가요? A. 제가 생각하는 빈티지는, 그 물건을 사용했던 사람의 삶이 느껴지는 것이라고 생각합니다. Q. Among the films and videos you’ve made, is there a project that you came to appreciate more, or that took on a different meaning, as time passed? A. Whenever I finished a project, it was always really difficult for me to watch it again. But as time has passed, I think I’ve become able to look back on my work a little more comfortably. Q. Is there anything you’ve kept for a long time that you would still want to hold onto, even if it became old or no longer useful? A. I’m not particularly attached to objects, but if there’s one thing I’d like to keep for a long time, it would be these books. Q. Lastly, what does “vintage” mean to you? A. To me, vintage is something that carries a sense of the life of the person who once used it. #honda #phypsmotorcycle #hondamotorcycle by @youkimforever
7
10 days ago
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