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Theatre of the senses
📍 Valencia
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It is dangerous to unmask images, since they dissimulate the fact that there is nothing behind them
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Hello family we are now in the country of Thailand, as you know we ran out of merch a couple of months ago, we have printed out a enemy zero zine utilizing collage art we made with #touchdesigner and various writings we pulled out. Do you ever think to go as far to go and read the thing? Ill have this uploaded soon, more downtime means more time to WORK and we will be working it, work is life and its all I know. Yeah yeah, love you BYW by @zonazanjeros
1
9 months ago
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Enemy Zero's 'Move Fast and Break People' is out today on cassette & streaming!

Album stream and order at links in bio.

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Move Fast and Break People is structured as a staged traversal of grief inside the simulacrum. Side A moves from denial to refusal, ending with Boot Failure (the system rejecting meaning and ejecting the user). Across these pieces, recognizable pulse trains and genre signifiers are introduced, overcoded, and then chewed into granular residue—microtonal clusters, clipped dynamics, and recursive resampling push the signal from index to sign to simulacrum. Side B is acceptance: Heartbeats restores the body’s index—reconnecting to the natural form with ethereal synthetic landscapes—inside a minimal frame. Acceptance isn’t catharsis; it’s contact with what remains when the copies stop bargaining. by @zonazanjeros
2
a year ago
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Smoke gridlock. Sirens loop.
Checkpoint drones scan heat signatures, rifles mounted.
Three clicks on the line. Every call. Every breath.
Screens track retina, pulse, heartbeat, purchase history. No exits.
Highway flame horizon.
Autonomous fleets push corpses aside. No driver, no pause.
Food rationed, shelves empty. Plastic fruit at triple price.
Cops in unmarked vans-gone with the bodies, gone with the noise.
Neighbors erased overnight, apartments sealed, their faces scrubbed from the feed.
Water black. Skin burns.
Air thick with ash. You choke. You work three hours out, three hours back. Gas costs more than blood.
Your ID fails at random. One mistake, and you don’t exist.
You would film. You would resist. But paranoia claws you down. The walls have ears. Every shadow is wired.
The nats run the show. Surveillance is worship.
The climate boils, cities sink, ice fractures, storms chew coastlines.
And still,
you can’t afford to live.
You need clothes. You need to disappear. You need a shirt. Consume more, shithead.

Thanks to my heros for being excellent models
@phantomguardd0g @parallel_univvv by @zonazanjeros
5
a year ago
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@phantomguardd0g got some amazing video of our recent collaborations on their youtube, including an awesome music video filmed at south sound sounds. Putting results on my linktree in bio. Check them out if you know whats good for you.

@blue_rumer @newchlorine @parallel_univvv taken in South Puget Sound by @zonazanjeros
0
a year ago
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Currently down to my last $200 and I'm pushing through. My new drum rack ZERO-A is out now on Gumroad and Patreon, featuring Zona Zanjeros' samples. If you're not into my packs, a coffee would fuel my life. Links are in bio. by @zonazanjeros
2
8 months ago
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Finally, these three titans of noise have entered the ring after nearly six years of waiting. On Bloodsport Arena, Tim Burkland (TAB IN/TAB OUT, Takeshita) and Ethan Campa (Coach Campa) tag-team Zona Zanjeros (Enemy Zero, Computer Age) for a collision of table-top electronics, hyperactive free jazz, cut-up tactics, and full-spectrum sonic violence. 

What unfolds is less a collaboration than a sustained melee: Burkland and Campa generate a volatile barrage of gestures, textures, and eruptions, while Zona drags the whole thing through the digital blender, shredding and reassembling it into something even more unstable. Signals stutter, tones convulse, rhythms appear only to be dismembered, and scraps of improvisation are pushed to the point of total rupture. 

Bloodsport Arena lives up to its name. This is combat music—raw, playful, hostile, ecstatic. The trio lock into a kind of brutal chemistry where no sound is left untouched: electronics squeal and scrape, free jazz fragments whip through the mix like broken glass, and digital processing mutates everything into a delirious, high-impact assault. What could have been chaos becomes something sharper: a freaked-out exchange of attack, response, sabotage, and transformation. 

After years in the making, Bloodsport Arena arrives as a document of collision, nervous energy, and total commitment to the wreckage.
credits
releases May 2, 2026 

Tim Burkland: Electronics 
Ethan Campa: Drums 
Zona Zanjeros: Guitar/Supercollider

https://computeragerecordings.bandcamp.com/album/bloodsport-arena by @zonazanjeros
1
7 months ago
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Show Flyers going up around town!  Unfortunately trigger object not able to make it due to last minute family obligations…but Time Theft quickly jumped at the chance to join bill!  Thank you @signaldreams!  Should be an awesome show of touring bands and a couple local yolkals!  Come out if you can!  Sac getting super pumped! by @zonazanjeros
2
2 months ago
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Petit sac show Sept 4th opening for lots of sick acts at pdx arts collective by @zonazanjeros
2
2 months ago
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SEPTEMBER 5TH 
ZONA FAREWELL PT 2 
byob
bring your own food for the bbq/bonfire !! by @zonazanjeros
4
2 months ago
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September. by @zonazanjeros
2
3 months ago
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#freejazz #noisemusic #touchdesigner #tidalcycles by @zonazanjeros
1
7 months ago
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#freejazz #noisemusic #touchdesigner #tidalcycles #cutup by @zonazanjeros
1
7 months ago
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