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Logan Chan

@3.17

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Half of @pabepabeofficial
Walking around @logangoingout

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…and yes, I’m back in Hong Kong already (all of a sudden) ! So excited to make it to the Hong Kong Palace Museum Cultural Salon: Neo Chinese Aesthetic, organised by @madamefigarohk.

What an inspiring night surrounded by such a wonderful art community and speakers . The preview of the new exhibition at HKPM: “Contemporary Design in Dialogue with Palace Display.” is my happy ending for the day 🍸

Invite me to art exhibitions and I will always be there 🫶🏻 taken in 香港故宮文化博物館 Hong Kong Palace Museum by @3.17

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4 days ago

My happy face for leaving Paris before everything 👋🏻😘 missing so many faces but that’s alright you know we will catch up very soon 💨 Good luck SS27 taken in Baronne by @3.17

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7 days ago

🇬🇧 IS ALWAYS KINDA FUN BECUZ OF THE LOVELY PPL THERE I WILL BE BACK SOON 💙♥️ taken in London by @3.17

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10 days ago

…and just like that, our Milan presentation has come to a beautiful close at Spazio Lineapalle, like a warm breeze 🎼💨 @pabepabeofficial

This presentation was so special for us. Not only did we bring our Winter 2026 collection to Milan for a see-now buy-now showcase, but we also PROUDLY introduced ‘ Atelier Pabe. ‘

This is a new line dedicated entirely to high craftsmanship and limited-edition unique pieces and objects. 👉🏻

( A LONG INTRO OF OUR NEW CONCEPT IN THE NEXT 19 SLIDES SORRY BABES 🪎🪎)
@lineapellefair @meliastage_official

Being back at Spazio Lineapelle, surrounded by so much history, really inspired us to create something that connects the past with the present. We started digging into old manuscripts and paintings, looking at medieval church art and the surreal worlds of Hieronymus Bosch.

We became completely obsessed with these tiny, whimsical creatures hidden in the margins. Like a hare playing a bagpipe from a 14th-century breviary, or Bosch’s strange swan-man hybrids playing shawms. They carried so much symbolic meaning, yet they were always painted as minor characters tucked away in the background.

We fell in love with this concept. Why not bring these overlooked characters to the front stage? By blending them with our “music and object” philosophy, we made them the main characters of our story. 👉🏻

Being back at Spazio Lineapelle, surrounded by so much history, really inspired us to create something that connects the past with the present. We started digging into old manuscripts and paintings, looking at medieval church art and the surreal worlds of Hieronymus Bosch.

We became completely obsessed with these tiny, whimsical creatures hidden in the margins. Like a hare playing a bagpipe from a 14th-century breviary, or Bosch’s strange swan-man hybrids playing shawms. They carried so much symbolic meaning, yet they were always painted as minor characters tucked away in the background.

We fell in love with this concept. Why not bring these overlooked characters to the front stage? By blending them with our “music and object” philosophy, we made them the main characters of our story. 👉🏻

Every single bag in this collection takes taken in Milano, Italy by @3.17

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17 days ago

Volume UP 🔊 What does a bag store sound like when it becomes an instrument?

For the opening of “The Winter Lullaby” at K11 MUSEA, HK percussionist and sound artist Karen Yu ( @karenerak ) did the unthinkable , she played our architecture and also our instrument bags at the same time 🎻🎼🪊

At PabePabe, our space is not just a store. The block, the installations, the leather, it is all one massive, living instrument, same as our instrument bags. We hope to create , to inspire; and to push the limit of imagination and design 💭

Now, the stage is yours. Step inside, touch the installations, and compose your own melody.

🔜This is only the first movement. We will be hosting immersive, live crossover performances MONTHLY from now until December 30.

Come play with us. 🖤

Kiosk - Shop L2-201, 2/F, K11 MUSEA
Now until Dec 30, 2026 by @3.17

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19 days ago

These ppl are my FAM 🧑‍🧑‍🧒‍🧒🧑‍🧒‍🧒🧑‍🧒🧑‍🧑‍🧒
Thank you so much for joining the opening! It always means SO MUCH to me and makes me still believe in treating everyone genuinely and being real. It is not always a fake it till you make it situation in this industry 🥹🫶🏻
Visit us anytime from now at K11 MUSEA L2 201 !! If I am there I can always be your private musician 🎻📯🎷
THANK YOU WORLD 🌍
@pabepabeofficial
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Photo by @freyazzing <- super smart n fast highly recommend for events !!!! taken in K11 Musea by @3.17

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21 days ago

A gentle reminder that everything happens (or doesn’t) for a reason. Keep your passion close and vision clear, letting the wrong frequencies fade, you can never please everyone .📯🎷🎻

Only room for beautiful things and matching energies from here on out. Love what we have created together recently @tigerstrolling and @madamefigarohk 🧲🍷🎼 by @3.17

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a month ago

🔵🎼❄️
When I first saw this circular space, my mind immediately drifted to the classic surrealist stage designs that have always inspired me, from Salvador Dalí to the legendary minimalist theater sets of Robert Wilson.

I wanted to bring that same mysterious, dark, yet deeply romantic theatrical aesthetic to life. Romance is no longer only in pink and bubbly nowadays. More than just a visual backdrop, I wanted it to be alive. I wanted to create a space where you don’t just look at a bag, but where you can actually play with the instruments, touch the set, and become part of the performance, become part of our vision.

This winter, I hope you feel something deeper here. Come lose and embrace yourself in the sound, the music, and the romance we’ve built for you. Let’s compose a dream together.
Just at PabePabe.
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Thank you for bringing the idea to life🎼
@carson.leung , Chaklam Ng , @earup_earwin
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@pabepabeofficial
The Winter Lullaby by PabePabe
K11 MUSEA, Shop L2-201
Daily 11:00 - 20:30
Until 31st of December.
❄️🎼🔵
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another mission complete. #thankyoulife taken in K11 Musea by @3.17

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a month ago

One of the best-curated exhibitions I visited this time in Venice... “The Only True Protest Is Beauty “ at the new @fondazionedriesvannoten space.

A dreamy place where every single detail is stunning... and being surrounded by an incredible collection featuring Christian Lacroix and Comme des Garçons, I can’t think of anything better than this combination 🍀🍀 by @3.17

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a month ago

Another year , thank you @timeouthk 🌶️🌶️
@pabepabeofficial Central gallery/showroom , Hong Kong. taken in PabePabe by @3.17

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2 months ago

Another hottest market that no one asked for … 🫠
See you all again in September #byeparis by @3.17

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3 months ago

Lemme share some very personal thoughts here 💭 💭➡️➡️

3rd🥉: Japan Pavilion
Artist: Ei Arakawa-Nash
Co-Curators: Lisa Horikawa, Mizuki Takahashi
Exhibition Title: Grass Babies, Moon Babies

Japanese contemporary art has always marched to its own beat, often carrying a distinct sense of innocence and purity compared to mainstream global aesthetics.
This year’s Japan Pavilion dive into the heavy realities of declining birth rates and depopulation through an incredibly simple gesture: holding a weighted baby doll
. It is a beautiful example that art does not need to be dense or overly intellectual to be exhibited. By translating a massive demographic crisis into a physical weight in your hands, the exhibition speaks directly to the audiences’ heart.
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日本的藝術一向都與世界主流審美不太一樣，在我而言，它總是多了一份難能可貴的童真和純粹。
這次日本館的主題圍繞著嬰兒展開，深入探討了亞洲極低生育率與人口老齡化的嚴峻現狀，同時也溫柔地回應了威尼斯本地人口流失與遷出的現實困境。
在正式觀展前，你可以選擇抱起一個和真實嬰兒差不多重量的小玩偶，然後帶著它開始參觀。
光是這一個充滿儀式感的互動環節，就已經為整個展館增添了無數的分數。有時候，藝術真的不需要包裝得特別深奧，也可以顯得極其深刻。
藝術家選擇用最直觀、最溫柔的方法，將宏大的社會議題轉化為你懷中實實在在的重量，讓你瞬間領悟他所希望傳達的溫度。

Japanese contemporary art has always marched to its own beat, often carrying a distinct sense of innocence and purity compared to mainstream global aesthetics.
This year’s Japan Pavilion dive into the heavy realities of declining birth rates and depopulation through an incredibly simple gesture: holding a weighted baby doll
. It is a beautiful example that art does not need to be dense or overly intellectual to be exhibited. By translating a massive demographic crisis into a physical weight in your hands, the exhibition speaks directly to the audiences’ heart.
-

日本的藝術一向都與世界主流審美不太一樣，在我而言，它總是多了一份難能可貴的童真和純粹。
這次日本館的主題圍繞著嬰兒展開，深入探討了亞洲極低生育率與人口老齡化的嚴峻現狀，同時也溫柔地回應了威尼斯本地人口流失與遷出的現實困境。
在正式觀展前，你可以選擇抱起一個和真實嬰兒差不多重量的小玩偶，然後帶著它開始參觀。
光是這一個充滿儀式感的互動環節，就已經為整個展館增添了無數的分數。有時候，藝術真的不需要包裝得特別深奧，也可以顯得極其深刻。
藝術家選擇用最直觀、最溫柔的方法，將宏大的社會議題轉化為你懷中實實在在的重量，讓你瞬間領悟他所希望傳達的溫度。

Japanese contemporary art has always marched to its own beat, often carrying a distinct sense of innocence and purity compared to mainstream global aesthetics.
This year’s Japan Pavilion dive into the heavy realities of declining birth rates and depopulation through an incredibly simple gesture: holding a weighted ba taken in Venice by @3.17

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3 months ago