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Out there hanging.

@logangoingout

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Always going to somewhere📍Food, Art, Exhibitions

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Wherever is Kiefer in town, I will be there!
🥩
“Nymphäum” at Thaddaeus Ropac is a total masterclass in scale.
I’m obsessed with the new color palette mixed into the heavy textures. Seeing 8-meter tall ruins swallowed by nature and myth is an experience you can’t really put into words.
I like it raw, as usual!
@thaddaeusropac #anselmkiefer taken in Galerie Thaddaeus Ropac Paris-Pantin by @logangoingout

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3 months ago

One of the newest and best contemporary art museums in Bangkok (and even worldwide) . I really appreciate how they showcase both big-name artists and smaller talents, expressing a fresh perspective on modern art through the lens of a new angle in Thailand. Great job! It’s a must-visit! @dibbangkok taken in Dib Bangkok by @logangoingout

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8 months ago

Some artists never disappoint and are worth visiting, no matter how long the transport takes.

Yayoi Kusama and Anselm Kiefer in one city—how lucky am I ?!

No photographs are allowed in Yayoi’s exhibition.
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京都半日遊，很幸運能同時欣賞草間彌生與Anselm Kiefer 的展覽，兩場展覽皆堪稱滿分答卷。

草間彌生的展覽聚焦版畫創作，為日本首次大規模呈現其版畫作品的專題展。展品橫跨藝術家從初試啼聲至晚年創作的不同階段，高度統一的作品形式，更能凸顯其創作心境的轉變歷程，讓觀眾得以深入體會藝術家的精神世界。由於是版畫特展，現場禁止拍攝，我只能以「目不暇接」來形容作品的豐富度與呈現效果，絕對值得親臨觀賞。 (而且紀念品超好買)

Anselm Kiefer 始終是位我不會懷疑的藝術家——他作品的完成度與展覽帶來的震撼力從未令人失望。此次展覽選址京都世界文化遺產二條城，莊嚴的場所極適合呈現 Kiefer的作品：厚重的油彩在古寺氛圍中顯得更沉鬱，巨幅畫作幾乎佔滿整個展廳空間，近距離凝視時，那些如裂縫與傷痕般的筆觸赤裸地撞擊視覺，令人過目難忘。這種直擊靈魂的衝擊感，不是文字所能傳達，若有機會請親身感受。

#goingoutin #Kyoto #yayoikusama #anselmkiefer
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草間彌生版画の世界-反復と増殖-
京都市京セラ美術館
2025.4.25 - 9.7

Anselm Kiefer SOLARIS
京都二条城
2025.3.31 - 6.22 taken in 京都 Kyoto, Japan by @logangoingout

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a year ago

Special project art spaces hopping in Osaka. Japan can always surprise me with unique exhibitions and works which stand out from others. The raw artistic expression that contrasts sharply with the usual impression of routine and conformity is truly fascinating to me.
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日本在藝術介入社區與空間再生領域的實踐總能給我驚喜。每次到日本，我都要觀摩一下這些充滿生命力的藝術現場。此次大阪出差剛好碰上了大阪國際藝術祭，每天下午工作前都抽空去探索這些由閒置辦公室、廢棄民宅改造而成的限定展場。

最令我覺得好玩的永遠是日本策展人突破常規的野性思維，與其日常社會中的嚴謹秩序形成強烈反差。這次由老舊辦公大樓改造的展場特別有衝擊力：裸露的混凝土甚至有舊物的印記，大會邀請藝術家將作品佈置在大廈不同的單位內，與整個空間對話。這些粗糙質感沒有白盒子畫廊的糖衣和矯柔，那些看似隨性粗暴的裝置佈局，實則需要極精準的空間感知力——堆疊的塑膠雕塑，用木塊和鐵釘固定的畫框，放在髒污地氈上的作品，都在提醒觀眾：藝術本該如此野蠻生長。

還有我覺得很有趣的是，日本策展人和藝術家在創作的取向，這麼多年來都沒有被主流市場影響。你能在這些展覽中看到非常不符合大眾審美的藝術品，沒有”網感”，幾乎沒有在管世界正在流行什麼。有人可能覺得是一種脫節，但在我看來，他們的創作更多是忠於自己吧，這何嘗不是一種自由快樂呢？

祝福日本的創作者們🫶🏻

#goingoutin #osaka taken in Osaka by @logangoingout

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a year ago

Finally made it to the Terrada Art Complex in Tokyo, and it did not disappoint! 🎨 This spot has around 19 galleries in two buildings, each showcasing fresh work from amazing local artists. Located in the lively Shinagawa area, it’s super easy to get to.

The vibe is so inspiring, with unique exhibitions that really capture the essence of contemporary Japanese art. If you’re in Tokyo, definitely check it out—it’s a must-visit for art lovers and a great place to snap some pics! 📸✨ taken in TERRADA Art Complex by @logangoingout

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a year ago

Louise Bourgeois: I Have Been to Hell and Back. And let me tell you it was wonderful.

展覽交織著濃烈的情緒，
愛，恨，嫉妒，後悔，混亂，不甘，矛盾，
直白如刀。
血肉模糊的表達，
挑釁著觀眾的情感，
讓每一個靈魂都無法逃避而産生共鳴。

我們能輕易代入她的想像世界裡，
隨著那股情感的牽動，
感受著藝術家強大的精神世界。

年輕時，她曾說出那句：
“我要帶有攻擊性。”
那份對創作的渴望如烈火，
那個恨透這世界的，憤怒的她，
令我想起自己。

然而，到了晚年，
我們能清晰地從她的創作感受到，
她試圖與各種憤怒和解，
在經歷過的每一道傷痕中，
撫平著一道又一道瘡疤。

大概所有，
糾纏與扭曲的情感，
在時光的流逝中，
都終將煙消雲散。
執著可以，
但也可以選擇過得自在。

沒有甚麼東西可以比在東京的夜景襯托下的Louise Bourgeois 作品更淒美浪漫了。

Sending my warmest thanks to @moriartmuseum for curating one great exhibition after another. taken in Mori Art Museum by @logangoingout

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2 years ago

#nobodycares but these are my top countries’ pavilion picks of 2024 Venice Biennale “Foreigners everywhere” and the short reasons:
Lithuania- Perfectly utilized the space and atmosphere of the church, vividly showcasing the artist’s vision of a future dominated by technology. (Slide 1-2)
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Italy - Astonishing contrast of device structure and space. (Slide 3-4)
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Uzbekistan- Using the theatre stage as a theme, it shows that while everyone is watching others, they are also being watched, creating a very interesting form of ‘passive interaction (Slide 5)
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Britain - Excellent use of visual works and scene arrangement leaves a deep impression on the audience. (Slide 6)
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Belgium - A very interesting ongoing project, where the gigantic puppets appear even more striking in the somewhat small exhibition hall. (Slide 7)
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Australia - The study of Australian Indigenous clans, with its extensive literature research and workload, is truly deserving of respect.(Slide 8)
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Germany - Extremely shocking immersive installations and sound art showcase the gap between the desolate modern ruins in the future and high-tech development. Rank 1 of my trip. (Slide 9-10) taken in Giardini della Biennale by @logangoingout

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2 years ago

Before I started studying fine art at university, while I was preparing to apply to an art school in Beijing, I discovered a book about Sculpture since 1945. I was immediately drawn to its cover, which featured an installation of a narrow corridor with green light. This artwork created situations that were meant to be disorienting, challenging viewers both physically and intellectually. It was the first time I felt inspired by an installation , and it made me think about how I could express my own feelings and thoughts through creating artworks more than paintings. That was when I first learned about Bruce Nauman and his work “Green Light Corridor.”(1970)

I was really excited when I saw the exhibition poster at Central station back in April and It was definitely worth the wait. This exhibition is an important showcase of Nauman’s work in Hong Kong, featuring 35 artworks that span his 60-year career. Hong Kong audiences now have the opportunity to closely observe Nauman’s notable works such as “Animal Pyramid” (1989) and “Washing Hands Normal” (1996), among others. The wide range of artworks on display showing Nauman’s various experimental periods and changes in materials and creative forms.

“BRUCE NAUMAN”
May 15th - August 18th, 2024

@taikwun.hk @taikwuncontemporary
#TaiKwun #BruceNauman #BruceNaumanTaiKwun
#大館 #布魯斯瑙曼 #大館當代美術館 #布魯斯瑙曼大館

Thanks @jasonyaoyaoyao 🩷 taken in 大館 Tai Kwun by @logangoingout

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2 years ago

The lovely Joan Miró.
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#art #museum #travelblogger #blog #fineart #design #museum #travel #instaart #ınstagood taken in Fundació Joan Miró by @logangoingout

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6 years ago

Venice Biennale 2019 : Shirley Tse On the Hong Kong Pavilion #imissgoodexhition #throwback
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#art #exhibition #fineart #gallery #artwork #installation #museum #design #instaart #instadesign #artdaily #blog #travel #travelphotography #travelblogger taken in La Biennale di Venezia by @logangoingout

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6 years ago

I miss good museums. #oskarkokoschka #josephbeuys #alexandercalder #alighieroeboetti #cytwombly #frankstella taken in Kunstmuseum Basel by @logangoingout

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6 years ago