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Wherever is Kiefer in town, I will be there!
🥩
“Nymphäum” at Thaddaeus Ropac is a total masterclass in scale.
I’m obsessed with the new color palette mixed into the heavy textures. Seeing 8-meter tall ruins swallowed by nature and myth is an experience you can’t really put into words.
I like it raw, as usual!
@thaddaeusropac #anselmkiefer

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One of the newest and best contemporary art museums in Bangkok (and even worldwide) . I really appreciate how they showcase both big-name artists and smaller talents, expressing a fresh perspective on modern art through the lens of a new angle in Thailand. Great job! It’s a must-visit! @dibbangkok

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Tried the hottest bar in Tokyo @bar_centifolia , and it is LITERALLY on fire 🔥🔥🔥 It was so fun and absolutely worth to book your visit! A perfect place for an unforgettable date ☺️PS: being too fabulous is very confusing sometimes , look at the staff flashing light on me at the end 😚 #EXPLORE #JAPAN #TOKYO #BAR

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Antony Gormley at Galleria Continua Beijing.
“ Body Buildings “
14/11/2024 - 14/04/2025

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《坂本龍一｜首を視る時を聴く》。東京都現代美術館

這次在日本剛好來得及看坂本龍一生前最後特別為東京都現代美術館策劃的展覽，以他一直深入研究的聲音和時間作為主題，展示十多個與高谷史郎、真鍋大度、Carsten Nicolai、Zakkubalan和岩井俊雄等藝術家合作的經典和全新創作的作品。

展覽一開始就以坂本龍一與高谷史郎合作的三巨屏作品 ‘TIME’ 帶着觀眾深入其精神世界，以莊周夢蝶的故事貫穿著現實和虛幻的片段，伴隨着牽動情緒的口述與音樂，訴說着一夢已是千年，功業聲名不過是一枕黃粱的感慨及無奈。

展覽的最後重現了坂本龍一和岩井俊雄於1996–1997年合作表演《Music Plays Images X Images Play Music》的全新裝置作品，把當年坂本龍一表演的片段折射在鋼琴前的玻璃上，伴着著與聲音互動的投影和機器操作的琴鍵，彷彿他本人就在你面前彈奏。這作品衝擊力很大，現場很多人都默默拭淚，真的是很不捨得，不捨得結束，不捨得他的離開。

我不免俗是因為 “Merry Christmas Mr.Lawrence” 而認識坂本龍一，不敢說是他的忠實聽眾，但電話的歌單裏永遠有他的位置，陪我渡過了無數個比較浪漫，比較情緒化的夜晚。
Merry Christmas, Sakamoto San 🎄
.
展期｜2024年12月21日～2025年3月30日
時間｜10:00-18:00（休館前30分鐘進場）
公休｜週一（1/13, 2/24開放）、12/28至1/1、1/14、2/25
地點｜東京都現代美術館

#Tokyo #museum #ryuichisakamoto

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Louise Bourgeois: I Have Been to Hell and Back. And let me tell you it was wonderful.

展覽交織著濃烈的情緒，
愛，恨，嫉妒，後悔，混亂，不甘，矛盾，
直白如刀。
血肉模糊的表達，
挑釁著觀眾的情感，
讓每一個靈魂都無法逃避而産生共鳴。

我們能輕易代入她的想像世界裡，
隨著那股情感的牽動，
感受著藝術家強大的精神世界。

年輕時，她曾說出那句：
“我要帶有攻擊性。”
那份對創作的渴望如烈火，
那個恨透這世界的，憤怒的她，
令我想起自己。

然而，到了晚年，
我們能清晰地從她的創作感受到，
她試圖與各種憤怒和解，
在經歷過的每一道傷痕中，
撫平著一道又一道瘡疤。

大概所有，
糾纏與扭曲的情感，
在時光的流逝中，
都終將煙消雲散。
執著可以，
但也可以選擇過得自在。

沒有甚麼東西可以比在東京的夜景襯托下的Louise Bourgeois 作品更淒美浪漫了。

Sending my warmest thanks to @moriartmuseum for curating one great exhibition after another.

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#nobodycares but these are my top countries’ pavilion picks of 2024 Venice Biennale “Foreigners everywhere” and the short reasons:
Lithuania- Perfectly utilized the space and atmosphere of the church, vividly showcasing the artist’s vision of a future dominated by technology. (Slide 1-2)
‘
Italy - Astonishing contrast of device structure and space. (Slide 3-4)
‘
Uzbekistan- Using the theatre stage as a theme, it shows that while everyone is watching others, they are also being watched, creating a very interesting form of ‘passive interaction (Slide 5)
‘
Britain - Excellent use of visual works and scene arrangement leaves a deep impression on the audience. (Slide 6)
‘
Belgium - A very interesting ongoing project, where the gigantic puppets appear even more striking in the somewhat small exhibition hall. (Slide 7)
‘
Australia - The study of Australian Indigenous clans, with its extensive literature research and workload, is truly deserving of respect.(Slide 8)
‘
Germany - Extremely shocking immersive installations and sound art showcase the gap between the desolate modern ruins in the future and high-tech development. Rank 1 of my trip. (Slide 9-10)

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Before I started studying fine art at university, while I was preparing to apply to an art school in Beijing, I discovered a book about Sculpture since 1945. I was immediately drawn to its cover, which featured an installation of a narrow corridor with green light. This artwork created situations that were meant to be disorienting, challenging viewers both physically and intellectually. It was the first time I felt inspired by an installation , and it made me think about how I could express my own feelings and thoughts through creating artworks more than paintings. That was when I first learned about Bruce Nauman and his work “Green Light Corridor.”(1970)

I was really excited when I saw the exhibition poster at Central station back in April and It was definitely worth the wait. This exhibition is an important showcase of Nauman’s work in Hong Kong, featuring 35 artworks that span his 60-year career. Hong Kong audiences now have the opportunity to closely observe Nauman’s notable works such as “Animal Pyramid” (1989) and “Washing Hands Normal” (1996), among others. The wide range of artworks on display showing Nauman’s various experimental periods and changes in materials and creative forms.

“BRUCE NAUMAN”
May 15th - August 18th, 2024

@taikwun.hk @taikwuncontemporary
#TaiKwun #BruceNauman #BruceNaumanTaiKwun
#大館 #布魯斯瑙曼 #大館當代美術館 #布魯斯瑙曼大館

Thanks @jasonyaoyaoyao 🩷

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Una magica sera di primavera tra le stelle di Giotto ✨

#igersitalia #igersveneto #igerspadova #visitpadova #padovacentro #cappelladegliscrovegni #museum #art #giotto #beautifuldestinations #bestplacestogo #italianplaces #tourist #arte #natgeotravel #ig_worldclub #familytime #springvibes #ootdgals #blondehair #blondehairdontcare #elegance #ootd #visitveneto #artofinstagram #theater #teatro #naturephotography #rondini #museiitaliani

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We were so privileged to have a private tour of the world famous @nationalgallery out of the hours and then followed by drinks and delicious canapés on the terrace looking over the Trafalgar Square, priceless. Thank you so much @wellertron and the team for organising such an incredible event❤️🙏#lesclefsdor #lesclefsdorgb #yourkeytoeverything #yourkeytolondon #yourkeytothecity #yourkeytosuccess #nationalgallery #oneofthebestmuseumsintheworld #renaissance #paintings #concierge #lesclefsdorconcierge #conciergelife #conciergeservices #trafalgarsquare #london #bestcityintheworld

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