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Katherine Page

@katherineep

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Curator, Modern and Contemporary Art

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We Are Nice’n Easy, ALL WET ON A PINK CLOUD WEARING ROSE COLORED GLASSES, 2026

“Each idiom is a clue that invites examination of two sides of the same coin and centers the mind and body comfortably within a space that is both intimate and voyeuristic, personal and public.“

- Katherine Page, Nous Voyons la Vie en Rose

@weareniceneasy by @__katherineep__

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Maria Theresa Barbist, DER GRUND AUF DEM ICH STEHE [The Ground on Which I Stand].

Water is both memory and release, carrying grief and forgiveness and allowing transformation. Systems of orientation re-emerge through cardinal directions and symbolic markers, no longer as fixed coordinates but as internalized points of reference, like an embodied compass shaped by experience. “

- Coralie Claysen-Gleyzon, Grounding Gestures, Cardinal Healing

@mariabarbist @coralieccg by @__katherineep__

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Jessy Nite, REMEMBER ME; SIEMPRE; ENDURE; BENEATH YOUR LIGHT, MY PARADISE; LANDS END; RETREAT

“Her installations prompt reflection and pause through simple yet enigmatic words and phrases, designed in her own hand, that invite dialogue and evoke memories, catalyzing both universal and individual understandings of her work.”

- Katherine Page, The Ties that Bind

@jessynite taken in Orlando Museum of Art by @__katherineep__

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Jason Hackenwerth, (Titles Forthcoming), and Little Horn, 2026

“His paintings and sculptures reflect collective emotional states while emphasizing the interconnectedness of all things, reminding us of our impermanent and imperfect yet formidable human condition, and what a thrill it is to be alive and flourishing in the skins we inhabit.”

- Coralie Calysen-Gleyzon, The flourishing of Imperfect Skins.

@hackenwerth @coralieccg by @__katherineep__

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Meredith Laura Lynn and Katie Hargrave’s Bad Outdoorsmen (Application Video) (Northeast Florida), 2004.

“All five monitors are set to play synchronously, inviting us to follow the artists’ narrative as it travels from screen to screen. Alternating backdrops featuring shifting landscapes, atmospheric skies, tumbling still lifes, jarring angles, and windswept portraits unfold across the four remaining displays, placing the viewer within a complex video collage of the sights and sounds of Northeast Florida’s maritime oak hammocks, scrubs, and pine flatwood ecosystems. “

-Katherine Page, Together, Into the Wild

@meredithlauralynn @katie_hargrave_ taken in Orlando Museum of Art by @__katherineep__

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Rose Marie Cromwell (all titles forthcoming)

“In Cromwell’s vision, bodies become ancient and are made anew, memorialized and lithic, as enduring as the living stones that surround them.“

- Coralie Claeysen-Gleyzon, Under a Drenching Sun

@rorosiemarie @coralieccg taken in Orlando Museum of Art by @__katherineep__

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Ema Ri, Let it All Out; Who’s watching Who; This Ends Here; Skullcap; This Way; Spellbound; Tall Grass, 2026, oil on canvas.

“These qualities, rich with metaphors in a spiritual connection to human existence, are why Ri is so drawn to depicting and working with flora. In This Way! (2026), bright orange tropical buds with hints of chartreuse and purple leaves shoot energetically upward from a dense, forested backdrop, suggesting that we follow their metamorphic lead through life. ”

- Katherine Page, Unfurling in a Lyrical Quietude

@ema____ri____ taken in Orlando Museum of Art by @__katherineep__

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Mette Tommerup, Formed Under Pressure: Horizon and Ocean Contour, Ocean Loop.

“Her practice is anchored in material transformation, in which painting as a discipline does not yield a finished object or product but is an active, evolving encounter with elemental forces.”

-Coralie Claeysen-Gleyzon, Facets of Elemental Surrender

@mette___tommerup @coralieccg taken in Orlando Museum of Art by @__katherineep__

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Charo Oquet, I am Here: Fragments, Trances, and Improvised Architectures.

An “installation that proposes that we embrace transformation and build social and communal bonds toward the promise of luminous endurance, bringing about radical hope and joy, even amid times of instability.”

- Katherine Page, A Radical Gesture

@charooquet taken in Orlando Museum of Art by @__katherineep__

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Francisco Masó, The Coronation of the Gladiolus, is the 2026 winner of the Florida Prize in Contemporary Art.

Patterns and “…surveillance is experienced as a spectacle, and viewers assume the role of performers within the system. It is in that dissident space that conversation and change can take place.”

- Coralie Claeysen-Gleyzon, States of Control and Patterns of Oppression

@fcomaso @coralieccg taken in Orlando Museum of Art by @__katherineep__

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South Florida Artists Scale Up for Orlando Museum’s Florida Prize
Written By Michelle F. Solomon

A trio of vibrant pyramids, built from almost 100 canvases, tower from floor to ceiling. Photographs explore motherhood and the American landscape. A bed of dried rose petals bears the imprint of a body. Walls are covered in hand-drawn sacred symbols. A pink installation of sculptures made of goat’s milk soap is built around intimacy and well-being.

One gallery after another at the Orlando Museum of Art belongs to a Miami-Dade County artist in this year’s Florida Prize in Contemporary Art, making the state’s premier contemporary art exhibition feel unexpectedly close to home for Miami audiences.

Eight of the exhibition’s 12 artists and artist duos have South Florida ties, including Miami artist Francisco Masó, whose “The Coronation of Gladiolus” received the exhibition’s $20,000 top prize.

Read more here : https://www.artburstmiami.com/visual_arts/miami-dade-artists-florida-prize-orlando-museum taken in Orlando Museum of Art by @__katherineep__

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It has been a little over a week since the opening of the 2026 Florida Prize in Contemporary Art at @orlandomuseumofart. The exhibition opened on May 30 and remains on view through August 30, 2026.

Congratulations to all the participating artists, whose presentations are outstanding and make for a compelling exhibition! The Florida Prize continues to be one of our favorite annual exhibitions. Bringing together artists from across the state, it serves as a valuable survey of the many voices, perspectives, and thematic explorations currently shaping contemporary art in Florida.

We are pleased to share these portraits, taken by @zairephoto during the preview party on Friday, May 29, 2026.

The artists are presented here in alphabetical order:

🌟 Maria Theresa Barbist @mariabarbist

🌟Rose Marie Cromwell @rorosiemarie

🌟Jason Hackenwerth @hackenwerth

🌟Meredith Laura Lynn @meredithlauralynn & Katie Hargrave @katie_hargrave

🌟Francisco Masó @fcomaso

🌟Jessy Nite @jessynite

🌟Charo Oquet @charooquet

🌟Ema Ri @ema____ri____

🌟Mette Tommerup @mettetommerup

🌟 We Are Nice’n Easy @weareniceneasy (Allison Matherly and Jeffrey Noble)

This year’s Florida Prize winner is Francisco Masó @fcomaso. Visitors to the exhibition can cast their vote for the People’s Choice Award throughout the summer. The winner will be announced at the exhibition’s closing and will also receive a monetary prize.

📸 Pic 11: @weareniceneasy pictured with this year’s juror, Jade Powers, Hugh Kaul Curator of Contemporary Art at the Birmingham Museum of Art.

The Florida Prize in Contemporary Art 2026 is curated by Coralie Claeysen-Gleyzon @coralieccg, Dr. James Cottrell and Mr. Joseph Lovett Chief Curator, and Katherine Page @__katherineep__ , Associate Curator, at the Orlando Museum of Art.

📸 All photos by Zaire Aranguren @zairephoto for @art.seen.365

#floridaprize #floridaprize2026 #orlandomuseumofart #2026floridaprize #artseen365 taken in Orlando Museum of Art by @__katherineep__

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