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More about @angels_front’s artistic practice of “critical simulations.”

Drawing on art’s singular experiential and imaginative capacities, Angels Front build worlds of their own to explore how technologies shape us and, in turn, the ones we inhabit.

As our cognition becomes a new battlefield, they devise tools and strategies to intervene in this realm, working directly on the resilience of our perceptual faculties.

« The goal is not to determine what is “real,” but to learn how to move between realities without surrendering our agency to any one of them. »

DIE & RETRY, their first full-scope, open-ended simulation, is running until November 9 at @maggeneraux Wed–Fri, 6–9pm / Sat–Sun, 4–7pm. 

—

Credits:

Artistic and technical direction: @angels_front — Flora Bouteille & @victorvillafagne 

Family: @jeancharlesdumay, @clairetoubin, @laurent_evuort_orlandi, @serraaurore, @charlottelecuit, @hippolytethillard

Film direction and live-editing: @quentinlhelgoualch
Film assistant: @zoe_viveir0s, @eliesjurquet
Technical support: @relaxed_exegesis 
Scenography: @priceless.mike
Styling: @dominguesleea
Graphic design and photography: @leleumarine
Family portraits: @aaponewborn
Production & communication: @kahinasutra


Executive production & development: Lily Matras – @__plaisirdoffrir

Co-production: @fondationfiminco, @maggeneraux, @lelieuunique, @lecubegarges

Video by Les Magasins Généraux 

Thanks to @lefresnoy, @iledefrance, @villedepantin, @rochebobois, @benq.europe and @rougierple for their support. by @__plaisirdoffrir
1
10 days ago
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Angels Front
DIE & RETRY - Simulation n°1
8 October - 8 November 2026
@maggeneraux 

Simulation kick-off: 7 October, 6pm-10pm
Weekly opening hours: Wed-Fr, 6pm-9pm / Sat-Sun, 4pm-7pm
Free entrance 

—

A new chapter of DIE & RETRY opens at Les Magasins Généraux as a one-month exhibition-residency.

DIE & RETRY is a long-running “critical simulation” by @angels_front, conceived as a site for collective training amid the current regime of cognitive warfare.

Join Family A22 as they evolve in a surveilled domestic environment sustained by a technological apparatus that continuously captures, transforms, and broadcasts their actions live, and gives rise to competing perceptions.

The simulation runs throughout opening hours and is streamed live on Twitch and YouTube.

Find the full program and livestream links at angelsfront.com (link in bio). 

—

Credits:

Artistic and technical direction: @angels_front — Flora Bouteille & @victorvillafagne 
Family: @jeancharlesdumay, @clairetoubin, @laurent_evuort_orlandi, @serraaurore, @charlottelecuit, @hippolytethillard
Film direction and live-editing: @quentinlhelgoualch
Film assistant: @zoe_viveir0s, @eliesjurquet
Technical support: @relaxed_exegesis 
Scenography: @priceless.mike
Styling: @dominguesleea
Graphic design and photography: @leleumarine
Family portraits: @aaponewborn
Production & communication: @kahinasutra

Executive production & development: Lily Matras – @__plaisirdoffrir
Co-production : @fondationfiminco, @maggeneraux, @lelieuunique, @lecubegarges
Curation: @annakeimis 

Thanks to @lefresnoy, @iledefrance, @villedepantin, @rochebobois, @benq.europe and @rougierple for their support.

Cover photo by @leleumarine 
Trailers by @quentinlhelgoualch by @__plaisirdoffrir
2
13 days ago
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Thrilled and proud to announce that Lara Dâmaso @lalalaradamaso will world-premiere her new piece « Through wood, through flesh, dancing on a string, attached to nothing » at the Venice Biennale Musica 2026: A Child of Sound, under the artistic direction of @cat_barbieri. 

21 October 2026 · 7pm
Teatro Tese Arsenale – Tese dei Soppalchi
Venice, Italy

A piece for grand piano, harp, double bass and voice, developed as part of #biennalecollegemusica, under the mentorship of Camae Ayewa moormother, Thierry Coduys, Alif Hilal @alif_hilal_, Miller Puckette, Simone Trabucchi @stillagramstill, and Marcel Weber @mfo.light.space.

Come find us in Venice and discover a new chapter in Lara’s beautifully meandering artistic journey. The evening is sold out, but we might be able to help.

Photos by @talullahcalderwood
Artwork by @rubenspini

@labiennale 
#biennalemusica2026 taken in La Biennale, Venice by @__plaisirdoffrir
2
21 days ago
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Gentle September reminder

that Plaisir d’offrir

• thinks of art as a relational tool, meant for someone else
• focuses on live forms — set in real time and real space
• combines ideation and production for best results
• proposes an audience-driven approach that fosters connection and presence
• operates collaboratively, site-specifically, and across disciplines
• supports creation through a commitment to good practices
• cares about how things are made, and who they are made for

Here a selection of past, present and future illustrations, just for you. Credits under each one.

With compliments,

PO

🎀

Image: Love Hurts, an artful Speed Dating by Plaisir d’offrir hosted by @studio.pauline.rousseau at @toukiboukibelleville in collaboration with culinary artist @cuhnja. Paris, February 2025. Photo Jules Arnaud.

« Party Animal », @18monkeysdancetheatre for Freedom From Thirst, a performance program in public space curated by @albrechtjpischel and Lily Matras (The Performance Agency), Bangkok, November 2021. Still from video by Christopher Wise.

Julie Monot for « Another Map to Nevada Biel/Bienne » by @theperformanceagency on an invitation by @kronecouronne, performative boatride from Neuchâtel to Biel/Bienne, July 2023. Photo Studio Chromeo.

Keynote by @christopher_salter during SVSN Prize with @angels_front, Avignon, July 2026.

@boyfall.out during DEDICATED.PURE.SONIC.CURE curated by @lafawndah_ and @_crystalmess_ for The Performance Agency, Espace Niemeyer, Paris, October 2020. Photo Margot Montigny.

Performance in public space by student LK in the frame of the seminar « Thinking Bodies » by @andreapetitfriedrich and Lily Matras at the European undergraduate campus of @sciencespo Paris in Nancy, February 2025.

@lemaire SS23 with live music by Ana Roxane, conceived and produced by The Performance Agency, Paris, June 2022. Photo Lena C. Emery.

« DIE & RETRY - Chapter 1: Loft A22 », @angels_front, live cinema at @fondationfiminco, production and development by Plaisir d’offrir, co-production @fondationfiminco, @maggeneraux, @lelieuunique, @lecubegarges, Paris, June 2026.

« Circle of Death », @astritismaili_ for Another Map to Nevada Berlin, a performativ by @__plaisirdoffrir
4
a month ago
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Meet French performance duo Angels Front (Flora Bouteille and Victor Villafagne @victorvillafagne) as they develop their new multi-chapter simulation, DIE & RETRY.

Expanded screening + conversation

Friday, 4 September
18:30–21:00

Kemmler Foundation
Großbeerenstr. 71
10963 Berlin, Germany

DIE & RETRY explores how perception and human relations are being reshaped by new technologies amid the current regime of cognitive warfare. In response to the growing weaponization of the cognitive domain, Angels Front proposes a simulation as a space for play, experimentation, and collective training.

The evening takes the form of an expanded screening of the first iteration of DIE & RETRY, alongside a testimony from simulation player Jean-Charles Dumay (@jeancharlesdumay), followed by a conversation with Angels Front (@angels_front) and performance curator-producer Lily Matras (@__plaisirdoffrir).

This event is presented ahead of Paris Art Week, during which the next chapter of DIE & RETRY will be inaugurated as a one-month residency-exhibition at Magasins Généraux, and as part of the Art Basel Paris VIP Program.

DIE & RETRY is produced by Plaisir d'offrir and co-produced by Fondation Fiminco (@fondationfiminco), Les Magasins Généraux (@maggeneraux), Le Lieu Unique (@lelieuunique) and Le Cube Garges (@lecubegarges).

With the support of the Culture Moves Europe (@culturemoveseurope) Mobility Grant from the Goethe-Institut (@goetheinstitut).

Images: Stills from DIE & RETRY — Simulation n°1, Chapter 1: Loft A22 by @__plaisirdoffrir
5
2 months ago
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DIE & RETRY - Simulation N°1
Chapter 1: Loft A22

LIVE CINEMA

Saturday 27 June 2026, 7pm

at @fondationfiminco
on Instagram
on Youtube
on Twitch
(links in bio)

TEAM

Artistic & technical direction: Flora Bouteille & Victor Villafagne @victorvillafagne
Family: Jean-Charles Dumay @jeancharlesdumay, Claire Toubin @clairetoubin, Laurent Evuort @laurent_evuort_orlandi , Aurore Serra @serraaurore, Charlotte Lecuit @charlottelecuit, Hippolyte Thillard @hippolytethillard
Film direction & live editing: Quentin L’helgoualc’h @quentinlhelgoualch
Film assistant: Zoé Vivieros @zoe_viveir0s
Framing: Eliès Jurquet @eliesjurquet
Technical support: Linda Lazarov @relaxed_exegesis
Scenography: Michael Price @priceless.mike
Styling: Léa Domingues @dominguesleea
Make up artist: Pauline Meola @p.meola.mua
Graphic design & documentation: Marine Leleu @leleumarine
Production & communication: Kahina Djemani @kahinasutra

Executive production & development: Lily Matras, Plaisir d’offrir @__plaisirdoffrir

Co-producers: @fondationfiminco, @maggeneraux, @lelieuunique, @lecubegarges

With the support of @lefresnoy, DRAC Île-de-France, DRAC Hauts-de-France, @artzoydstudios

Special thanks to: Irmhild Schack†, @katharinascriba_paris by @__plaisirdoffrir
1
4 months ago
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DIE & RETRY - Simulation N°1 

A multi-chapter simulation designed to study, anticipate, and counter the effects of cognitive warfare.

Chapter 1: Loft A22
Saturday 27 June, 7pm 

LIVE CINEMA

 At @fondationfiminco, giant screen
and on Youtube, Instagram and Twitch (links in bio)

TEAM:

Artistic & technical direction: Flora Bouteille & Victor Villafagne @victorvillafagne 
Family: Jean-Charles Dumay @jeancharlesdumay, Claire Toubin @clairetoubin, Laurent Evuort @laurent_evuort_orlandi , Aurore Serra @serraaurore, Charlotte Lecuit @charlottelecuit, Hippolyte Thillard @hippolytethillard
Film direction & live editing: Quentin L’helgoualc’h @quentinlhelgoualch
Film assistant: Zoé Vivieros @zoe_viveir0s
Framing: Eliès Jurquet @eliesjurquet 
Technical support: Linda Lazarov @relaxed_exegesis
Scenography: Michael Price @priceless.mike 
Styling: Léa Domingues @dominguesleea
Make up artist: Pauline Meola @p.meola.mua 
Graphic design & documentation: Marine Leleu @leleumarine
Production & communication: Kahina Djemani @kahinasutra

Executive production & development: Lily Matras, Plaisir d’offrir @__plaisirdoffrir 

Co-producers: @fondationfiminco, @maggeneraux, @lelieuunique, @lecubegarges 

With the support of @lefresnoy, DRAC Île-de-France, DRAC Hauts-de-France, @artzoydstudios

Special thanks to: Irmhild Schack†, @katharinascriba_paris taken in Twitch.tv by @__plaisirdoffrir
15
4 months ago
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Introducing our new creation: 

DIE & RETRY — Simulation no 1
Premiering at Fondation Fiminco in Paris on 27 June 2026

DIE & RETRY is a multi-chapter, site-specific simulation designed to study, anticipate, and counter the effects of cognitive warfare. It follows test-family A22, whose members are brought together by Angels Front to explore ways of resisting technology-induced contemporary psychosis.

Building on our ongoing investigations, we have developed a hybrid operational model integrating intelligence, academic research, artistic practice, and corporate culture within an immersive environment that blurs the line between reality and fiction. We anticipate that this near-life simulation model will enable forms of collective training for our audiences and beyond.

DIE & RETRY is co-produced by @fondationfiminco, @maggeneraux,@lelieuunique, @lecubegarges; supported by @lefresnoy, and developed in collaboration with producer and advisor Lily Matras (founder of @__plaisir d’offrir and former co-director of @theperformanceagency). Her expertise in shaping complex performance-based formats provides a strong foundation for this multifaceted, inquiry-driven work.

Slide 1: “...this is a funny game…”, photogram, Angels Front & Marine Leleu, graphic design @leleumarine, 2026.

Slide 2-6: DIE & RETRY simulation, stills from the trainings @fondationfiminco, Angels Front, 2026. by @__plaisirdoffrir
6
4 months ago
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Find the CO-ORDINATES manifesto, ‚Manifesting Margins’, written by Lily Matras, on our website.

French-German curator-producer Lily Matras investigates the intersections of art and society through performance practices and site-specific approaches. She co-founded the artists’ publishing house Lapin-Canard and co-directed The Performance Agency until 2024. She currently leads @__plaisirdoffrir, a platform dedicated to the curation and production of live art. Her work explores how experiential formats can foster forms of community.

The full manifesto can be accessed via the link in our bio.

CO-ORDINATES is a Kemmler Foundation (@kemmlerfoundation) initiative.
Co-funded by the European Union (@creative.eu)

Editor: Hannah Hasenclever (@hannah_yael), Friedemann Heckel (@friedemann_heckel), Patrik Gräb (@patrik.graeb)
Initial visual identity: Daniela Treija (@danielatreija)
Field research and Manifesto: Lily Matras (@__plaisirdoffrir)
Direction & Design: air-condition.ing (@enno.poetschke)
Development & Shader: Nikolai Sivertsen (@nikolai_zip)
Typefaces: OT Tonal (@omni.type) by @__plaisirdoffrir
3
6 months ago
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A PROMANCE
Flora Bouteille & Lily Matras


What began six months ago in Kigali as a casual conversation between two wedding guests wrapped in a traditional Umushanana quickly escalated into an entirely new cycle of work.

And this is how we:

- teach an experimental seminar for Master’s students in Public Affairs, Culture track at @sciencespo Paris: “Simulation: Thinking New Forms of Cultural Production.”

- initiated a related research project on simulation practices, forms of pre-enactment, and their artistic relevance, among others in conversation with the Sciences Po médialab

- unfolded an extensive collaboration for the development and production of @angels_front’s new body of work, DIE & RETRY, set in a context of cognitive warfare

- are leading a broader reflection on our take on performance art—what it is, what it does, and how it operates—and on ways of affirming it through exchange, initiatives, and community building

See you soon🪡 by @__plaisirdoffrir
12
7 months ago
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Thinking Bodies is a seminar we conceived together with @andreapetitfriedrich for undergraduate students at @sciencespo, and have been teaching each year since 2019.

It invites students to approach performance art as a way of thinking through the body while exploring its political potential and, more broadly, reflecting upon the politicality of art.

Over the course of one week, we move continuously between theory and practice: texts, discussions, and the study of key works are interwoven with exercises, try-outs, and moments of feedback. Together, these challenge assumptions around norms, collectivity, power, risk and failure—activating the body’s multiple capacities, and helping students to articulate their own understanding of performance, what it is and what it does.

Each student develops and carries out a performance piece in public space. On the final day, we follow a loose itinerary across the city, encountering one situation after another, with a striking level of engagement.

Working with students whose training is primarily intellectual and shaped by high academic expectations, this shift toward embodied attention opens something essential. Learning to think, experiment, and act through the body resonates deeply, and their feedback speaks of a lasting transformation.

This year, we also had the chance to teach the seminar at @lacademie.fratellini, with circus students whose relationship to the body is almost the inverse: highly trained and virtuoso. It was striking to see how performance art could offer them another space—one where proficiency gives way to a quality of presence which could, in turn, nourish their own practice.

„I have rarely experienced such a profound shift in mindset following a course.“ — E.B.

„By the end of this seminar, I realize that (…) the body is no longer simply a visible envelope or a tool to be mastered. It has also become a space from which I experience the world, a place I inhabit continuously without ever being able to fully know it or detach from it.“ — E.T. by @__plaisirdoffrir
0
7 months ago
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Happy to share these beautiful shots from my performance « Polychysis (to Emanate) » for Sunnei Momento at the @sunnei gallery/store in the occasion of @milanfashionweek FW 2026

Wearing Sunnei FW 2026 styled by @anna__vedovelli 

Lights and stage design: Lara Dâmaso

Images @claudia.ccardo 

Thanks @alibaylann 

@__plaisirdoffrir taken in SUNNEI by @__plaisirdoffrir
8
8 months ago
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