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– Dans le studio de 𝗟𝘂𝗰𝘆 𝗚𝗶𝗹𝗹 (@_lucegill)

→ Découvrez les œuvres de Lucy Gill et des autres artistes de la cohorte du 𝟭𝟱 𝗮𝘂 𝟭𝟴 𝗼𝗰𝘁𝗼𝗯𝗿𝗲 à 𝗘𝘀𝗽𝗮𝗰𝗲 𝗧𝗿𝗮𝗻𝘀𝗺𝗶𝘀𝘀𝗶𝗼𝗻 (5435 Av. des Érables, Tiohtià:ke/Montréal)

Entrée libre

Where do her works really begin? 
“I work mostly with food, specifically fruits and vegetables, so when I think about where my work begins, I find myself reflecting upon the seeds, soil, rain, and sun. My work really begins where these elements collide to create the food that we eat. When I think about where my work begins, I also think about the labour that goes into growing, cultivating, transporting and selling these foods. All these steps are foundational; they allow me to do the work that I do. When I begin my work, it has already been in the making for many months."

– In 𝗟𝘂𝗰𝘆 𝗚𝗶𝗹𝗹’s (@_lucegill) studio

→ Discover the works of Lucy Gill and the other artists from the cohort from 𝗢𝗰𝘁𝗼𝗯𝗲𝗿 𝟭𝟱 𝘁𝗼 𝟭𝟴 at 𝗘𝘀𝗽𝗮𝗰𝗲 𝗧𝗿𝗮𝗻𝘀𝗺𝗶𝘀𝘀𝗶𝗼𝗻 (5435 Av. des Érables, Tiohtià:ke/Montreal)

Free admission

Photos
1 – 4 — Josh Jensen (@josh.jensen)
5 — Thomas Alexandre by @_lucegill
0
8 days ago
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@josh.jensen and I have been having the best time in Dawson City and learning from John Lenart at the Klondike Valley Nursery apple orchard during our residency @kiacyukon 

If you’re in Dawson, come see what we have been working on this Thursday September 24th at the Macaulay House! We’re hosting an Open Studio and Artist Talk from 17h - 19h 😊 taken in Dawson, Yukon Territory by @_lucegill
10
a month ago
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— 𝗟𝘂𝗰𝘆 𝗚𝗶𝗹𝗹 est un·e artiste multidisciplinaire et commissaire originaire des territoires non cédés des Musqueam, Squamish et Tsleil-Waututh (Vancouver), aujourd’hui basé·e à Tiohtià:ke/Mooniyang (Montréal). Récemment exposé·e chez Produit Rien et à la FoFA Gallery, iel a aussi assuré le commissariat des projets Filaments et Goldenrod.

Sa pratique allie sculpture et performance pour explorer les liens entre l’agriculture, le corps et l’environnement. Entre textiles en cuir de fruits et sculptures en bronze, Lucy fait osciller permanence et éphémérité, conservation et décomposition. Cette transformation du fruit fait écho au corps et souligne notre parenté avec le monde non humain.

𝗟𝘂𝗰𝘆 𝗚𝗶𝗹𝗹 (@_lucegill) prendra le contrôle du compte Instagram de artch demain, le samedi 18 juillet.

⤷ 𝗥𝗲𝗻𝗱𝗲𝘇-𝘃𝗼𝘂𝘀 𝗲𝗻 𝘀𝘁𝗼𝗿𝘆 pour un aperçu de sa pratique et découvrez ses œuvres au festival artch du 𝟭𝟱 𝗮𝘂 𝟭𝟴 𝗼𝗰𝘁𝗼𝗯𝗿𝗲 𝗮̀ 𝗘𝘀𝗽𝗮𝗰𝗲 𝗧𝗿𝗮𝗻𝘀𝗺𝗶𝘀𝘀𝗶𝗼𝗻.

 
— 𝗟𝘂𝗰𝘆 𝗚𝗶𝗹𝗹 is an emerging multidisciplinary artist and curator from unceded Musqueam, Squamish, and Tsleil-Waututh territories (Vancouver), now based in Tiohtià:ke/Mooniyang (Montréal). Recently exhibiting at Produit Rien and FoFA Gallery, they also curated the projects Filaments and Goldenrod.

Combining sculpture and performance, Lucy explores the connections between agriculture, the body, and the environment. Contrasting fruit-leather textiles with bronze sculptures, they trace the shift between permanence and ephemerality, preservation and decay. This transformation of fruit mirrors the body, emphasizing our kinship to the more-than-human world.

𝗟𝘂𝗰𝘆 𝗚𝗶𝗹𝗹 (@_lucegill) will take over artch’s Instagram account tomorrow, on Saturday, July 18.

⤷ 𝗛𝗲𝗮𝗱 𝘁𝗼 𝗼𝘂𝗿 𝗦𝘁𝗼𝗿𝗶𝗲𝘀 for a behind-the-scenes look at their practice, and discover their work at the artch festival from 𝗢𝗰𝘁𝗼𝗯𝗲𝗿 𝟭𝟱 𝘁𝗼 𝟭𝟴 𝗮𝘁 𝗘𝘀𝗽𝗮𝗰𝗲 𝗧𝗿𝗮𝗻𝘀𝗺𝗶𝘀𝘀𝗶𝗼𝗻.

 
— 

1 - Photo : Josh Jensen

2 - 𝘗𝘢𝘭𝘭, 2025
Photo : Leyla Josephine

3 - 𝘗𝘢𝘭𝘭 (performance), 2025
Photo : Zack Siegel

4 - 𝘏𝘢𝘳𝘳𝘰𝘸𝘴 𝘐𝘐, 2025
Photo : Charles-Étienne Lebrun by @_lucegill
9
3 months ago
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Very grateful to participate in the exhibition ‘Au seuil du corps sensible’ @circa_art_actuel alongside such great artists @amaralina.alva @affect_if @myleneraiche 

The show is up until July 4th if you want to check it out! 

Thank you to Émilie Granjon, Chiara Fossati, and Jega Delisca

Documentation by @seminaroj taken in CIRCA art actuel by @_lucegill
3
4 months ago
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𝐋𝐮𝐜𝐲 𝐆𝐢𝐥𝐥 ( @_lucegill )

« [...] This meditation on sensation and life continues in Lucy Gill’s work, through a trifecta of fruit peels, pulp and fruit leather. These works tenders a conversation of death, which is softened by the possibility of regeneration. Depicted through post mortem visual motifs—a body draped in fruit leather, a curtain of honeyed lit spirals, and videoed skin revealing ruptures—death is sweetened into something more open and permeable, rather than sealed or final. [...] »

-  Jega Delisca

𝐀𝐧𝐧𝐞-𝐒𝐨𝐩𝐡𝐢𝐞 𝐕𝐚𝐥𝐥𝐞́𝐞 and 𝐋𝐮𝐜𝐲 𝐆𝐢𝐥𝐥 will be in attendance on Saturday 20 June at 2 pm to deliver an Artist Talk.

This talk is free of charge, does not require registration, and will be conducted in English and French. 

We look forward to welcoming you, this Saturday.

Crédit photo : @seminaroj by @_lucegill
0
4 months ago
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Harrows II, 2025, apple fruit leather cast in bronze

Thank you @art_volt_ for showing this work @foireplural this past weekend! There is still time to check it out at booth #201 until 6pm today. 

Photographs by @josh.jensen by @_lucegill
2
6 months ago
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More documentation of CORED at Produit Rien 

Slide 1 - Recipe Box, laser engraved fruit leather, found box, 2026

Slide 2 - Cellar Shelves, sweet/savoury apple pickles, compote, apple cider vinegar, vinegar wood stain, wood, 2026

Slide 3 - Window Gradation II, fruit leather, wood, cotton, 2026

Slide 4 - Window Gradation II, detail

Slide 5 - Installation view of Cellar Shelves and Apple in the Sink

Slide 6 - Window Gradation I, fruit leather, wood, cotton, 2026

Slide 7 - apples at 8 weeks

Photos by Josh Jensen

We would like to acknowledge the support of @canada.council taken in Produit Rien by @_lucegill
0
7 months ago
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Lucy Gill at @foireplural 
📍 Visit us at Booth #201 in the Project Spaces section

@_lucegill 
Harrows II series (installation), 2025
Bronze, fruit leather and wax
Various dimensions

Lucy Gill is a visual artist from unceded Musqueam, Squamish, and Tsleil-Waututh territories (Vancouver), now based in Tiohtià:ke/Mooniyang (Montréal). They hold a BA in Sculpture and Art History from Concordia University, as well as a Diploma in Fine Arts from Langara College. Their practice is rooted in sculpture and alternative textile production. They use sustainable and regenerative materials to create work that embraces reuse, transformation, and decay. Through delicate fruit leather sculptures, edible work, performance, cast bronze, and self-made tools, Gill calls attention to the products we ingest and the mechanisms that surround them.

PLURAL 2026
April 10-12, 2026
Grand Quay, Port of Montreal

—

Photo credit : Josh Jensen @josh.jensen 

#artvoltcollection #agaccanada #foireplural #lucygill
@fineartsconcordia @concordia.alumni by @_lucegill
0
7 months ago
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Thank you to everybody who came out to see our collaborative exhibition CORED

Slide 1 - Installation view of Pared Lightbox, Window Gradation II, and Cellar Shelves

Slide 2 - Pared Lightbox, apple skins, gifted crayon box, 2026

Slide 3 - Cellar Shelves, sweet/savoury apple pickles, compote, apple chips, apple cider vinegar, vinegar wood stain, wood, 2026

Slide 4 - Apple in the Sink, laser engraved fruit leather, wood, 2026

Slide 5 - Installation view of Cellar Shelves and Apples in the Sink

Slide 6 - Tklapi Rack, edible fruit leather strips, clothespins, string, wood, 2026

Slide 7 - Exterior installation view of Window Gradation I and II

Slide 8 - Window Gradation II, exterior view at night

Slide 9 - Window Gradation I, exterior view at night

Photos by Josh Jensen

We would like to acknowledge the support of @canada.council taken in Produit Rien by @_lucegill
6
7 months ago
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I am 4 months sober today! Life is good by @_lucegill
18
7 months ago
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Join us tomorrow, Wednesday February 25 from 17h - 20h for the finissage of CORED at @produitrien 
6909 rue Marconi

“In working with the apple’s temporality, Josh and Lucy draw our attention to its attendant possibilities and realities: of stickiness, of deepening hue, of sustenance to be shared, of tomorrow, of next year. (Of an end, maybe: eaten, moth-nibbled, redistributed, decomposed.)” - Hannah Ferguson @hannah___ferg 

“En travaillant avec la temporalité de la pomme, Josh et Lucy attirent notre attention sur ses possibilités concomitantes, sur ses réalités : sa capacité d’adhérence, l’approfondissement de sa teinte, sa capacité d’être partagé, son lendemain, son cycle de vie. (D’une fin, peut-être : mangée, mitée, redistribuée, décomposée.) - Traduction par Hannah Blair @lowbrowprophet 

This event is sponsored by @wills.beer 

Final open hours:
Tuesday February 24, 12h - 18h 
Wednesday February 25, 12h - 20h
Thursday February 26, 12h - 18h
Friday February 27, 12h - 18h

Photographs by Josh Jensen

This project is supported by @canada.council taken in Produit Rien by @_lucegill
1
8 months ago
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With our upcoming Volume 4 launch in Toronto, we wanted to highlight another featured artist from the issue. Lucy Gill’s practice combines references to agriculture, the body, and the environment to demonstrate their interconnectedness and inseparability. They explore these themes by creating fruit leather textiles from dehydrated fruits and vegetables, and through sculptures cast in bronze.

We look closely at Gill’s recent performative work “Untitled (wading/shedding)” in an essay by @daisy_____d featured in Volume 04. Photography by @honesteds

(Photography by Josh Jensen and Thomas Alexandre)

Be sure to check out Lucy’s current show in Montreal, CORED, made in collaboration with @josh.jensen 
Open from February 23rd - 27th, from 12h-18h @produitrien 
Finissage on Wednesday February 25th from 17h-20h by @_lucegill
2
8 months ago
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