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Lucy

@_lucegill

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What a pleasure to visit the annual @artchmtl exhibition this past weekend. Here are a few highlights that caught my eye, the future is bright ! Congrats to all involved 🍾
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📸 Retour en images sur la soirée sympa Hier soir, vous étiez nombreux·euses à vous rassembler pour soutenir la prochaine cohorte d’artistes de artch. Nous vous remercions sincèrement ! Votre générosité permet à artch de poursuivre sa mission : soutenir l’émergence artistique québécoise. Merci pour les belles rencontres et les beaux moments partagés, ainsi qu’à Boldwin (@boldwin_bio) pour les savoureux rafraîchissements ! Envie de contribuer, même si vous n’étiez pas là ? Faites un don du montant de votre choix, un reçu d’impôt vous sera remis. ⤷ Lien dans la bio Avec tout notre amour 💌 – 📸 A look back at la soirée sympa Last night, many of you came together to support artch’s next cohort of artists. We sincerely thank you! Your generosity allows artch to continue its mission: supporting emerging artists in Quebec. Thank you for the wonderful encounters and shared moments, and a special thanks to Boldwin (@boldwin_bio) for the delicious refreshments! Want to contribute, even if you couldn’t make it? Make a donation of any amount, you’ll receive a tax receipt. ⤷ Link in the bio With all our love 💌 – Photos par Mara Zapata (@mara__zapata)
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– Dans le studio de 𝗟𝘂𝗰𝘆 𝗚𝗶𝗹𝗹 (@_lucegill) → Découvrez les œuvres de Lucy Gill et des autres artistes de la cohorte du 𝟭𝟱 𝗮𝘂 𝟭𝟴 𝗼𝗰𝘁𝗼𝗯𝗿𝗲 à 𝗘𝘀𝗽𝗮𝗰𝗲 𝗧𝗿𝗮𝗻𝘀𝗺𝗶𝘀𝘀𝗶𝗼𝗻 (5435 Av. des Érables, Tiohtià:ke/Montréal) Entrée libre Where do her works really begin? “I work mostly with food, specifically fruits and vegetables, so when I think about where my work begins, I find myself reflecting upon the seeds, soil, rain, and sun. My work really begins where these elements collide to create the food that we eat. When I think about where my work begins, I also think about the labour that goes into growing, cultivating, transporting and selling these foods. All these steps are foundational; they allow me to do the work that I do. When I begin my work, it has already been in the making for many months." – In 𝗟𝘂𝗰𝘆 𝗚𝗶𝗹𝗹’s (@_lucegill) studio → Discover the works of Lucy Gill and the other artists from the cohort from 𝗢𝗰𝘁𝗼𝗯𝗲𝗿 𝟭𝟱 𝘁𝗼 𝟭𝟴 at 𝗘𝘀𝗽𝗮𝗰𝗲 𝗧𝗿𝗮𝗻𝘀𝗺𝗶𝘀𝘀𝗶𝗼𝗻 (5435 Av. des Érables, Tiohtià:ke/Montreal) Free admission Photos 1 – 4 — Josh Jensen (@josh.jensen) 5 — Thomas Alexandre
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We are excited to welcome Lucy Gill and Josh Jensen to the KIAC Artist in Residence Program for the month of September! Lucy Gill & Josh Jensen August 24th – September 30th , 2026 Unceded Musqueam, Squamish, and Tsleil-Waututh territories (Vancouver) and Amiskwacîwâskahikan, Treaty 6 Territory, (Edmonton). Now based in Tiohtià:ke/Mooniyang (Montréal) Lucy Gill and Josh Jensen share a collaborative practice rooted in slow making, care, and attention to everyday material life. Working across sculpture, analogue photography, organic processes, and sustainable material reuse, they explore preservation, transformation, and accumulation as sites of memory, labour, and exchange. Through intuitive, process-based methods, their work forms living archives shaped by time, touch, and use, modelling collaborative and sustainable approaches to artistic practice. Their proposed residency builds on their shared investigations into preservation, labour, care, and material lifecycles, adapting their practice to northern ecologies through collaboration with the Klondike Valley Nursery, home to Canada’s northernmost orchard. Using food preservation as both artistic method and social practice, they will work with apples grown in the Yukon to explore how cultural knowledge, ecological adaptation, and community care are shaped by extreme seasonal conditions. Their practice emphasizes slow, cyclical processes that foreground care and maintenance. In the North, where growing seasons are short and preservation is essential, apples offer an accessible entry point into conversations about survival, interdependence, and sharing knowledge. Here, they plan to continue making preservatives through historic processes such as dehydration, fermentation, canning, pickling, and fruit leather production. For the first week of their residency, they are volunteering at the Klondike Valley Nursery and learning about apples in Northern climates and making connections with locals.
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Save the date! Quadruple Zine Launch  / À vos agendas! Lancement de quatre zines.  🍎🥚🎨🌻 It’s with great pride and joy that Eco-FOFA invites you to be part of our first zine launch at the Molinari Foundation Jardin des couleurs terrace from 5-7pm on September 1, 2026.  Fondation Guido Molinari  3290, rue Sainte-Catherine Est  We are launching 4 zines about material transformation—from food waste through the reuse of discarded oil paint. All zines are printed bilingually in EN / FR and will be available on our website.  The researchers/writers will attend the event. Drinks will be provided. Come learn and celebrate with us! ~~~~🍎~~~~~🥚~~~~~~🎨~~~~~~🌻 Celebration du lancement de quatre zines   C’est avec beaucoup de fierté et de joie qu’Eco-FOFA vous invite à participer au premier lancement de zine qui aura lieu sur la terrasse du Jardin des couleurs de la Fondation Guido Molinari, de 17 h à 19 h, le 1er septembre 2026.  Fondation Guido Molinari  3290, rue Sainte-Catherine Est  Nous lançons quatre fanzines consacrés à la transformation des matières, allant du gaspillage alimentaire à la réutilisation de peinture à l’huile mise au rebut. Tous les fanzines sont imprimés en version bilingue français / anglais et seront disponibles sur notre site Web.  Les chercheur·euses et auteur·rices seront présent·es lors de l’événement. Des boissons seront offertes.
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— 𝗟𝘂𝗰𝘆 𝗚𝗶𝗹𝗹 est un·e artiste multidisciplinaire et commissaire originaire des territoires non cédés des Musqueam, Squamish et Tsleil-Waututh (Vancouver), aujourd’hui basé·e à Tiohtià:ke/Mooniyang (Montréal). Récemment exposé·e chez Produit Rien et à la FoFA Gallery, iel a aussi assuré le commissariat des projets Filaments et Goldenrod. Sa pratique allie sculpture et performance pour explorer les liens entre l’agriculture, le corps et l’environnement. Entre textiles en cuir de fruits et sculptures en bronze, Lucy fait osciller permanence et éphémérité, conservation et décomposition. Cette transformation du fruit fait écho au corps et souligne notre parenté avec le monde non humain. 𝗟𝘂𝗰𝘆 𝗚𝗶𝗹𝗹 (@_lucegill) prendra le contrôle du compte Instagram de artch demain, le samedi 18 juillet. ⤷ 𝗥𝗲𝗻𝗱𝗲𝘇-𝘃𝗼𝘂𝘀 𝗲𝗻 𝘀𝘁𝗼𝗿𝘆 pour un aperçu de sa pratique et découvrez ses œuvres au festival artch du 𝟭𝟱 𝗮𝘂 𝟭𝟴 𝗼𝗰𝘁𝗼𝗯𝗿𝗲 𝗮̀ 𝗘𝘀𝗽𝗮𝗰𝗲 𝗧𝗿𝗮𝗻𝘀𝗺𝗶𝘀𝘀𝗶𝗼𝗻.   — 𝗟𝘂𝗰𝘆 𝗚𝗶𝗹𝗹 is an emerging multidisciplinary artist and curator from unceded Musqueam, Squamish, and Tsleil-Waututh territories (Vancouver), now based in Tiohtià:ke/Mooniyang (Montréal). Recently exhibiting at Produit Rien and FoFA Gallery, they also curated the projects Filaments and Goldenrod. Combining sculpture and performance, Lucy explores the connections between agriculture, the body, and the environment. Contrasting fruit-leather textiles with bronze sculptures, they trace the shift between permanence and ephemerality, preservation and decay. This transformation of fruit mirrors the body, emphasizing our kinship to the more-than-human world. 𝗟𝘂𝗰𝘆 𝗚𝗶𝗹𝗹 (@_lucegill) will take over artch’s Instagram account tomorrow, on Saturday, July 18. ⤷ 𝗛𝗲𝗮𝗱 𝘁𝗼 𝗼𝘂𝗿 𝗦𝘁𝗼𝗿𝗶𝗲𝘀 for a behind-the-scenes look at their practice, and discover their work at the artch festival from 𝗢𝗰𝘁𝗼𝗯𝗲𝗿 𝟭𝟱 𝘁𝗼 𝟭𝟴 𝗮𝘁 𝗘𝘀𝗽𝗮𝗰𝗲 𝗧𝗿𝗮𝗻𝘀𝗺𝗶𝘀𝘀𝗶𝗼𝗻.   — 1 - Photo : Josh Jensen 2 - 𝘗𝘢𝘭𝘭, 2025 Photo : Leyla Josephine 3 - 𝘗𝘢𝘭𝘭 (performance), 2025 Photo : Zack Siegel 4 - 𝘏𝘢𝘳𝘳𝘰𝘸𝘴 𝘐𝘐, 2025 Photo : Charles-Étienne Lebrun
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In an examination of what lies beneath the skin and the forces acting upon it, four artists offer embodied considerations on the corporeal effects of overconsumption, the political realities of labour, and our collective, depleting reverence for craftsmanship and the agency of materials. Their work weaves through the machinations and myths that obscure a fundamental human longing for land, earth, and relational repair. Images by @seminaroj A rekindling with materiality is offered through Anne-Sophie Vallée’s visual recordings of wayward meetings between the biotic and the abiotic. In channeling the instinctive base of human curiosity, viewers are given a vantage point into the underpinnings of tactile sensation through cast, teased, and engulfed objects. Vallée’s configurations of synthetic materials and unstable plant matter bear a resemblance to natural phenomenons. Creatures washed ashore and fossilised remains leading the viewer on a search for signs of life, fostering primal considerations on the macro-micro interrelationship with our environment. This meditation on sensation and life continues in Lucy Gill’s work, through a trifecta of fruit peels, pulp and fruit leather. These works tenders a conversation of death, which is softened by the possibility of regeneration. Depicted through post mortem visual motifs—a body draped in fruit leather, a curtain of honeyed lit spirals, and videoed skin revealing ruptures—death is sweetened into something more open and permeable, rather than sealed or final. This nutrient-filled decomposition suggests a journey of « decaying nourishment », a vital point in the cycle of preservation and perishability. Mylene Raiche reimagines the earth itself as a body. By aligning her work with the earth’s longevity, she offers a meditation on stillness through woven landscapes of fiber draped across rocks, materials that will inevitably outlast the viewer. Through a repertoire of dualities such as soft/hard, concave/convex, Raiche translates
the language of fluidity into rigged forms full of gesture recontextualizing visual language typically reserved for daunting borders, she depicts the earth not as a site of barriers, but as
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𝐋𝐮𝐜𝐲 𝐆𝐢𝐥𝐥 ( @_lucegill ) « [...] This meditation on sensation and life continues in Lucy Gill’s work, through a trifecta of fruit peels, pulp and fruit leather. These works tenders a conversation of death, which is softened by the possibility of regeneration. Depicted through post mortem visual motifs—a body draped in fruit leather, a curtain of honeyed lit spirals, and videoed skin revealing ruptures—death is sweetened into something more open and permeable, rather than sealed or final. [...] » - Jega Delisca 𝐀𝐧𝐧𝐞-𝐒𝐨𝐩𝐡𝐢𝐞 𝐕𝐚𝐥𝐥𝐞́𝐞 and 𝐋𝐮𝐜𝐲 𝐆𝐢𝐥𝐥 will be in attendance on Saturday 20 June at 2 pm to deliver an Artist Talk. This talk is free of charge, does not require registration, and will be conducted in English and French. We look forward to welcoming you, this Saturday. Crédit photo : @seminaroj
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Some paintings up w @art_volt_ at @fofagallery until June 30th 😆
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VERNISSAGES & ACTIVITÉS AU BELGO ——————————————— Jeudi 18 juin 2026 444 Arprim (17h à 20h) Lancement de publication « la colonia » de Valérian Mazataud ——————————————— Samedi 20 juin 2026 444 CIRCA art actuel (14h à 15h) Au seuil du corps sensible • Rencontre-échange avec les artistes Anne-Sophie Vallée et Lucy Gill
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🎉 𝗖𝗼𝗵𝗼𝗿𝘁𝗲 𝗮𝗿𝘁𝗰𝗵 𝟮𝟬𝟮𝟲 Voici la cohorte de la 9e édition du festival artch ! Dites-leur bienvenue dans les commentaires ! Amed Aroche (@amedaroche) Chase Martin (@chasemarti) Danan Lake (@danansthumbs) FERN (@fernandobelote) Gaëlle Legrand (@gaelle_legrand) Janna Elizbarova (@jannaelizbarova) Joss D’Alton (@joss_joss_joss_joss_) Laurent Viau-Lapointe (@oui_chichi) Lou Bou (@toutedoux) Lucy Gill (@_lucegill) Majorie Labrèque-Lepage (@majorielabrequelepage) MILE (@sabots_fendus) Patricia Langevin (@patricialangevinartiste) Petite Faim (@jai_une_petite_faim) Pierre-Olivier Déry (@peo.dery) Renée Edmona Mathews (@reneemadethis) Saba Sharifi (@saba_sharifi) Scorli (@scorli__) Vân Thúy Lê (@splint.ers) Yasmeen Dajani (@opheliastardust) 🎉 𝗮𝗿𝘁𝗰𝗵 𝗰𝗼𝗵𝗼𝗿𝘁 𝗼𝗳 𝟮𝟬𝟮𝟲 Here is the lineup for the 9th edition of the artch festival! Please welcome them in the comments!
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Au seuil du corps sensible opens this Saturday at 2pm. Featuring works from Amaralina Ramalho Alvarez, Lucy Gill, Mylene Raiche and Anne-Sophie Vallée! We look forward to seeing you! More information available in our bio
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