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Liz Trosper(@_not_jack_white)'s profile avatar HD Profile

Liz Trosper

@_not_jack_white

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So dramatic for no reason.
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Redaction: Inside the Institution, 2015. Part is a series of plein air blind contour drawings of buildings around town. Monoprint on canvas on board by @_not_jack_white
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6 days ago
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Seeing with machines. Both ends. Library periodical session. by @_not_jack_white
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7 days ago
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Found this painting from 2023. I think I posted it before - not going to look and see till after I post this. That was the year my dad died. He rushed to publish all of his ideas for sci fi stories until his last few years when he knew death was coming. The urgency. When I found this, I put it on my dandelion and rose piece. I see connections between things that only come with age..with sticking with something even when it doesn’t make sense what you’re trying to do….in the wake of persisting is the flotsam thrown together in haphazard and maybe unsettling context. Sometimes- in this case- I was able to see the way digital smears and physical breaks connect with the planar refractions of water paintings. Can I ask if water paintings are the first fascination with an optical glitch? I’m probably blanking on something obvious like a bad casting or something else…Anyway, I feel like looking at old work that turns up and think again more deeply between the digital with material and the material with the digital. I hope I figure out what I’m talking about so I can show you. If you have read this far, please come to my artist talk at UTA to help me understand what I’m doing. 😊 by @_not_jack_white
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12 days ago
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Gallery Breakfast + Artist Talk with Liz Trosper + Danielle Beverly Saturday, October 10, 2026 Join us for the final event of Introductions exhibition at The Gallery at UTA. Hear about Danielle Beverly’s two-decade journey in documentary filmmaking, including her award-winning films Qatar Stars, Old South, and Dusty Grove: The Sound of Transition. Liz Trosper will discuss her experiments with technology and digital painting, as well as her playful engagement with urban waste systems, which culminated in a site-specific installation at the gallery and interventions throughout the UTA Fine Arts Building. Come for breakfast, conversation, screenings of Danielle Beverly’s films, and one last chance to experience Introductions before it closes. 🥐 Gallery Breakfast at 11 AM 🎤 Artist Talk at 12 PM 🎬 Film Screenings All Day: 10 AM–5 PM 📍 The Gallery at UTA Free and open to the public. taken in The Gallery At UTA by @_not_jack_white
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14 days ago
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ALT+drag installation. Ideas developed with @rondoresidency and @plexusprojects . Thank you. 😊 by @_not_jack_white
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25 days ago
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ALT+drag. Installation view. Thank you @plexusprojects for the project development support. by @_not_jack_white
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25 days ago
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MATER. hand painted animation. 2025. by @_not_jack_white
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25 days ago
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Books are some of my favorite things to get out of the trash. by @_not_jack_white
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a month ago
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LIZ TROSPER @_not_jack_white 🫟 This brilliant woman has just installed the tallest paintings The Gallery at UTA has seen to date; salvaged dead yuccas and planted her own garden of digital artifacts in the historic atrium of the Fine Arts Building; and reanimated lengths of discarded urban umbilical cords - literally drawing with them in architectural space. “190 feet isn’t that much,” according to Liz. You’ll see what she means in the exhibition space. She is genuinely fascinated by pipes, hoses, cables, and wires, turning overlooked infrastructure into something vibrant, strange, and newly alive. Her painter’s mind keeps dragging these materials between urban landscapes, studio surfaces, screens, and scanners, fixating on their capacity to carry and transmit, particularly beyond the point of disposal on city curbsides. Infrastructure and anatomy are beautifully at play in Liz’s new self-portrait series. The work is dermal and vermicular, infused with the kind of “central-core imagery” associated with feminist art. 🫟I can’t resist the magnetic pull of the pixelated lava of the belly button in one of Liz’s paintings. This humble bodily center looks out through the space, piercing it as a point of connection. @utarlington is incredibly fortunate to have Liz here: an artist whose vibrant practice pushes painting into conversations with technology, community, and the economies of discarded materials. Kudos to our wonderfully easygoing team who made this ambitious install feel effortless: @calenbarnum , @imjoniibass , @estenhammar , @visionartstx . And we’re grateful to @barrywhistlergallery for lending additional work by Liz. Come get entangled with us. 🗓️ Opening reception: Thursday, September 10, 5–7 PM
 
Introductions Exhibition on view: September 8 - October 2, 2026 The Gallery at UTA 502 S Cooper St, Arlington TX 75205 “190 feet isn’t that much,” according to Liz. You’ll see what she means in the exhibition space. Infrastructure and anatomy are beautifully at play in Liz’s new self-portrait series. The work is dermal and vermicular, infused with the kind of “central-core imagery” associated with feminist art. I can’t resist the magnetic pull of taken in The Gallery At UTA by @_not_jack_white
31
a month ago
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Installing work in @s.h.e.studios with @ggoth_brooks @jaysonatz @meganpriscillatrosper. I would like to collab in bathroom or really any other part of this. DM me. by @_not_jack_white
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3 months ago
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Mountain 4x4 ride in South Fork by @_not_jack_white
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3 months ago
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Old digital painting. Not sure from when but I did it on the phone. by @_not_jack_white
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3 months ago
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