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Liz Trosper

@_not_jack_white

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So dramatic for no reason.

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The Gallery at @utarlington hosted a Q&A on 10/10 with Danielle Beverly & Liz Trosper part of the INTRODUCTIONS exhibition that ran 9/8 - 10/10.

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Meet our 2026 Great Create artists!✨🎨

On October 25, these artists will transform our sculpture garden into a wonderland of art-making, creativity, and imagination at our annual education fundraiser, The Great Create!

Our 2026 featured artists are: Britt Moseley (@planet_moseley) & Virginia Montgomery (@virginia.l.montgomery), Niki Dionne (@actualfootageofme), Xxavier Edward Carter (@_xxavierismyname_), Liz Trosper (@_not_jack_white), Matt Kleberg (@matt_kleberg), Brenda Bogart (@brendabogart) & Stephanie Stephenson, Lilly Watson (@lilly.c.watson), Flynn Flanagan (@flynnflanaganart), Kevin Todora (@kevintodora), Jessica Hilvitz (@jessicahilvitz), and Mackenzie Brittingham (@mackenziebrittingham).

The Great Create 2026 is co-chaired by Tori and Ross Mulford (@tori_mulford_).

🎟️Explore ticket packages on our website through the link in our bio!

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Join us at The Gallery at UTA on Saturday, October 10th for the final event of the Introductions exhibition, featuring artists Liz Trosper and Danielle Beverly!

Liz Trosper will discuss her ongoing ALT+drag project, including the digital painting and video work. Filmmaker Danielle Beverly will follow with conversation about her documentary and current productions.

Breakfast will be provided at 11AM and the talks will begin at 12PM.

#UTArlington #COLAatUTA #MavUp #MaverickFactor

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Gallery Breakfast + Artist Talk
with Liz Trosper + Danielle Beverly

Saturday, October 10, 2026

Join us for the final event of Introductions exhibition at The Gallery at UTA. Hear about Danielle Beverly’s two-decade journey in documentary filmmaking, including her award-winning films Qatar Stars, Old South, and Dusty Grove: The Sound of Transition. Liz Trosper will discuss her experiments with technology and digital painting, as well as her playful engagement with urban waste systems, which culminated in a site-specific installation at the gallery and interventions throughout the UTA Fine Arts Building.

Come for breakfast, conversation, screenings of Danielle Beverly’s films, and one last chance to experience Introductions before it closes.

🥐 Gallery Breakfast at 11 AM
🎤 Artist Talk at 12 PM

🎬 Film Screenings All Day: 10 AM–5 PM

📍 The Gallery at UTA
Free and open to the public.

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MEGA ULTRA thanks to everyone that came out for the first-ever North Dallas 40. Special shout out to @matthew72cesare and @jaysonatz for making it all possible. We had a real big time watching new and old friends tear up the stage all night long. And always grateful for the chance to share some @midnightcigz tunes with y’all. Let’s do it again sometime 🤝

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“xoxoxoxo”
“:($<3—{<—<“
60 x 90 cm
Tejido en papel”

Residencia #20 en @rondoresidency

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Today our visual communications design professor Dr. Ananya Singh @anna14artist and UTA Medical Humanities Program founder professor Steven Gelman led a class for Medical Humanities students at The Gallery, centered on new work featured in Introductions exhibition, exploring connections between contemporary artistic practice, medicine, the body, and human experience.
@gmt_uta @medicalhumanitiesuta

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INTRODUCTIONS is on view
September 8 - October 2, 2026
and features work by Liz Trosper @_not_jack_white , Danielle Beverly, Dr.Lucy Bartholomee @lucy_beee , and Dr. Ananya Singh .

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LIZ TROSPER @_not_jack_white
🫟 This brilliant woman has just installed the tallest paintings The Gallery at UTA has seen to date; salvaged dead yuccas and planted her own garden of digital artifacts in the historic atrium of the Fine Arts Building; and reanimated lengths of discarded urban umbilical cords - literally drawing with them in architectural space.

“190 feet isn’t that much,” according to Liz. You’ll see what she means in the exhibition space.

She is genuinely fascinated by pipes, hoses, cables, and wires, turning overlooked infrastructure into something vibrant, strange, and newly alive. Her painter’s mind keeps dragging these materials between urban landscapes, studio surfaces, screens, and scanners, fixating on their capacity to carry and transmit, particularly beyond the point of disposal on city curbsides.

Infrastructure and anatomy are beautifully at play in Liz’s new self-portrait series. The work is dermal and vermicular, infused with the kind of “central-core imagery” associated with feminist art.

🫟I can’t resist the magnetic pull of the pixelated lava of the belly button in one of Liz’s paintings. This humble bodily center looks out through the space, piercing it as a point of connection.

@utarlington is incredibly fortunate to have Liz here: an artist whose vibrant practice pushes painting into conversations with technology, community, and the economies of discarded materials.

Kudos to our wonderfully easygoing team who made this ambitious install feel effortless: @calenbarnum , @imjoniibass , @estenhammar , @visionartstx . And we’re grateful to @barrywhistlergallery for lending additional work by Liz.

Come get entangled with us.

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Opening reception:
Thursday, September 10, 5–7 PM 
 Introductions Exhibition on view:
September 8 - October 2, 2026

The Gallery at UTA
502 S Cooper St, Arlington TX 75205

“190 feet isn’t that much,” according to Liz. You’ll see what she means in the exhibition space.

Infrastructure and anatomy are beautifully at play in Liz’s new self-portrait series. The work is dermal and vermicular, infused with the kind of “central-core imagery” associated with feminist art. I can’t resist the magnetic pull of

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Our baby boy is 10! He’s wise beyond his years. He’s hilarious. He has endless energy. He works hard and is a great friend. If you know him, you’re better for it.

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Durante la Temporada 20, @_not_jack_white exploró las posibilidades de la pintura más allá de sus formatos tradicionales.

Moviéndose entre lo digital y lo material, su trabajo reflexiona sobre reproducción, transformación y conexión, expandiendo la pintura hacia el espacio, el movimiento y nuevas formas de circulación de la imagen.
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During Season 20, @_not_jack_white explored the possibilities of painting beyond its traditional formats.

Moving between digital and material processes, the work reflects on reproduction, transformation, and connection, expanding painting into space, movement, and new forms of image circulation.

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“Temporada 20 — Nuevos residentes

@thrwhiterabbit
Instalaciones que exploran trabajo, desplazamiento y memoria a través de materiales, arquitectura y sistemas de control.

@viewmongus
Objetos, residuos y ensamblajes para reflexionar sobre consumo, publicidad y cultura material contemporánea.

@_not_jack_white
Pintura expandida, animación e instalación sobre los límites entre lo digital y lo material.

@_____marcelatorres______
Performance e investigación sobre identidad, espiritualidad e historias de migración y resistencia indígena.

@sammy_bennett1
Pintura, textil e instalación que mezclan memoria personal, paisaje urbano y cultura de consumo.

@vomitchild
Escultura y performance

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Season 20 — New Residents

@thrwhiterabbit
Installations exploring labor, displacement, and memory through materials, architecture, and systems of control.

@viewmongus
Objects, waste, and assemblage reflecting on consumption, advertising, and contemporary material culture.

@_not_jack_white
Expanded painting, animation, and installation exploring the boundaries between digital and material space.

@_____marcelatorres______
Performance and research centered on identity, spirituality, and histories of migration and Indigenous resistance.

@sammy_bennett1
Painting, textile, and installation merging personal memory, urban landscapes, and consumer culture.

@vomitchild
sculpture and performance

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Liz Trosper. Untitled (pipeline) 1, 2025.
UV ink and oil paint on dibond 42 × 30 in | 106.7 × 76.2 cm. On view now. #bwgbackroom

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