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Amelia E. Foster • ÆF

@ameliaefoster

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.*• nyc •*.
⚚ mythology ⚚ forced adaptation ⚚
sculpture • ceramics • drawing
Feb/Mar ‘27: @radio28cs

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Wow. I have the honor of participating in a group show through @flowershopcollective . If you’re in Miami for art week please go check out An Archive is a Space for Gathering located at @__tunnel . I can’t believe the show has been written about by @hyperallergic and @friezeofficial .My piece will be up in it through Dec 10th alongside many talented artists - you don’t want to miss this one.

Special thanks to Nadia, @tahoun , and Cesar, @kastrocr , the two co-founders of Flower Shop Collective.

Photos by @pancakehands taken in Miami, Florida by @ameliaefoster

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3 years ago

Unraveling Equilibrium (2023)

Come see this little guy at @focusartfair next week alongside works by the incredibly talented members of @flowershopcollective

If you’ve been following me you know that this piece took me forever & I’m so happy it’s complete(mainly because of the culprit pictured at the end of these slides 😈🐈‍⬛)

Many thanks to @sanieirsay for photographing this work and to @wileycount for making this frame from reclaimed wood (and teaching me how to make it! Seriously he’s great). taken in Chelsea Industrial by @ameliaefoster

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3 years ago

Worlds on worlds in my head.
📸 @austin_sb_
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#illustration #mythology #art taken in Brooklyn, New York by @ameliaefoster

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5 years ago

Mirrors as a portal to my subconscious.

Ceramic, solder, broken mirror. by @ameliaefoster

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9 days ago

Ready to enter the witching season. A few ceramic masks from 2023-2025. by @ameliaefoster

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11 days ago

Haunted mirrors / hug my face. by @ameliaefoster

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a month ago

Salmonella summer by @ameliaefoster

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2 months ago

𝓑𝓸𝓽𝓱𝓻𝓸𝓹𝓼 𝓪𝓼𝓹𝓮𝓻 (2026)

How do the shapes of wounds inform us?

In folklore, chicken feet and snakes are symbols of protection and the passage between worlds. Across mythologies, the snake/serpent is an archetype of transformation, danger, renewal, and hidden knowledge.

Glazed ceramic, silver solder, broken mirror, burnt wood. by @ameliaefoster

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2 months ago

Life lately. Very tired, very grateful. Excited for the next few pieces in this body of work to be realized soon. 🔪🩸🔪 by @ameliaefoster

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2 months ago

Process behind the ceramic mirror. by @ameliaefoster

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3 months ago

Still water: the garden of earthly delights. 2026

Still or stagnant water is often an incubator for life-threatening pathogens. Appearing calm, its lack of circulation allows harmful microorganisms, parasites and insect vectors to thrive beneath calm surfaces. Jung frequently described water as an archetypal image of the psyche, where the visible surface of consciousness conceals an expansive interior world. As the unconscious forms new pathways beyond our perception, periods of perceived psychological stillness become moments of profound transformation. Our interior landscapes become governed by forces that remain unseen until erupting at the surface. In Bosch’s The Garden of Early Delights, idyllic flesh-toned bodies and landscapes give way to monstrous hybrid forms. Paradise is not interrupted by chaos, but already contains it within as it discreetly arises from our own flesh.

Glazed porcelain, broken mirror, silver solder by @ameliaefoster

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3 months ago

the roof across the street is a portal. 2026

Drawing- pastel, watercolor, coffee, graphite, broken mirrors, ceramic by @ameliaefoster

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3 months ago