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Stills Photographer | Gaf & Grip Services | Ambassador for Fujifilm & GODOX SA
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The @taalgenoot exhibition is still showing at @relevant.gallery .

If you’re in Cape Town, please go check it out.
These are a few pieces from a body of work created over the past 10 years for the magazine — all brought together in one space.

All images were art directed by @_mbartmann 
Sharing a couple of the works that are currently up.

@godoxsouthafrica @fujifilm_sa @artofprint.odp by @andrebadenhorst
6
6 months ago
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Image shot on our @taalgenoot cover shoot with @friedavdheever 🖤 

Concept Development: @_mbartmann 
Set Build: @ravenmanufacturing 
Assistant: @chrisdossantosza 
Wardrobe: @dwcreative_filmrentals 
Stylist: @nerine_pienaar_  @_mbartmann 
MUA: @izeldebeer 
BTS Video: @alansayers.insta 

@godoxsouthafrica | @fujifilm_sa by @andrebadenhorst
10
a year ago
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@stephanie_baartman for the @taalgenoot cover. This is by far my favourite shoot and set build in a long time. Stephanie Baie dankie dat jy so lekker mens is. Monja en Ras Baie Dankie vir julle amazing werk met die set! @cre8ability_sa 🙌🏻🖤 Huge thanks to @_mbartmann for the incredible concept! 🙏🏻 Image shot on a @fujifilm_sa GFX50s11 and lit with @godoxsouthafrica @knowled_global 

Creative Director: @_mbartmann 
Set Build: @cre8ability_sa 
Assistant: @chrisdossantosza 
MUA: @izeldebeer_makeupartist 
Studio: @crooked_house_sa 
Wardrobe: @hollywoodcostumes_sa 

@godoxsouthafrica | @fujifilm_sa | @knowled_global

#conceptualphotography #setbuilding #portraitphotography #andrebadenhorst by @andrebadenhorst
18
4 months ago
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Pappa P for @taalgenoot. Dankie my bra! 🖤🙏🏻 @jackparow. 

Creative Director: @_mbartmann 
Set Build: @cre8ability_sa 
Assistant: @chrisdossantosza 
MUA: @izeldebeer_makeupartist 
Studio: @crooked_house_sa 
Wardrobe: @hollywoodcostumes_sa 

@godoxsouthafrica | @fujifilm_sa | @knowled_global 

#conceptualphotography #setbuilding #portraitphotography #andrebadenhorst by @andrebadenhorst
14
6 days ago
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Behind the scenes of our recent cover shoot with @jackparow for @taalgenoot 🖤 Here’s how we lit the set, one light at a time, showing how each light adds to the final look. Thanks for always killing and having my back @chrisdossantosza 
mages coming soon!

Video by: @alansayers.insta 

Creative Director: @_mbartmann 
Set Build: @cre8ability_sa 
Assistant: @chrisdossantosza 
Studio: @crooked_house_sa 

@godoxsouthafrica | @fujifilm_sa 
#conceptualphotography #andrebadenhorstphotography by @andrebadenhorst
8
7 days ago
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@francoisvancoke en Vriende was mal!! 🖤🙌🏻
@fujifilm_sa by @andrebadenhorst
8
9 days ago
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Haven’t shot film in years was so excited to get my scans back from the lab. Here’s a couple of frames that I photographed with a Pentax 67 on 120 that expired in 1992. Portraits of my brothers and sista. ❤️🙌🏻 @krans_faroo  @sokhaya @zethumbiko @crooked_house_sa 

#film #portraits #pentax67 #blackandwhite #andrebadenhorstphotography by @andrebadenhorst
14
a month ago
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Shooting a music video on the Fujifilm X100VI: A chat with André Badenhorst

📣 What surprised you most about videography with the X100VI?
Without a doubt, the image quality. For such a small camera, it honestly blew my mind. It’s an APS-C sensor, so you naturally expect certain limitations, but the amount of dynamic range I got out of it was incredible. That was probably the biggest surprise for me.

The built-in four-stop ND filter was another one. I honestly can’t think of another camera this size with built-in NDs. It sounds like such a small thing, but when you’re running around on a shoot by yourself, it makes a massive difference. You just keep shooting instead of stopping to mess around with filters.

The autofocus also surprised me. I made the decision to shoot the whole music video using autofocus. I was a little bit wary of it at first, but if it didn’t work, I would’ve switched back to manual.

The funny thing is, I never had to. The autofocus was fantastic. Even on the few occasions where it missed focus, it never looked ugly. It didn’t hunt all over the place. It almost looked like a gentle focus pull, and for the documentary feel of the music video, I actually liked it. It felt natural.

Then there’s Fujifilm’s colour science. I’ve been shooting Fujifilm for over nine years now, so I know the Film Simulations inside out. I didn’t feel the need to shoot Log and figure everything out later. I knew I could bake the look in and know exactly what I was getting on the day.

For this project I shot on ACROS with the Red filter, which is my favourite black-and-white look. I also expose black and white a little differently. I normally underexpose slightly because I like the mood it creates, and ACROS just gives me exactly the look I’m after.

Find more of André here: www.instagram.com/andrebadenhorst/ by @andrebadenhorst
3
2 months ago
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Another studio test 🎥

This time we worked with the @nisi_south_africa Athena 85mm,135mm.
Paired with the Final Boss @fujifilm_sa ETERNA 55.

Because both lenses are designed for 35mm coverage, the ETERNA 55 has a much larger sensor, so we do get some vignetting. This wasn’t a deal breaker for me though. Definitely a give and take type of decision that you make when choosing this kit. 

One of my favourite things about this test was seeing how the focal lengths translate on the larger sensor. The 85mm reads closer to a 55mm, while the 135mm comes in around a 90mm. Which I thought was amazing and introduced such interesting fall off on the images. 

More Reviews Coming Soon. by @andrebadenhorst
18
2 months ago
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Behind the scenes lighting for a @silwerskermfees shortfilm written by Michelle and dp'd by Michael
Such a lovely team to work with 

Producer - Nicholas Leighton @nicholas__za 
AD - Luan Kleingeld @luan.smallchange

Director/Writer/Actor - Michelle le Roux @_michelleleroux_
Director/Editor - Heinrich Laubscher @snoekdoggg
DOP/Editor - Michael Ellis @michaelmichaelellis

Actor - Pierre van Pletzen 
Actor - Albert Pretorius @albert_pret

Animal Wrangler - Irene Sommerfeld 
Focus Puller/AC - Tarryn Doherty @tarryn.doherty
Sound - Zale Titus @zale_titus

Gaffer - Andre Badenhorst @andrebadenhorst
Data Wrangler - Willem Foster @willem_foster
Grip - Chris dos Santos @chrisdossantosza
Lighting Assist - Ruan Mulder @ruvanmulder
Bts Stills - Adrian Frost @afrostza

Stylist - Tiffany Bouwer 
Art Director - Lohann Beets @beets_lohann
Set Dresser - Esta Beets @esta_naledi
Continuity - Dhania Kara Schultz @dhania_schultz
Hair & Makeup - Nicola Loots 

PA - Esmari Swanepoel @esmari_swanepoel31
PA - Christoph Du Preez @christoph_du_preez
Driver - Liston Kinyanjui @listonkinyanjui

Shout out to @southernlightingza for hooking me up with an extra @nanlux_official Evoke 2400b
And of course @movievision_south_africa and @eversirius taken in Cape Town, Durbanville by @andrebadenhorst
10
3 months ago
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@stephanie_baartman for the @taalgenoot cover 🖤 Image shot on a @fujifilm_sa GFX50s11 and lit with @godoxsouthafrica @knowled_global 

Creative Director: @_mbartmann 
Set Build: @cre8ability_sa 
Assistant: @chrisdossantosza 
MUA: @izeldebeer_makeupartist 
Studio: @crooked_house_sa 
Wardrobe: @hollywoodcostumes_sa 

@godoxsouthafrica | @fujifilm_sa | @knowled_global 

#conceptualphotography #setbuilding #portraitphotography #andrebadenhorst by @andrebadenhorst
5
3 months ago
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Spent yesterday filming Sox being Sox in @studioaether.za 

I followed him around with the @fujifilm_sa GFX ETERNA 55 and the new @nisi_south_africa 65 LF PRIME 16mm.

I’ll be honest… I never shoot this wide. Most of the time 24mm is as wide as I’ll go, so I wasn’t expecting to like it as much as I did.

This lens is just insane.

The thing that really stood out wasn’t just how wide it is, it just feels really natural. It’s a rectilinear design, which means your straight lines stay straight instead of bending like you’d normally expect from an ultra-wide. Even at roughly a 13mm full-frame equivalent on the ETERNA, it never felt gimmicky or distracting.

What’s also really exciting is that this is currently the only lens in NiSi’s new 65 PRIME Large Format range. From what I’ve heard, this is just the beginning, with more focal lengths on the way. On the ETERNA it’s a perfect match. No vignetting at all it was designed for sensors this size.

One more thing… I almost never shoot black and white, but the ETERNA has somehow got me shooting black and white again, and I’m loving it. There’s no grade on this video at all. It’s straight out of camera using ACROS.

I honestly never thought I’d say this, but this lens has me wanting to shoot wider more often. That’s saying a lot from someone who usually stops at 24mm.

Really looking forward to getting this combo out on a proper shoot.

#nisi #nisi65prime #fujiffilm #eternagfx55 #andrebadenhorstphotography by @andrebadenhorst
6
3 months ago
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