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Andrew Price

@andrewsrprice

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With @otobongnkanga in front of her scintillating tapestry ‚Cadence - Outflow’ @lisson_gallery by @andrewsrprice

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2 days ago

Campervan road trip around route 1, Iceland 🇮🇸 (daily van-life not pictured!) taken in Iceland by @andrewsrprice

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3 months ago

🦌 🛖 🏊 🫜 🍲 🐟 taken in Lower Silesian Voivodeship by @andrewsrprice

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4 months ago

It’s been a privilege to work with @magda_stawarska and @lubainapics on this presentation of ‚Zanzibar’ @lisson_gallery

The installation combines nine luminous and watery diptychs painted by Lubaina Himid in 1999 with a deeply moving 8 channel sound collage of voice, archive, music, and atmosphere composed by Magda Stawarska in 2023. While rooted in Lubaina’s life story, the work explores journeying in a wider sense–what it means to leave behind and to long for somewhere or someone, and how the memories and imaginative projections we carry colour the places we arrive to. It’s a testament to the creative possibilities born of a deeply layered artistic partnership between two remarkable artists formed over two decades. On view until 5th September. by @andrewsrprice

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4 months ago

taken in Marseille, France by @andrewsrprice

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5 months ago

Now open and on view until 23 May:

Ruba Nadar
‘I Saw Myself Playing on The National Team’
16 April - 23 May, 2026

Pipeline
31 Windmill St, London, W1T 2JN
Curated by Andrew Price for Pipeline’s Visiting Curator Program

Thank you to all who came out for the opening last night. It was warming to see such a great turnout. Thank you @pipelinecontemporary for the opportunity.

If you would like to receive more information about works in the show, please DM.

‘I Saw Myself Playing on The National Team’ is the first solo exhibition by London-based artist Ruba Nadar. Bringing together new mixed-media paintings and collages, the exhibition introduces a practice grounded in bricolage, where fragments of image and material are assembled into layered, cinematic compositions. Through acts of tearing, stitching, stapling and overpainting, she constructs dense, multi-layered surfaces. Within these compositions, bodies pause mid-gesture, glances remain suspended, and narrative threads appear only partially revealed. The works invite viewers into a space where personal mythologies, public imagery, and collective memories are continually edited and reimagined.

Artist @ruba.nadar
Curator @andrewsrprice
@pipelinecontemporary

Photography by @paultuckerstudio by @andrewsrprice

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6 months ago

Opening this Thursday in London:

Ruba Nadar
‘I Saw Myself Playing on The National Team’

Private View 16 April, 6-8pm
16 April - 23 May, 2026

Pipeline
31 Windmill St, London, W1T 2JN
Curated by Andrew Price for Pipeline’s Visiting Curator Program

‘I Saw Myself Playing on The National Team’ is the first solo exhibition by London-based artist Ruba Nadar. Bringing together new mixed-media paintings and collages, the exhibition introduces a practice grounded in bricolage, where fragments of image and material are assembled into layered, cinematic compositions. Through acts of tearing, stitching, stapling and overpainting, she constructs dense, multi-layered surfaces. Within these compositions, bodies pause mid-gesture, glances remain suspended, and narrative threads appear only partially revealed. The works invite viewers into a space where personal mythologies, public imagery, and collective memories are continually edited and reimagined.

Artist @ruba.nadar
Curator @andrewsrprice
@pipelinecontemporary

Photography by @paultuckerstudio by @andrewsrprice

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6 months ago

We invite you to join the opening of the exhibition

Ruba Nadar
‘I Saw Myself Playing on The National Team’

Private View 16 April, 6-8pm
16 April - 23 May, 2026

Pipeline
31 Windmill St, London, W1T 2JN
Curated by Andrew Price for Pipeline’s Visiting Curator Program

‘I Saw Myself Playing on The National Team’ is the first solo exhibition by London-based artist Ruba Nadar. Bringing together new mixed-media paintings and collages, the exhibition introduces a practice grounded in bricolage, where fragments of image and material are assembled into layered, cinematic compositions. Through acts of tearing, stitching, stapling and overpainting, she constructs dense, multi-layered surfaces. Within these compositions, bodies pause mid-gesture, glances remain suspended, and narrative threads appear only partially revealed. The works invite viewers into a space where personal mythologies, public imagery, and collective memories are continually edited and reimagined.

@ruba.nadar
@andrewsrprice
@pipelinecontemporary by @andrewsrprice

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7 months ago

taken in New York City by @andrewsrprice

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8 months ago

Ya disponible el catálogo de la exposición “Susan Hiller. Dedicado a lo desconocido” 💥

📖 Co-editado por el Museo Helga de Alvear y @lafabrica_, incluye un prefacio de @sandra_guimaraes_sg y textos de @andrewsrprice , Natalie Ferris y Roger Malbert en conversación con Susan Hiller.

🔥 Con una trayectoria de más de cinco décadas, Susan Hiller (1940–2019) fue una de las artistas más influyentes de su generación. “Dedicado a lo desconocido”, organizada por el Museo Helga de Alvear y comisariada por Andrew Price, fue la primera gran exposición individual de Hiller tras su fallecimiento y pudo disfrutarse en el Museo Helga de Alvear (Cáceres) entre el 28 de junio al 3 de noviembre del 2024 y en Cultugest (Lisboa) entre el 15 de marzo y el 22 de junio de 2025.

❤️ El catálogo es una oportunidad única para adentrarse en la obra de Hiller dado que la muestra presentó la amplitud de las investigaciones de la artista sobre aquello que escapa de la racionalidad y se encuentra más allá de lo que reconocemos.

✅ Consigue tu ejemplar en la tienda del museo en nuestra página web. taken in Museo Helga de Alvear by @andrewsrprice

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9 months ago

🌬️ 🏔️ taken in Les Arcs by @andrewsrprice

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9 months ago

Celebrating John Akomfrah’s moving new work ‘The Hour Of The Dog’, which opened this week at the Baltimore Museum of Art. The six channel film installation flickers between Civil Rights-era archival footage of segregation, protests and collective actions undertaken by young activists across the southern United States, and newly shot footage reflecting on the passage of time and lingering remnants of the past.

@baltimoremuseumofart @akomfrahjohn @smoking_dogs_films @a_s_h_i_t_e_y 👏🏻 @lisson_gallery taken in Baltimore, Maryland by @andrewsrprice

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a year ago