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Type design, font engineering, and lettering. šŸŒŽ Brooklyn, NY
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Happy Typographics 2025! Here’s my 15-second sponsor ad spot for the conference.  I love this event, and it’s always a big highlight of the NYC summer. If you’re also at the conference this weekend, please say hello!
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#typographicsnyc #typographics #typedesign by @arrowtype
8
a year ago
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You have to see this animation by @jesi_rgb! He (Jesús Rascón) did such a fantastic job on it.
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Name Sans was a project conceived as a variable font from the beginning, and the possibilities of animation drove many key design decisions, like giving it as wide of a weight range as reasonably possible, giving it a continuous Italic axis, and making sure glyph forms could smoothly interpolate across the full range of styles. So, I’m so excited that Jesús wanted to bring Name Sans Variable to life with a reel like this!
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These animations were created by Jesús with a mix of @coldtypexyz and @cavalry.app, and set to original music by Jesús. In his words: ā€œEvery part of the animation has meaning behind it. The squares throughout represent the subway mosaic tiles that Name Sans was inspired by. The animation explores the variable ranges, but it also highlights a few of the less obvious OpenType features. It uses ColdType to sync up the MIDI beat to the font and grid animations, and then Calvary for other sequences and to put it all together.ā€
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I’m blown away by how well Jesús put all of this together – even for a pretty quick project – and how he took my design feedback and made the promising original drafts really come together and shine. If you want to animate your own fonts, logos, infographics, or more, I 100% recommend reaching out to @jesi_rgb!
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#kinetictype #variablefontsĀ  #typography #type #branding #typedesign #coldtype #namesans by @arrowtype
8
3 years ago
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(I remade this loop to be ~10% better and deleted an earlier post. I have also just published a fix of some kerning quirks in Kyrios, so please consider this a Kyrios v1.331 announcement.) 
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AT Kyrios v1 is šŸ”Š NOW LIVE šŸ”Š! Get in on my website (ArrowType dot com) or via @futurefonts. If you’ve already bought a license, check into the website for a free upgrade! 
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A lot of love went into this type family. Process article coming soon!
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Thanks to @robrushstenson for the amazing Blender plugin ST2, which enabled me to do this cool variable font animation, and for some great advice when I was hitting a render blocker!
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#variablefonts #typography #fonts #kyrios #blender by @arrowtype
0
6 months ago
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šŸ¾Two pieces of news to celebrate: 1) AT Kyrios is now available on Adobe Fonts, where you should go sync it if you’re using Adobe Creative Cloud šŸ™, and… (Scroll the carousel āž”ļø)

2) I’ve just published a deep-dive design process article about the making of Kyrios, on ArrowType.com!

This is one of my favorite monuments in the Green-Wood Cemetery of Brooklyn, NY. It is for to Mary Cooke, buried October 14, 1890.

Here’s the primary stone casting that inspired the project.

(Look at these incredible letters!)

I sketched a lot to figure out how the shapes might look in a modern, two-dimensional font.

I had to figure out what most letters might look like, as only a few appeared on the actual monument. Others needed exploration to work well in the spacing and aesthetics of a modern font.

The same was true for the lowercase, accents, punctuation, symbols, and more. Some shapes could be derived from the monument, but most had to be designed anew.

Some of the original shapes worked in the context of the original monument, but didn’t play well in a font with tighter, more regular spacing.

Here’s the first draft of the font, which had only these letters. It looks neat, but it’s a bit fussy, and strokes feel too delicate at anything but super-large sizes.

Here’s how the final version compares. Shapes are (somewhat) simplified and regularized, and strokes are thickened up just a bit, so they can hold up at smaller sizes. Of course, Kyrios also has a lot more styles, including smaller optical sizes for actual text use. Go check out my website if you’d like to read more! Link in bio. :) by @arrowtype
16
18 days ago
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šŸ”ØNEW VERSIONšŸ”Ø Name Sans v1.3 by @arrowtype. Another post graduation update brings a new construction for the 8, new vertical metrics for more intuitive vertical alignment, and various other improvements. by @arrowtype
3
2 months ago
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A few weeks ago, I presented a talk on line metrics at the Typographics TypeLab conference. Their live stream only stays up for a few days, so I have now re-recorded the talk and published it on my own channel. If you want to understand a bit more about this surprisingly complex area of font development, go have a look!
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#typedesign #fontdevelopment #fontengineering by @arrowtype
14
3 months ago
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My @typographicsnyc 2026 sponsor reel! Yes it’s another sponsor reel of animated type set to electronic music, but… the type is shiny, and the music is homemade!
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#variablefonts #typedesign #blender by @arrowtype
2
4 months ago
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Yesterday, I presented at the @typographicsnyc TypeLab! I shared a research deep-dive on how to set the default line heights in fonts. (It sounds boring and easy, but as with most things in font design, it’s more complex than you might think!) You can find my talk on the TypeLab livestream replay, for only a day or two. (Link on the 2026 TypeLab schedule website.) I’ll also try to make a version for my YouTube channel, soon.
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šŸ“ø Photo of me by @genramirez 
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The rest are some of the best photos I snapped, featuring these amazing people:
- @ravenmodesign 
- @boyishtype 
- @fredshallcrass of @frerejones 
- @reawakening47 
- @alim.db
- @mekkablue of @glyphsapp 
- @a_serif_sheriff
- @crisrhernandez of @quequedatype 
- @seriousletterforms and @ben_kiel of @xyz_type by @arrowtype
7
4 months ago
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AT Name Mono v1 is now live! Find on ArrowType.com and at @futurefonts. This update extends the weight range all the way from Black to Thin, adds a full set of code ligatures and box drawing glyphs, and brings in many subtle improvements made along the way. For the past couple of years, I have used this font (almost) every day as a font engineer, in the scripting and work around building and fixing fonts. That, plus a lot of focused design and testing work, led to the form it has today.
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Thanks also to the very skilled @hellolisahuang for some helpful design and production contributions, and to @robrushstenson for creating the Blender plugin ST2, which helped make this animation.
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#typedesign #code #variablefonts #blender #namemono by @arrowtype
0
5 months ago
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šŸŽ“GraduatešŸŽ“ Name Mono v1.0 by @arrowtype
 
AT Name Mono v1.0 has reached its fully planned scope, adding tons of new features and enhancements! With the additional weights, it now covers the full range from Thin to Black with Italics, improvements in coding languages, overall refinement of letterforms and spacing, and more!

Get it now and learn more at:
FutureFonts.com by @arrowtype
3
5 months ago
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I’m very pleased to share that ā€œA Very Long Now,ā€ by @aplaceintheuniverse in collaboration with H James Lucas, using AT Name Sans, is a @typedirectors #tdc72 award winner! 
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This video shows video of the artwork which I hadn’t seen before, and it’s gorgeous! Many thanks to @visionandverve for the excellent footage.
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Shout outs also go to Kuhn Design for structural engineering, 900 North Studio for fabrication and installation, the city of Forth Worth, TX, and Iris Bechtol for curation. This TDC award is shared by this whole big group of people, and I’m just excited to have made a small contribution. It’s awesome seeing where letters can go!
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#namesans #sculpture #typography #architecture by @arrowtype
3
5 months ago
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AT Kyrios v1 drops next week! (This is your last chance to get it at its current prerelease pricing discount; you can find Kyrios on ArrowType.com or via @futurefonts.) 
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I’m excited to share some major improvements on this one!
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#kyrios #variablefonts #typedesign #blender #ST2 by @arrowtype
5
6 months ago
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