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Daniel Devlin

@art.droppings

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Documenting my collection of art droppings started in 2005. @susakpress @susak_expo @i_am_still_alive_2020 @sracokpohlmann @coffeewithdanieldevlin

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‘Snail Invasion’ by Mary Devlin, 2001.
Originally installed on our outside wall when we lived in Buchan Road. We took it with us when we moved. #artdroppings @mary_d_evlin taken in Tenant Hall, Buchan Road by @art.droppings

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2 years ago

QWERTY
SALVATION
YPOC
ANDERS QVIST NIELSEN

EXCHAN RATES, Bushwick, 2016

@andersqvistnielsen @qwerty_artdk @sluice__ taken in Bushwick, Brooklyn by @art.droppings

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Leaflet for ‘Bold Tendencies are proud to present | A wide screen reading by | ES DEVLIN | based on | The Order of Time | by Carlo Rovelli | read by Benedict Cumberbatch | Saturday 22 September 2018

B/W laser printed both sides on yellow A4 paper and folded once.

@esdevlin @boldtendencies taken in Peckham Levels by @art.droppings

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I bought these badges and post-card from @phillwilsonperkin in 2016. They are still in government but hopefully not for long and planning to wear them on 4.7.2024.

I’m not so happy about the alternatives but I prefer quite shit to extremely shit. #artdroppings taken in Nunhead railway station by @art.droppings

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I can’t remember meeting Oliver Griffin. Maybe he was as boring as he claimed to be or possibly it’s just about my memory not being good enough. @olivergriffinarchive #artdroppings taken in Nunhead railway station by @art.droppings

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‘axiom’ by Janko Matić 2015. @svejetosranje #artdroppings taken in Nunhead railway station by @art.droppings

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The white pills are to help with understanding art history and the human body and the black pills help with understanding conceptual art. Indigo Richards offered them as part of QWERTY Salvation, Art helps me, during Sluice Exchange Rates in Bushwick in 2016. I took one of each that time.

Indigo gave me these when QWERTY took part in SUSAK expo in 2018.

#artistdroppings @qwerty_artdk @indigo.richards.art @sluice__ taken in Nunhead railway station by @art.droppings

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Signed unknown art object gifted to me by Tommy Seaward at Osman’s Xmas Bazaar on 13 December 2015.

‘Solid Polyamide White Block’ by Tommy Seaward were for sale at the time for £5 (signed) and £1 (unsigned).

#artdroppings taken in studio1.1 London by @art.droppings

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Twenty pieces of gravel I “stole” from a Chris Burden work.

“The Flying Steamroller” was installed on the Parade Ground at Chelsea College of Art in 2006.

#artdroppings @chelseaual taken in Chelsea College of Arts by @art.droppings

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