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Ben Broser

@ben.broser

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lightdesign & programming
alumni @atdamsterdam

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RIN – Festival Shows 2026

Lighting Programming by me
Lighting Direction by me together with @studioclemensloeffelholz

Designed & Directed by @studioclemensloeffelholz

Show Direction: nora_vanessa
Lighting Design: @fridgeflo
Lighting Operating: @light_makes_happy @steelbluestudios

Video Content, Motion Design & Video Operating: @lichtgestalten_stgt
Additional Video Content: @rick.yng

Photos by @jhklingelhoefer
Videos by me

#rin #splash #concert #stagelighting #lightdesign by @ben.broser

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3 months ago

KITSCHKRIEG ZWEI — Album Film

Lighting Design, Direction & Programming by me together with @studioclemensloeffelholz

Directed by @kitschkrieg

Director of Photography, Edit & Color Grading: @louis.josek (255)
Director of Photography & Gimbal God: @tristansiefert
Co-Creative Director, Behind the Scenes Camera & Edit: @aldoheubel
1st Assistant Camera: @fromchrizzlewithlove
Live Camera: @henrykwein
Projekt Management: @stellaalauraa & Till Schumann
Videotechnik, Lichttechnik, Followspot und Video Operating: @der_lichtschalter
Animation: @aljoscha_hoehborn
Soundsystem: @killasan_movement
Production: @braceproductions
Catering - @kanapka_catering / Artur Skrzypek

Photo & video credits: @kitschkrieg by @ben.broser

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4 months ago

REVOLT. SHE SAID. REVOLT AGAIN.

Lighting Design & Programming by me.

My graduation project.
Through 13 individual scenes, we explored how patriarchal structures shape our everyday lives. The performance moves from familiar, everyday situations towards an increasingly abstract and physical theatrical experience.

The lighting design reflects the transformation of the space inhabited by the performers. While the compositions are initially intimate and focused on the actors, the full scale of the post apocalyptic world gradually reveals itself throughout the performance, until the performers find themselves surrounded by complete chaos. The colour palette balances between destruction and hope, supporting the evolving narrative and atmosphere of the piece.

With this production, I completed my studies in Design & Technology at @atdamsterdam

Director: @agnesjungl
Producer: @maartjerijsman
Set and Costume Design: @lisa_bernardus

Performers: @annet.deruiter @djangogantz Evit Ancarola @freekaertssen @joyavanwelsem
Technical Producer: @d_aan17
Assistant Producer: @ingeborgtenk @ritse_waaijenberg
Soundoperating: Martijn Eekels
Dramaturge: @simoneam_
Intimacy Coordinator: @grootelmaartenvan
Text: Alice Birch

Photos: @robertvanderree.photo taken in Academie voor Theater en Dans by @ben.broser

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5 months ago

LINA – Melodrama Tour 2026

@_lina_official_ takes us to the Melodrama Café on her tour.
One of the first shows I had the opportunity to program entirely myself, and I am incredibly proud of the final result and the work everyone put into this production.

Creative Direction, Set and Lighting Design with @studioclemensloeffelholz

Touring LD: @felix_ehrig_design

Photos by @liliamariapiperova by @ben.broser

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6 months ago

Vega – König ohne Krone at Festhalle, Frankfurt

This was another great show where I worked on the stage design and lighting direction during my internship at @studioclemensloeffelholz

Lighting programming & operating by @emanueljoergner @steelbluestudios
Skyline Graphic Design by @bewegtbildgrafik

Photos by @liliamariapiperova
1 & 4 by @paul.gaertner taken in Festhalle Frankfurt by @ben.broser

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7 months ago

@reezysupreem RedBull Symphonic 2025

It was the first show I had the opportunity to be part of during my internship at @studioclemensloeffelholz .
I really enjoyed helping develop the stage and lighting design and am very proud to have supported the programming. Two songs were programmed entirely by me, including Phantom, which can be seen in the video.

incredible photos by @liliamariapiperova by @ben.broser

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7 months ago

Concept // programmed with grandma3

#concept #lightdesign #stagedesign #lightshow #grandma3 by @ben.broser

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a year ago

No Show Romeo
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Lighting Design, Lighting Programming

No Show Romeo, a kind of sequel to Shakespeare’s classic, takes place the day after Juliet’s feigned death. When she wakes up, she realizes Romeo is gone and has abandoned her.
The set and lighting design are based on a subway station — an unfriendly and cold place, defined by waiting.
The dark orange sodium light symbolizes the sense of being lost and abandoned, while the trains, represented through light, stand for hope. These two opposites continuously clash throughout the play.
Over time, the space begins to glitch, as the subway station merges with the protagonists’ memories.

Director: @_annika_taylor_
Sounddesign & operating: @liltheatresound
Videodesign & operating: @murnlicht
Production: @flynnravenstein
Technical production: @simonk2414
Actors: Jacob Moen @saarvanroosmalen @elja.y

Photo Credits: Sjoerd Derine
___________________ taken in Academie voor Theater en Dans by @ben.broser

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a year ago

[Concept] Stage design for a festival.
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programmed with grandma3

Visualisation: @capture_se
ID: BerwynGesaffNeighbours by fred again.
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#concept #lightdesign #stagedesign #lightshow #grandma3 @ma_lighting_international by @ben.broser

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2 years ago

Over the past few months, I had the opportunity to complete an internship at Nederlands Dans Theater (@ndtdance). During this time, I was part of the lighting team, contributing to the productions of both NDT1 and NDT2, and later accompanying the ensembles on tour.

This experience not only gave me the chance to gain more practical knowledge in the logistics of touring but also allowed me to further refine my skills with grandMA. At the same time, I gained insights into the world of contemporary dance and the significant role that lighting design plays in shaping ballet performances.

I am thankful to the NDT team for this inspiring time and look forward when our paths cross again! taken in Nederlands Dans Theater (NDT) by @ben.broser

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2 years ago

Wolken by @mali_liv_golda_
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The song “Wolken” is about the process of learning to cope when you have lost someone. It evolves from grief, to learning how to let go, to taking courage/hope again. We wanted to emphasize this development with the stage and lighting design.
The song begins very darkly and mysteriously to convey the feeling of being left behind and not knowing what’s happening. They stand in a field of flowers that have just been thrown on the grave.
Towards the end of the song, the sky breaks open. The light shining, which represents the sun, symbolizes a glimmer of hope and is a kind of signpost for the future.

Stagedesign by @mali_liv_golda_ and me.

Lightdesign & programming by me.

Sound by @liltheatrecrafts.

Technical production by @simonk2414.

Photos by @lotschoneveld.

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#lightdesign #malighting #stagedesign #stagelighting by @ben.broser

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3 years ago

I like the way my skin feels
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Lightdesign & programming by me.

Concept & choreografie by @lhcsnhdnw

Dance by @sannebenjamins

Photos by @maria.v2s2
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#lightdesign #dance #malighting #stagedesign #stagelighting taken in Academie voor Theater en Dans by @ben.broser

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3 years ago