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Type Designer & Font Engineer
✏️Design 🔠Production ⚙️Mastering
Collaborator at:
@lovercasetypefaces
Working with:
@grillitype
@ornamental_title_type
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We are extremely proud to introduce you to our latest release called Brillante Obsidian!🌅

Brillante Obsidian, born from the refined Black style of the Brillante font family, delves into the interplay of dimension and illumination. It offers a gradient of shadows ranging from 0 to 100. This range of styles, including a shadowless font with elegant outlines and colors, as well as four levels of shadows that culminate in a powerful 3D effect, draws inspiration from the volcanic Obsidian stone aesthetics.

It’s sharp serifs will add both visibility and style to any creative direction, and it’s unique ready to use shades will match compatible color palette. Use it with darker colors or way lighter: It will still work it’s magic!

It is ideal for titling and headlines as it will create a great and impacting contrast between headlines and body texts.

Sharing a structural foundation with Brillante Pearl, Brillante Obsidian is oppositely way darker and both versions embody duality. They beautifully contrast and complement each other, weaving a captivating narrative of light and shadow.

Discover it on our website, link in bio ✨ taken in Paris, France by @bordeausolenn
0
3 years ago
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An other Alpha font 👀 Minorca is now available!

Minorca unfolds from ExtraLight to Bold in generally slender proportions, drawing inspiration from the atypical engraved capitals spotted along the Mahon port – the hotspot of the Minorcan island. 
The M, N, A, V, & W letters are keeping it real with that engraved charm and imperfections.

We’ve added a specific axis of variation to this skeletal framework, just for the serifs – we call it the « Wave » axis. 
Why? Because we wanted to give this font a nautical makeover, like it’s riding the waves.

#type #typer #typecooker #typedesign #typedesigner #typefoundry #typedrivesculture #typespire #typeface by @bordeausolenn
0
3 years ago
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Introducing Numero.02 the latest font we released 👀
Link in bio
#type #typer #typegang #typespire #typedrivesculture #typedesign #typematters #typeface #typecooker #typographic #typogram #typographie #typedesign taken in BlackFoundry by @bordeausolenn
0
2 years ago
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What does it take to bring a typeface from scratch to distribution?

It’s less a straight road than a long journey through an entire industrial chain — building tools, processes, and a workflow of your own. We’ve been designing typefaces for over 10 years. We started with FontLab, moved to Glyphs, then switched to RoboFont. Over time, we’ve learned that, whatever digital tool you use, a pen is still a pen: no software will make a better design than another. That said, preferences naturally evolve with experience, habits, and the specific needs of each project. While drawing remains at the heart of our practice, technology plays an equally important role in bringing a typeface to its highest level of quality and making it work across different environments. For example, we rely on open-source libraries and command-line tools to build and generate our fonts…Here’s a small, non-exhaustive glimpse into what happens behind the scenes, and a rough outline of the process below:

• Concept & brainstorming
• Hand-drawn sketches
• Initial alphabet drafts
• Family development
• Variable axis exploration
• Fine-tuning
• Proofing
• Font development
• Design decisions & reviews
• Stylistic sets definition
• OpenType features
• Text proofing
• Quality assurance
• Font information & metadata
• Kerning
• Spacing review
• Character proofing
• Mastering
• Designspace setup
• Font generation
• Testing & trials
• Gathering references & sources
• Graphic design conception
• Font description
• Web type tester content
• Website backend & uploads
• Communication

And that’s only part of it. A typeface may start with a sketch, but getting it ready for distribution means navigating a whole ecosystem of design, development, testing, tools, and communication. The drawing is just the beginning… by @bordeausolenn
6
21 days ago
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Discover Emperia !

It all started from a simple question. “What would Trajan lowercase look like?” As Latin is a bicameral script that combines different letterforms, contemporary typefaces mainly relies on compromising the monumental structure of uppercase in the design process. However, Emperia takes a counterintuitive approach. It is a historical reinterpretation of the Antique genre. Rather than a revival, it is a calligraphic fiction of history, where the construction of the minuscule is grounded in the principles of Roman capitals. With the brush as its underlying tool, the typeface family strives to establish a closer relationship between uppercase and lowercase alphabets. By reuniting these two models in harmony, it successfully rewrites history from a fresh perspective ! by @bordeausolenn
6
a month ago
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We are Live !! Lovercasetypefaces.com

Have a look through our catalog, subscribe to our newsletter and download trials 👀

We have dedicated a lot of time and care creating a unique interface to display our fonts the best way !

Each of our font family are long lasting designs that stands the test of fleeting trends 🤍

A special shout out to Benoït Wimart @bntwmrt for the website developement and Bruno Meilick for implementing the pricing system ! ⚒️ by @bordeausolenn
13
a month ago
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📡 Introducing you to our latest release: Numero.02! 🤩
Designed by @bordeausolenn , Numero.02 draws inspiration from the historic Gothic №2 typeface by the Keystone Type Foundry (1888-1917).
This type family pays homage to the origins of the « Gothic » appellation, a term historically used in the 19th century to describe sans serif typefaces. In contrast to the ornate and classical serifed typefaces of the time, these « Gothic » fonts were seen as bold, utilitarian, and modern—a departure from the past. The term came to represent a certain straightforward, no-nonsense aesthetic that was both functional and striking.
#type #typography #typer #typegang #typespire #typography #typographic #typogrammer #typographer #typedesign #typedesigner taken in BlackFoundry by @bordeausolenn
0
2 years ago
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We are so in love with our new font Blaacck 😱
Look how clean this close up is 👀
Discover Blaacck on our website ✨ taken in Paris, France by @bordeausolenn
0
2 years ago
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Some Flourish lettershapes sketches 💃 by @bordeausolenn
1
2 years ago
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IMPORTANT ANNOUNCEMENT ! ✨✨✨
We are delighted to announce we won the @germandesigncouncil  award with two prizes!! 

Our project for @alpinecars won the Gold prize in the category « Excellent Communications Design-Typography Special mention » 🏆

Our project for @byjott  won the special prize in the category « Excellent Communications Design- Typography »🥉

We want to thank the @germandesigncouncil  as well as all our team:
@jeremiehornus, @gregvincens ,@gaetanbaehr , @bordeausolenn and everyone who to contributed to those projects. We are proud to incarnate excellence in our domain and being recognized for it.
Forever thankful,
Black[Foundry]’s team🖤
#type #typedesign #typography #typographic #typespire #typedrivesculture #typecooker #typedesign #typematters taken in Frankfurt, Germany by @bordeausolenn
3
3 years ago
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Our talented type designers @gaetanbaehr and @bordeausolenn introducing and explaining variable font system to our guests during @francedesignweek today! ☑️ taken in Paris, France by @bordeausolenn
2
3 years ago
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And because we are not done yet…Black[Foundry] winners of the @strategieslive Grand prize with our custom font for @alpinecars can you believe it?! We are so grateful for this title, and proud to have worked on this amazing project with our client. The results are amazing and exceeded our expectations. Congratulations for all our team and Alpine for their creativity too. We did this. taken in Paris, France by @bordeausolenn
0
3 years ago
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