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PRINT, OBJECT, SPREAD, TRACE:
POST AND FIFTEEN YEARS OF ART BOOKS
2011 - 2026
@post_books 

Post opened in Ebisu, Tokyo, in 2011, as a bookshop specialising in art books that introduces one publisher at a time. At regular intervals, they change the books in the shop and represent the work of a single publisher.

This book compiles a record of every publisher featured since 2011, arranged in the chronological order in which they were presented. Each feature includes images of the books introduced, along with captions and commentary. 

We’re delighted to be in such a beautiful book.
@brownseditions 

@jonathan_ellery 
@brownsdesign by @brownseditions
0
16 days ago
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NUMBERS
JONATHAN ELLERY

This publication has a very simple surface. A work consisting of 5 books, each with a different subject matter. But below these colourful covers unfolds a curious, absurd and sometimes dark narrative. Each book takes us on a journey of sorts, strange frictional relationships appear, some of which are nice and some are not. The divinity of religion, the Dickensian birds that Ellery sees from his windows, the abstract numbers, the sexual deviancy of the church, and the ideologies of politics create multiple layers of narrative that are personal and meaningful in different ways. Ellery presents these interweaving complexities with a minimal, direct and honest delivery.

This publication was launched at the NY Art Book Fair.

Published 
@brownseditions 
Each box contains five books
Each book with a screen printed coloured gel
270 × 225mm
40 pages
13 images
Signed edition of 150
ISBN 9780992819408

© ELLERY 2026
© BROWNS EDITIONS 2026

#jonathanellery 
#13 
#brownseditions by @brownseditions
1
2 months ago
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SEXUAL PREDATORS
JONATHAN ELLERY

This publication has a very simple surface. A work consisting of 5 books, each with a different subject matter. But below these colourful covers unfolds a curious, absurd and sometimes dark narrative. Each book takes us on a journey of sorts, strange frictional relationships appear, some of which are nice and some are not. The divinity of religion, the Dickensian birds that Ellery sees from his windows, the abstract numbers, the sexual deviancy of the church, and the ideologies of politics create multiple layers of narrative that are personal and meaningful in different ways. Ellery presents these interweaving complexities with a minimal, direct and honest delivery.

This publication was launched at the NY Art Book Fair.

Published 
@brownseditions 
Each box contains five books
Each book with a screen printed coloured gel
270 × 225mm
40 pages
13 images
Signed edition of 150
ISBN 9780992819408

© ELLERY 2026
© BROWNS EDITIONS 2026

#jonathanellery 
#sexualpredators 
#brownseditions by @brownseditions
0
2 months ago
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LONDON GARDEN BIRDS
JONATHAN ELLERY

This publication has a very simple surface. A work consisting of 5 books, each with a different subject matter. But below these colourful covers unfolds a curious, absurd and sometimes dark narrative. Each book takes us on a journey of sorts, strange frictional relationships appear, some of which are nice and some are not. The divinity of religion, the Dickensian birds that Ellery sees from his windows, the abstract numbers, the sexual deviancy of the church, and the ideologies of politics create multiple layers of narrative that are personal and meaningful in different ways. Ellery presents these interweaving complexities with a minimal, direct and honest delivery.

This publication was launched at the NY Art Book Fair.

Published 
@brownseditions 
Each box contains five books
Each book with a screen printed coloured gel
270 × 225mm
40 pages
13 images
Signed edition of 150
ISBN 9780992819408

© ELLERY 2026
© BROWNS EDITIONS 2026

#jonathanellery 
#londongardenbirds 
#brownseditions by @brownseditions
0
3 months ago
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POLITICAL SYMBOLS
JONATHAN ELLERY

This publication has a very simple surface. A work consisting of 5 books, each with a different subject matter. But below these colourful covers unfolds a curious, absurd and sometimes dark narrative. Each book takes us on a journey of sorts, strange frictional relationships appear, some of which are nice and some are not. The divinity of religion, the Dickensian birds that Ellery sees from his windows, the abstract numbers, the sexual deviancy of the church, and the ideologies of politics create multiple layers of narrative that are personal and meaningful in different ways. Ellery presents these interweaving complexities with a minimal, direct and honest delivery.

This publication was launched at the NY Art Book Fair.

Published 
@brownseditions 
Each box contains five books
Each book with a screen printed coloured gel
270 × 225mm
40 pages
13 images
Signed edition of 150
ISBN 9780992819408

© ELLERY 2026
© BROWNS EDITIONS 2026

#jonathanellery 
#politicalsymbols 
#brownseditions by @brownseditions
0
4 months ago
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RELIGIOUS SYMBOLS
JONATHAN ELLERY

This publication has a very simple surface. A work consisting of 5 books, each with a different subject matter. But below these colourful covers unfolds a curious, absurd and sometimes dark narrative. Each book takes us on a journey of sorts, strange frictional relationships appear, some of which are nice and some are not. The divinity of religion, the Dickensian birds that Ellery sees from his windows, the abstract numbers, the sexual deviancy of the church, and the ideologies of politics create multiple layers of narrative that are personal and meaningful in different ways. Ellery presents these interweaving complexities with a minimal, direct and honest delivery.

This publication was launched at the NY Art Book Fair.

Published 
@brownseditions 
Each box contains five books
Each book with a screen printed coloured gel
270 × 225mm
40 pages
13 images
Signed edition of 150
ISBN 9780992819408

© ELLERY 2026
© BROWNS EDITIONS 2026

#jonathanellery 
#religioussymbols 
#brownseditions by @brownseditions
0
4 months ago
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ONLY GOD CAN JUDGE ME
BRUCE GILDEN
@bruce_gilden 

As I travelled through America, I noticed the same pattern in many cities: in all the bad areas, I saw white women, generally young and at one time generally pretty, who were drug addicts — and I’m talking serious heroin or crack addicts. Many of them admitted they were sex workers and in many instances they looked like a shell of themselves. This struck me very deeply bringing back memories from my youth.

In all of these women, I see my own mother — ravaged by pharmaceutical drugs, alcohol and her lifestyle — so I went to these areas where they hang out and I started asking them if I could photograph them.

This personal motivation is the genesis of my ongoing project Only God Can Judge Me on prostitutes and drugs. I went back again to photograph some of these women in Overtown, Miami and I interviewed them. It’s hard to imagine how much suffering and how little hope their stories contain. We ignore them but they do exist and survive at the “other end of the spectrum” as Trish says.

I want to continue this project and attract attention to them and to what drugs did to them. It’s always interesting when people say that they have trouble looking at these faces. This can happen to anyone’s loved one. Just imagine you have to look at your mother’s face.

Bruce Gilden

Design @jonathan_ellery 
@brownsdesign 
Hard back
250 x 376mm
56 pages
2 gate folds
24 images
Edition of 700
ISBN 978-0-9928194-7-7

© BROWNS EDITIONS 2026
@ BRUCE GILDEN 2026

#brucegilden
#jonathanellery
#brownseditions 
#brownsdesign 
#onlygodcanjudgeme
@pureprint_group by @brownseditions
0
6 months ago
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A BEWILDERED HERD
JONATHAN ELLERY
@jonathan_ellery 

Pencil and charcoal drawings and small relief sculptures made with tape and stickers are the materials used in Jonathan Ellery’s , A Bewildered Herd.

The title of the book comes originally from Walter Lippmann (Public Opinion, 1922 – mass man as the bewildered herd, spectators not participants in a democracy) whose words were paraphrased by Noam Chomsky in his book Media Control (2002).
@noam.chomskyofficial 

Ellery’s interest is focused on the notion of a democracy, and how easy it appears to control it.

Ellery’s drawings in the first half of the book are made from pencil and charcoal, all of which are abstract, guttural and raw. The marks made appear scratchy, erratic and irrational. Some drawings are sensitive and calm, some violent. There is a sense of an abstract narrative of sorts running through the series.

In the second half of the book Ellery uses stickers, which appear to be swimming in gaffa tapes of various colours to form small relief sculptures. Again some of these are very simple, while others become more energetic and frictional.

Published by Browns Editions
300 book covers hand-made by the artist
340mm x 240mm
Hardback
56 pages
28 colour images
First edition of 300
ISBN 978-0-9928194-2-2

© ELLERY 2026
© BROWNS EDITIONS 2026

#abewilderedherd 
#jonathanellery 
#brownseditions by @brownseditions
0
7 months ago
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FORECLOSURES
BRUCE GILDEN
@bruce_gilden 
@brownseditions 

Since the housing market crashed in 2008, millions of Americans caught up in the subprime mortgage crisis lost their homes. This is not a secret in the communities that live with foreclosures. The devastation is shielded from the eyes of other sectors of society, however, including many of those that caused it.

Bruce Gilden has documented foreclosures in some of America’s hardest hit communities: Fort Myers Florida, Detroit Michigan, Fresno California and Las Vegas Nevada. Gilden says ‘In addition to photographing, I interviewed Americans who have been evicted from their homes, or who are facing eviction, and who have been launched into a devastating cycle of suffering: family life becomes unstable; children are at risk; violence increases; and communities disintegrate.’

Foreclosure is a uniquely American plague and unemployment has cut so deeply into our social fabric that an unprecedented number of individuals find themselves caught in this downward spiral. The stories of pain surrounding the people trapped in our great recession have to be told. For these Americans, it is a fundamental right that cannot be denied.

Special edition, 1–100, come in a black American flag slipcase and have a signed postcard by Bruce Gilden.

Published 
@brownseditions 
Designed by Browns
@brownsdesign 
@jonathan_ellery 
280×375mm
Embossed flag and
white foil on card cover
Softback
Singer sewn
128 pages
51 images
1 found postcard
Edition of 500
ISBN 9780956532480

© BROWNS EDITIONS 2025

Print
@pureprint_group 

@magnumphotos 
#foreclosures
#brucegilden 
#brownseditions
#brownsdesign by @brownseditions
1
a year ago
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FEATHERSTONE STREET
DAVID STEWART
@davidstewwwart 

Featherstone Street, by acclaimed British photographer David Stewart (b.1958), is a new series of portraits of the people who have featured throughout Stewart’s successful 40-year photographic career.
 
Stewart was inspired by his studio becoming flooded by natural daylight due to the demolition of a building opposite at the end of 2019. This occurrence temporarily transformed how he was able to work in the space. Using only the natural light and a large format camera shooting on 8×10 film, he started to photograph formally posed portraits of some of the people who had been involved in his work in a number of different ways over the past five decades.

This initial stage of Featherstone Street progressed throughout the periods of UK lockdown until, in the Autumn of 2020, the building opposite started to rise again, gradually taking back the natural light and so making the exposure Stewart required for the large format 8×10 film too long to freeze his subjects. The first phase of the series features 25 portraits. Alongside the exhibition at Wren London, it is published as a book designed by Browns Editions, the designers of which Stewart has also photographed and featured here.
 
Creating work in a more traditional method that is fast being overlooked and ultimately lost in favour of the digital, David Stewart’s large format photographs can be considered a reaction against the ubiquity in photography heralded by the rise of social media and the notion of the universal photographer. Previously as a photographer, Stewart appears a few steps removed from his subjects, both empathising with but also at times gently mocking them, and yet here in this series Stewart uses his photography as an act of celebration of those who helped make it all possible.

Edition of 300
Published by 
Browns Editions 
Designed by Browns
@brownsdesign 
Set of two books
10 x 8” Landscape
16 pages
11 images
8 x 10” Portrait
20 pages
14 images
ISBN 9781916203822

© DAVID STEWART 2025
© BROWNS EDITIONS 2025

#brownseditions 
#davidstewart 
#featherstonestreet
@wrenagency by @brownseditions
0
a year ago
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POSTERS FOR A BOOK

FEATHERSTONE STREET
DAVID STEWART
@davidstewwwart 
@wrenldn 

Featherstone Street, by acclaimed British photographer David Stewart (b.1958), is a new series of portraits of the people who have featured throughout Stewart’s successful 40-year photographic career.
 
Stewart was inspired by his studio becoming flooded by natural daylight due to the demolition of a building opposite at the end of 2019. This occurrence temporarily transformed how he was able to work in the space. Using only the natural light and a large format camera shooting on 8×10 film, he started to photograph formally posed portraits of some of the people who had been involved in his work in a number of different ways over the past five decades.

This initial stage of Featherstone Street progressed throughout the periods of UK lockdown until, in the Autumn of 2020, the building opposite started to rise again, gradually taking back the natural light and so making the exposure Stewart required for the large format 8×10 film too long to freeze his subjects. The first phase of the series features 25 portraits. Alongside the exhibition at Wren London, it is published as a book designed by Browns Editions, the designers of which Stewart has also photographed and featured here.
 
Creating work in a more traditional method that is fast being overlooked and ultimately lost in favour of the digital, David Stewart’s large format photographs can be considered a reaction against the ubiquity in photography heralded by the rise of social media and the notion of the universal photographer. Previously as a photographer, Stewart appears a few steps removed from his subjects, both empathising with but also at times gently mocking them, and yet here in this series Stewart uses his photography as an act of celebration of those who helped make it all possible.

Edition of 300
Published by 
Browns Editions 
Designed by Browns
@brownsdesign 
Set of two books
10 x 8” Landscape
16 pages
11 images
8 x 10” Portrait
20 pages
14 images
ISBN 9781916203822

© DAVID STEWART 2025
© BROWNS EDITIONS 2025 by @brownseditions
1
a year ago
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BROWNS EDITIONS
ESTABLISHED 2005

WWW.BROWNSEDITIONS.COM

#brownseditions 
@jonathan_ellery 
#publishing by @brownseditions
0
a year ago
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