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Roses. 2026. For @counterpublic and curated by @jordancartercarter — the work is a set of spatial associations and connections, folding in Tennessee Williams and his sister Rose, Gertrude Stein, James Baldwin, Jordan Carter, and others, within a rant of “no’s” … as Jordan phrased it “affirmation through negation” - Thank you to all involved, very happy Roses is in the world. @bortolamigallery 🌹🌹🌹 taken in St. Louis, Missouri by @burrtomburr
31
a month ago
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@thepoem.newyork @hugobauschbelbachir by @burrtomburr
11
5 months ago
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Tom Burr for GRUPPE 7

@burrtomburr @galerie_neu 

Available now on shop.gruppemagazine.com

curated by @artde666enerate 

GRUPPE ISSUE 7 with 
@alexandrabondideantoni @burrtomburr @galerieneu @simoncarle__ @castrrick @pavelgolik @timheyduck @seeing_itself #pierrehuyghe @hauserwirth @nelejackson @artde666enerate @maiekoen @americakorban @katkorb @hendrikla @billylobos @c.m.connymaier @societe @matthieu_nicol @ryandpetersen @mimic_productions @linnearm @gregor.schneider @konradfischergalerie @hellaschneider @hendrik.schneider @fritzmarlon @finleystewart_ @grantedwardtyler @john_waters_divine_trash_page @spruethmagers by @burrtomburr
1
7 months ago
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Tom Burr for GRUPPE 7

@burrtomburr @galerie_neu 

Available now on shop.gruppemagazine.com

curated by @artde666enerate 

GRUPPE ISSUE 7 with 
@alexandrabondideantoni @burrtomburr @galerieneu @simoncarle__ @castrrick @pavelgolik @timheyduck @seeing_itself #pierrehuyghe @hauserwirth @nelejackson @artde666enerate @maiekoen @americakorban @katkorb @hendrikla @billylobos @c.m.connymaier @societe @matthieu_nicol @ryandpetersen @mimic_productions @linnearm @gregor.schneider @konradfischergalerie @hellaschneider @hendrik.schneider @fritzmarlon @finleystewart_ @grantedwardtyler @john_waters_divine_trash_page @spruethmagers by @burrtomburr
1
8 months ago
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In conversation with Tom Burr 

To mark the opening of Tom Burr’s exhibition at Bortolami - and just after his birthday - we’re revisiting our Issue 07 interview, originally published with words by Charlie Mills. Burr reflects on site, displacement, queer subjectivity and the blurred line between public and private - ideas that continue to run through his work today.

“The spatial play of the two works together, each with their own intrinsic meanings and histories, along with their shared turning and twisting of monochromatic painting, was gratifying for me to experience on a number of levels; like a dialogue that has continued over time, a form of resilience.”

Originally published in Issue 07

—

Images: 1. Sexual Soft Target, 2017 (detail), Tom Burr, green military style blankets, black upholstery tacks, direct to surface print, clear plastic photographic sleeves, steel push pins, paperback copy of ‘Funeral Rites’ by Jean Genet’ (1948), powder coated aluminium, painted plywood, 9 x 240 x 240 cm. Courtesy of the artists and Maureen Paley, London 2. Two-Sided Surround, Tom Burr, 2017. Fire retardant plywood, plexiglas, aluminum studs, convex security mirrors, 243.8 x 466.7 x 325.4cm. Installation view, Tom Burr/New Haven, Phase 1, Body /Building 2017, New Haven. Courtesy of the artist and Bortolami Gallery, New York. Photo Credit: Jessica Smolinski
3. Regarding the Recent Attack on the Body (my aging blue bomber), Tom Burr, 2017 (detail) grey military style blankets, black upholstery tacks, silver gelatin film still prints from ‘Equus’ (1977), steel push pins, powder coated aluminium, painted plywood, 184 x 180 x 180 cm. Courtesy of the artists and Maureen Paley, London by @burrtomburr
10
9 months ago
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a selection of the Journal Works — @bortolamigallery — opening January 9th — 39 Walker Street NYC 💫💫 by @burrtomburr
17
10 months ago
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The Screens - 2003 - in Naomi Beckwith’s Delay, Echo, Reverb @palaisdetokyo taken in Palais de Tokyo by @burrtomburr
15
a year ago
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Paul — @grazer_kunstverein by @burrtomburr
4
a year ago
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Paul — @grazer_kunstverein  Yellowed (five boxes) 2025 by @burrtomburr
19
a year ago
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Paul — @grazer_kunstverein by @burrtomburr
5
a year ago
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@diaartfoundation @primaryinformation by @burrtomburr
9
a year ago
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Over three years, TOM BURR transformed an abandoned Connecticut factory into a shifting stage for his past and present work. Now it lives on in a book as layered and unsettled as the space itself. SAHIR AHMED explores in link in bio.

www.family.style

Interior view of Torrington Project. From Tom Burr’s book, “Torrington Project,” 2025. Photography by Guang Xu. Image courtesy of the artist and Primary Information.

#FamilyStyle
#TomBurr by @burrtomburr
5
a year ago
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