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XX.XX.XX // Bede // codex.docx
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Sarah Morris at White Cube by @bytebop
1
5 months ago
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Ed Ruscha at Gagosian by @bytebop
1
a year ago
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Andreas Gursky at White Cube by @bytebop
0
a year ago
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[❤️] […] Last one before we return to the usual XX.XX.XX programming […] [❤️]

Haecceitas (SMPTE EG 1-1990 Red) // Inkjet print, grip tape, and digital contact film on panel // 27.9 x 35.6 x 2.2 cm // 2024 by @bytebop
2
a year ago
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And well wouldn’t you know it, there’s still time to bid on this work in the Bonhams Staff Art Show [!] 💙💚 [!] Hit up that link-in-bio before Friday to throw down, cut loose, let ‘er rip, rock out, put your money where your mouth is, etc. And remember this… the buyer’s premium on all sold works will go to West Central London Mind, an organisation that provides mental health support to our city [!] 💙💚 [!]

XX.XX.XX (Prototype for Site Hoarding Campaign) No. 4 // Screenprint on dibond, North American ash, birch plywood, hardware // 80 x 140 x 10 cm // 2021 by @bytebop
0
a year ago
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While we’re on the subject of @londonartservices […] one peer of the work I recently exhibited at the gallery’s second group exhibition in Deptford [!]

Haecceitas (SMPTE EG 1-1990 Blue) // Inkjet print, grip tape, and digital contact film on panel // 27.9 x 35.6 x 2.2 cm // 2024 by @bytebop
4
a year ago
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Launching LAS Writes. A dedicated space for writing in all its creative forms. 

Thank you to our first writer, Elliott Mickleburgh @bytebop please head over to the website to read the full text! (linked in stories)

The platform will be hosted on our website at londonartservices.com/las-writes and is live now!

If you have writing you would like to share please email writing.las@gmail.com by @bytebop
7
a year ago
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I’m super excited to share that I’m currently offering this work for sale through the Bonhams Staff Art Show in London 💚💙 The auction is open until August 22nd, and you can scope the link in my bio to place a bid. This is a slick opportunity to acquire one of these larger pieces from the XX.XX.XX project, two from the same series having been exhibited at the Royal Institute of British Architects in 2022. But in addition to this being a fine occasion to expand your collection, it’s a great chance to give to charity. The buyer’s premium from the sale will be donated to West Central London Mind, a community-based organisation that provides mental health support and clinical interventions for folks across London. So y’all know what to do, visit that link-in-bio!

XX.XX.XX (Prototype for Site Hoarding Campaign) No. 4 // Screenprint on dibond, North American ash, birch plywood, hardware // 80 x 140 x 10 cm // 2021

@wclmind by @bytebop
3
a year ago
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The work you see before you now in the infinite scroll is in the group exhibition currently on view at @londonartservices in Deptford. The show is up until May 30th; DM the gallery to book a viewing appointment before it closes, I guarantee you won’t be disappointed 💚

Haecceitas (SMPTE EG 1-1990 Green) // Inkjet print, grip tape, and digital contact film on panel // 27.9 x 35.6 x 2.2 cm // 2024 by @bytebop
7
a year ago
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Valerio Adami at Gió Marconi by @bytebop
0
a year ago
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Thomas Ruff at David Zwirner by @bytebop
1
2 years ago
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A defender that hastily fouls in order to stop the play and regain possession of the ball is doing something, but said something hardly constitutes elite defensive play in most cases. Arrant brawn surely is important. However, a really refined defensive game additionally requires court awareness, careful study of one’s opponent, and a holistic understanding of the real-time dynamics that unfold over the course of any given matchup.

In this sense, playing good defense in basketball is an apt analogy for writing about art. by @bytebop
1
2 years ago
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