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Ceibo Gallery | Arte latinoamericano en movimiento.

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• Showcasing emerging and established artists while promoting cultural exchange 🌎
Miami, Florida 📍
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𝐇𝐎𝐑𝐓𝐀𝐋𝐈𝐙𝐀𝐒: 𝐒𝐩𝐫𝐨𝐮𝐭, 𝐄𝐝𝐠𝐞, 𝐚𝐧𝐝 𝐄𝐦𝐞𝐫𝐠𝐞𝐧𝐜𝐞

Ceibo Gallery thanks everyone who joined us for HORTALIZAS, a solo exhibition by Guadalupe Carrizo (@guadalupecarrizo.art), presented with Laundromat Art Space (@laundromatartspace). Special thanks to Laundromat for making this exhibition possible.

Guadalupe’s research explores plant resistance to herbicides and challenges agroindustrial production. In Coleccionismo Contemporáneo, curator Luis María Rojas writes: “La maleza es sólo ‘maleza’ cuando es atravesada por la perspectiva del interés” (“A weed is only a ‘weed’ when viewed through the lens of interest”).

Through plant material, testimony, and collective memory, her work reclaims other ways of producing knowledge and relating to the territory. As Rojas writes: “Las obras que conforman esta serie son la imagen simbólica de una resistencia” (“The works in this series are symbolic images of resistance”).

Read Luis María Rojas’s full text in Coleccionismo Contemporáneo. Link in bio.

~

𝐇𝐎𝐑𝐓𝐀𝐋𝐈𝐙𝐀𝐒: 𝐛𝐫𝐨𝐭𝐞, 𝐛𝐨𝐫𝐝𝐞 𝐲 𝐞𝐦𝐞𝐫𝐠𝐞𝐧𝐜𝐢𝐚

Desde Ceibo Gallery agradecemos a quienes nos acompañaron en HORTALIZAS, exposición individual de Guadalupe Carrizo (@guadalupecarrizo.art), realizada con Laundromat Art Space (@laundromatartspace). Un agradecimiento especial a Laundromat por hacer posible esta exhibición.

La investigación de Guadalupe explora la resistencia vegetal a los herbicidas y cuestiona el modelo agroindustrial. En Coleccionismo Contemporáneo, Luis María Rojas escribe: "La maleza es sólo 'maleza' cuando es atravesada por la perspectiva del interés".

A través de la materialidad vegetal, los testimonios y la memoria colectiva, su obra reivindica otros modos de producir conocimiento y relacionarse con el territorio. Como señala Rojas: "Las obras que conforman esta serie son la imagen simbólica de una resistencia"

Leé el texto completo de Luis María Rojas en Coleccionismo Contemporáneo. Link en bio. by @ceibogallery

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2 days ago

DOBLE INAUGURACIÓN 27.10 - 19 hs

Sala 1: “Despaisaje”, exposición de Blanca Machuca, Adrián Sosa, Alfredo Frías, Guadalupe Carrizo y Agustina Lazarte

en colaboración con Ceibo Gallery

Una exposición colectiva que reúne las investigaciones de cinco artistas tucumanos en torno al territorio, el trabajo rural, el extractivismo y la memoria material. A través de la escultura, el dibujo, el textil, la pintura y la cerámica, las obras exploran las huellas de la violencia productiva sobre la tierra y las estrategias comunitarias de persistencia, cuidado y resistencia.

&

Sala 2: “Solo para decirte que me comí las ciruelas que dejaste en la heladera”, exposición individual de Solana Tixi

Curaduría: Natalia Sosa Molina

@blanca_machuca_artista
@a.dria.a.n
@alfredoafrias
@guadalupecarrizo.art
@agustinalazarte_
@ceibogallery
@brenda_groy
@gabrielakarpiuk
@solanatixi
@alessio.com.ar
@natisosamolina by @ceibogallery

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5 days ago

𝐇𝐎𝐑𝐓𝐀𝐋𝐈𝐙𝐀𝐒: 𝐒𝐩𝐫𝐨𝐮𝐭, 𝐄𝐝𝐠𝐞, 𝐚𝐧𝐝 𝐄𝐦𝐞𝐫𝐠𝐞𝐧𝐜𝐞

Ceibo Gallery presents a solo exhibition by Guadalupe Carrizo (@guadalupecarrizo.art) in collaboration with Laundromat Art Space, Miami (@laundromatartspace).

In HORTALIZAS: Sprout, Edge, and Emergence, Carrizo approaches the vegetal as a site of transformation-where growth, emergence, and decay become ways of considering the body, matter, and their relationship to the environment.

The exhibition brings together a body of work that moves between the organic and the constructed, the intimate and the exterior, the visible and what is yet to emerge.

𝐂𝐮𝐫𝐚𝐭𝐞𝐝 𝐛𝐲 𝐋𝐮𝐢𝐬 𝐌𝐚𝐫í𝐚 𝐑𝐨𝐣𝐚𝐬 (@luismariarojas)

𝘖𝘱𝘦𝘯𝘪𝘯𝘨
🗓️ Saturday, October 10, 2026
6-9 PM

𝘓𝘢𝘶𝘯𝘥𝘳𝘰𝘮𝘢𝘵 𝘈𝘳𝘵 𝘚𝘱𝘢𝘤𝘦
📍185 NE 59th Street | Miami, FL 33137 taken in Laundromat Art Space by @ceibogallery

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10 days ago

Artist Spotlight: Guadalupe Carrizo

Guadalupe Carrizo is an Argentine visual artist, photographer, and environmental activist whose practice explores the relationships between nature, territory, resistance, and environmental transformation. Working with herbicide-resistant plants, Carrizo transforms plant matter into pigment and artwork, examining the ways landscapes and ecosystems respond to human intervention.

Carrizo is currently showing with Ceibo Gallery at Laundromat Art Space in “Hortalizas: Sprout, Edge, and Emergence,” a solo exhibition exploring the relationship between plants, territory, and resistance. Working with herbicide-resistant plants, Carrizo transforms botanical matter into pigments and artworks, highlighting the tension between ecological systems and the forces that seek to control them. The exhibition considers plants as sites of resilience and emergence, connecting environmental concerns with questions of territory and resistance.

📅 Opening October 10
⏰ 6–9 PM
📍 Laundromat Art Space, 185 NE 59th Street, Miami, FL 33137 taken in Laundromat Art Space by @ceibogallery

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12 days ago

𝐔𝐧𝐚 𝐬𝐞𝐥𝐞𝐜𝐜𝐢ó𝐧 𝐝𝐞 𝐧𝐮𝐞𝐬𝐭𝐫𝐨 𝐫𝐞𝐜𝐨𝐫𝐫𝐢𝐝𝐨 𝐩𝐨𝐫 𝐥𝐚 𝐁𝐢𝐞𝐧𝐚𝐥 𝐝𝐞 𝐕𝐞𝐧𝐞𝐜𝐢𝐚:

Cuatro pabellones, cuatro contextos y distintas maneras de construir una obra a partir de aquello que la rodea.

𝘚𝘶𝘴 𝘮𝘢𝘵𝘦𝘳𝘪𝘢𝘭𝘦𝘴, 𝘴𝘶𝘴 𝘴𝘢𝘣𝘦𝘳𝘦𝘴 𝘺 𝘭𝘢𝘴 𝘦𝘹𝘱𝘦𝘳𝘪𝘦𝘯𝘤𝘪𝘢𝘴 𝘲𝘶𝘦 𝘭𝘢 𝘢𝘵𝘳𝘢𝘷𝘪𝘦𝘴𝘢𝘯.

· 𝑰𝒏𝒅𝒊𝒂 · 𝑰𝒕𝒂𝒍𝒊𝒂 · 𝑷𝒆𝒓ú · 𝑴é𝒙𝒊𝒄𝒐 ·

𝐏𝐚𝐛𝐞𝐥𝐥ó𝐧 𝐝𝐞 𝐈𝐧𝐝𝐢𝐚 - 𝘎𝘦𝘰𝘨𝘳𝘢𝘱𝘩𝘪𝘦𝘴 𝘰𝘧 𝘋𝘪𝘴𝘵𝘢𝘯𝘤𝘦: 𝘙𝘦𝘮𝘦𝘮𝘣𝘦𝘳𝘪𝘯𝘨 𝘏𝘰𝘮𝘦 reúne cinco prácticas para pensar qué significa hacer hogar cuando estamos lejos de nuestro lugar de origen. Memoria, desplazamiento, objetos y materiales se convierten en formas de reconstruir pertenencia.

• Alwar Balasubramaniam
• Ranjani Shettar
• Sumakshi Singh @sumakshisingh
• Skarma Sonam Tashi @skarma_sonam_tashi
• Asim Waqif @aminjaffer_curator

@indiainvenice

𝐏𝐚𝐛𝐞𝐥𝐥ó𝐧 𝐝𝐞 𝐈𝐭𝐚𝐥𝐢𝐚 - Con te con tutto transforma las Tese delle Vergini en un paisaje donde materia, naturaleza y vida cotidiana se encuentran. En la práctica de Chiara Camoni, crear es también compartir, transformar y cuidar.

Chiara Camoni @chiara.camon
Curaduría: Cecilia Canziani @ccanizani

Tese delle Vergini · Arsenale · Venice Biennale 2026

𝐏𝐚𝐛𝐞𝐥𝐥ó𝐧 𝐝𝐞 𝐏𝐞𝐫ú - From Other Worlds, Sara Flores lleva el kené, lenguaje ancestral del pueblo Shipibo-Konibo, al espacio de la Bienal. Sus tramas conectan memoria, territorio y distintas formas de vida, abriendo una reflexión sobre pertenencia y futuros posibles.

Sara Flores

Curaduría:
• Issela Ccoyllo @issela.ccoyllo
• Matteo Norzi @matteronorzi

𝐏𝐚𝐛𝐞𝐥𝐥ó𝐧 𝐝𝐞 𝐌é𝐱𝐢𝐜𝐨 - En Actos invisibles para sostener el universo, RojoNegro propone una pausa para volver a escuchar. Sal, barro, tabaco, sonido y respiración articulan memoria, territorio y saberes que permanecen vivos.

• María Sosa @maria_sosa_ruiz
• Noé Martínez

Curaduría: Jessica Berlanga Taylor @jessica_berlanga_taylor

@elojodelarteok / @radioimaginario / @rojonegro.ome / @bienaldeveneciamx

Nuestro reconocimiento a artistas y curadores detrás de estas presentaciones.

Una edición que deja abiertas muchas conversaciones.

𝐁𝐢𝐞𝐧𝐚𝐥 taken in Venice, the Biennale by @ceibogallery

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13 days ago

Continuing our exploration of the Venice Biennale, we begin with the Argentine Pavilion.

𝐕𝐞𝐧𝐢𝐜𝐞 𝐁𝐢𝐞𝐧𝐧𝐚𝐥𝐞 𝟐𝟎𝟐𝟔 | 𝐌𝐚𝐭í𝐚𝐬 𝐃𝐮𝐯𝐢𝐥𝐥𝐞 | 𝐌𝐨𝐧𝐢𝐭𝐨𝐫 𝐘𝐢𝐧 𝐘𝐚𝐧𝐠

In Monitor Yin Yang, Matías Duville shifts drawing into space, transforming it into a walkable landscape of salt and charcoal. The tension between these materials evokes geological memory, transformation, and human presence. As visitors move through the installation, they alter its surface: the body becomes part of a collective, ever-changing inscription. Curated by Josefina Barcia, the Argentine Pavilion considers landscape as an unstable material, where each trace transforms the relationship between territory and experience.

Curator: Josefina Barcia | Arsenale, Venice

Congratulations to Matías Duville (@matiasduville) and Josefina Barcia (@josefinabarcia) on this remarkable presentation.

-

Continuamos nuestro recorrido por la Bienal de Venecia, iniciando por el Pabellón Argentino.

𝐁𝐢𝐞𝐧𝐚𝐥 𝐝𝐞 𝐕𝐞𝐧𝐞𝐜𝐢𝐚 𝟐𝟎𝟐𝟔 | 𝐌𝐚𝐭í𝐚𝐬 𝐃𝐮𝐯𝐢𝐥𝐥𝐞 | 𝐌𝐨𝐧𝐢𝐭𝐨𝐫 𝐘𝐢𝐧 𝐘𝐚𝐧𝐠

En Monitor Yin Yang, Matías Duville desplaza el dibujo hacia el espacio y lo convierte en un paisaje transitable de sal y carbón. La tensión entre ambos materiales vincula memoria geológica, transformación y presencia humana. Al recorrer la instalación, el visitante altera su superficie: el cuerpo se vuelve parte de una escritura colectiva y cambiante. Bajo la curaduría de Josefina Barcia, el Pabellón Argentino propone pensar el paisaje como una materia inestable, donde cada huella modifica la relación entre territorio y experiencia.

Curaduría: Josefina Barcia | Arsenale, Venecia

Felicitaciones a Matías Duville y Josefina Barcia por esta increíble presentación. taken in Venice, the Biennale by @ceibogallery

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22 days ago

I’m excited to share more about an independent curatorial research project I’ve been developing with @ceibogallery centered on the practice of Argentine artist Claudia Santanera.

Over the past six months, @claudiasantanera and I have been in conversation about her sustained work with caranday palm fiber. Since 2017, she has explored weaving alongside artisan families in Copacabana, Córdoba. That history has led me to look more closely at the material itself, the knowledge held in its making, and the relationships through which that knowledge is shared.

The caranday opens onto questions that extend beyond the finished work: Where does the material come from? Who knows how to work with it? How are techniques learned, adapted, and passed on? These questions are shaping a long-term curatorial project informed by anthropological research into material, territory, collective labor, and embodied knowledge.

Later this fall, I’ll travel to Córdoba and Copacabana to continue the research alongside Claudia. I’m looking forward to spending time with the places and processes that have been part of our conversations, and to letting what I encounter there shape the next phase of the project.

I’m grateful to Claudia and Ceibo ✨ @gabrielakarpiuk @groybrenda ✨ for their trust and generosity, and for the space to approach this work with care and curiosity 🌿

Photography by @ceciliacasenave taken in Córdoba, Argentina by @ceibogallery

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a month ago

Welcome 𝐒𝐨𝐩𝐡𝐢𝐞 𝐁𝐨𝐧𝐞𝐭 as Curator of Ceibo Gallery.

South Florida–based curator, writer, and researcher whose practice is informed by social and cultural anthropology. Bonet approaches exhibitions as living systems of knowledge shaped by materiality, memory, ritual, territory, and transformation.

Her work spans institutional leadership, independent curatorial practice, archival research, public art, and publishing, and develops through sustained collaboration with artists, cultural practitioners, and communities.

Across municipal museums, contemporary art institutions, galleries, and nonprofit spaces, she creates research-driven exhibitions grounded in accessibility, ethical collaboration, and public dialogue.

Research Areas: 𝘌𝘮𝘣𝘰𝘥𝘪𝘦𝘥 𝘬𝘯𝘰𝘸𝘭𝘦𝘥𝘨𝘦; 𝘮𝘢𝘵𝘦𝘳𝘪𝘢𝘭 𝘤𝘶𝘭𝘵𝘶𝘳𝘦; 𝘭𝘢𝘯𝘥𝘴𝘤𝘢𝘱𝘦 𝘢𝘯𝘥 𝘵𝘦𝘳𝘳𝘪𝘵𝘰𝘳𝘺; 𝘮𝘦𝘮𝘰𝘳𝘺 𝘢𝘯𝘥 𝘳𝘪𝘵𝘶𝘢𝘭; 𝘦𝘤𝘰𝘭𝘰𝘨𝘪𝘤𝘢𝘭 𝘳𝘦𝘭𝘢𝘵𝘪𝘰𝘯𝘴𝘩𝘪𝘱𝘴; 𝘢𝘳𝘤𝘩𝘪𝘷𝘦𝘴 𝘢𝘯𝘥 𝘰𝘳𝘢𝘭 𝘩𝘪𝘴𝘵𝘰𝘳𝘪𝘦𝘴; 𝘤𝘰𝘮𝘮𝘶𝘯𝘪𝘵𝘺-𝘳𝘰𝘰𝘵𝘦𝘥 𝘱𝘳𝘢𝘤𝘵𝘪𝘤𝘦; 𝘴𝘦𝘯𝘴𝘰𝘳𝘺 𝘢𝘤𝘤𝘦𝘴𝘴𝘪𝘣𝘪𝘭𝘪𝘵𝘺.

We are delighted to welcome you to 𝐨𝐮𝐫 𝐬𝐭𝐚𝐟𝐟! by @ceibogallery

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a month ago

Rosa Pálido - Alfredo Frías

Oil on canvas
35 x 27 in

𝘐𝘯 𝘈𝘭𝘧𝘳𝘦𝘥𝘰 𝘍𝘳í𝘢𝘴’ 𝘰𝘸𝘯 𝘸𝘰𝘳𝘥𝘴:

“Rosa pálido is part of a series of landscapes where the otherworldly takes center stage. Like an echo of memory, the clouds appear with blurred edges, suspended in a fragile stillness. At the same time, the warm atmosphere creates a subtly altered space, where the different planes seem to melt into one another, leaving only a few points of blue in focus.

Is this the tangible form of the sky we look at, or simply a reminder of what is slowly ceasing to be?

Either way, the impossibility of holding on to a single state becomes evident through stillness.

But a moment, however brief, is enough.”

Discover more of his work.
🔗 Link in bio

~

Rosa Pálido - Alfredo Frías

Óleo sobre tela
70 x 90 cm

𝘌𝘯 𝘱𝘢𝘭𝘢𝘣𝘳𝘢𝘴 𝘥𝘦 𝘈𝘭𝘧𝘳𝘦𝘥𝘰 𝘍𝘳í𝘢𝘴:

"Rosa pálido forma parte de una serie de paisajes donde lo no terrenal es protagonista. Como un eco de la memoria, las nubes se presentan con límites imprecisos y en un estatismo frágil. En ese mismo registro la atmósfera cálida produce un espacio suavemente enrarecido, donde los planos parecen fundirse dejando solo algunos puntos de nitidez azulados.

¿Es esa la forma concreta del cielo que miramos o es solo un recordatorio de lo que va dejando de ser?

De cualquier manera la imposibilidad de asir un estado único es aquí evidenciada desde el estatismo.
Pero un momento, por mínimo que sea, es suficiente."

Conocé más sobre su obra.
🔗 Link in bio by @ceibogallery

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2 months ago

✨ 𝐀𝐥𝐟𝐫𝐞𝐝𝐨 𝐅𝐫í𝐚𝐬 | Between Memory and Landscape ✨

Visual artist born in Tucumán, Argentina, in 1984. His current practice explores the landscape as an introspective experience, influenced by the flourishing of vernacular poetry from Tucumán, establishing connections between personal memory and collective memory.

He studied at the Maestro Atilio Terragni School of Fine Arts and at the Faculty of Arts of the National University of Tucumán. He was awarded a fellowship in the 10th Artists Program at Universidad Torcuato Di Tella and has received, among his most recent distinctions, the First Prize at the 51st National Salon of Tucumán and the UADE Grand Prize for Visual Arts.

"This is how I began working from a simple gesture: shifting my gaze from the horizon upward."

We are delighted to welcome you to our roster of artists!

—
✨ 𝐀𝐥𝐟𝐫𝐞𝐝𝐨 𝐅𝐫í𝐚𝐬 | Entre la memoria y el paisaje ✨

Artista visual nacido en Tucumán, Argentina, en 1984. Actualmente, su práctica explora el paisaje en tanto experiencia introspectiva a la luz del florecimiento de la poesía vernácula tucumana, entablando vínculos entre su memoria personal y una memoria colectiva.

Se formó en la Escuela de Bellas Artes Mtro. Atilio Terragni y en la Facultad de Artes de la UNT. Fue becario del X Programa de Artistas de la UTDT y recibió, entre sus últimas distinciones, el Primer Premio del 51º Salón Nacional de Tucumán y el Gran Premio UADE a las Artes Visuales.

“Así empecé a trabajar a partir de un gesto: desplazar la mirada del horizonte hacia arriba”

𝘉𝘪𝘦𝘯𝘷𝘦𝘯𝘪𝘥𝘰 𝘢 𝘊𝘦𝘪𝘣𝘰 𝘎𝘢𝘭𝘭𝘦𝘳𝘺! taken in Tucuman, Argentina by @ceibogallery

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2 months ago

From Monteros, Tucumán to Miami, Adrián Sosa’s participation in To Inhabit a Cloud was an important part of our work at Ceibo Gallery: creating a space for his practice to enter into dialogue with an international context.

Rooted in the landscape and social history of Tucumán, his work explores the intersections of body, territory, labor, and material memory, transforming lived experience into gesture, action, and testimony.

We are pleased to share the feature published by Art Miami (@artmiamimag) on the exhibition, presented at The Frank C. Ortis Art Gallery (@thefrankpembrokepines) with curatorial work by Sophie Bonet (@bonet.hekit)

For Ceibo, these encounters are part of our ongoing commitment to connecting Latin American artists with new contexts and audiences.

Discover more about Adrián Sosa’s work.
🔗 Link in bio taken in Miami, Florida by @ceibogallery

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2 months ago

𝐂𝐥𝐚𝐮𝐝𝐢𝐚 𝐒𝐚𝐧𝐭𝐚𝐧𝐞𝐫𝐚 ✨

At Ceibo Gallery, we are pleased to present the work of Claudia Santanera.

Claudia Santanera is a poet and visual artist. Since 2017, her practice has unfolded alongside families of basket weavers who work with caranday palm in the village of Copacabana, located in the central mountain ranges of Córdoba Province, Argentina.

She has developed a body of work in which weaving and writing emerge as reversible forms of thought. Her installations explore the relationships between memory, territory, and time, proposing spaces where words become material and weaving becomes a form of inscription.

Rooted in collaborative processes and shared knowledge, her work reflects on the ways stories are transmitted, transformed, and preserved through collective making.

Photography by @ceciliacasenave · @estudio__movil

~

𝐂𝐥𝐚𝐮𝐝𝐢𝐚 𝐒𝐚𝐧𝐭𝐚𝐧𝐞𝐫𝐚 ✨

En Ceibo Gallery nos complace presentar la obra de Claudia Santanera.

Claudia Santanera es poeta y artista visual. Desde 2017 su práctica se despliega junto a familias de artesanos cesteros que tejen palma caranday en el pueblo de Copacabana, localizado en las sierras centrales de la provincia de Córdoba.

Desarrolla un cuerpo de obra en el que el tejido y la escritura emergen como formas reversibles de pensamiento. Sus instalaciones exploran las relaciones entre memoria, territorio y tiempo, proponiendo espacios donde las palabras se convierten en materia y el tejido en una forma de inscripción.

Arraigada en procesos colaborativos y saberes compartidos, su obra reflexiona sobre las maneras en que las historias se transmiten, se transforman y se preservan a través del hacer colectivo.

Fotografía por @ceciliacasenave · @estudio__movil by @ceibogallery

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3 months ago