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Image, graphic design and type design @chandeliercreative
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Fresh visual identity made at @zoo_designers_graphiques for @museelam museum of modern, contemporary and art brut art in Lille.

Using Maligne by @maxitype_com 

Creative direction 
@zoo_designers_graphiques 

Design team
@bblatter by @claradousson
9
4 months ago
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New release! Initiale by @claradousson and @alanmadic.

A titling typeface revisiting the didone through a generous lens, with an incisive, robust presence.

Developed from a fragmented model from the 1920s by G. Peignot & Fils, the design reconsiders its original logic through a broader set of references, shifting it into a more contemporary register.

Rooted in editorial traditions yet shaped by later influences, it brings a distinct sense of rhythm, emphasis and voice on the page.

Explore Initiale now at edito-type.com ↗️

2024-2026

Special thanks: @adrienvasquez_ by @claradousson
15
5 months ago
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New release! Initiale by @claradousson and @alanmadic.

A titling typeface revisiting the didone through a generous lens, with an incisive, robust presence.

Developed from a fragmented model from the 1920s by G. Peignot & Fils, the design reconsiders its original logic through a broader set of references, shifting it into a more contemporary register.

Rooted in editorial traditions yet shaped by later influences, it brings a distinct sense of rhythm, emphasis and voice on the page.

Explore Initiale now at edito-type.com ↗️

2024-2026

Special thanks: @adrienvasquez_ by @claradousson
13
5 months ago
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Some spreads for Whatevr issue 13 FW25 made at @zoo_designers_graphiques for @whatevrfanzine 

Creative direction
@zoo_designers_graphiques 

Design team
@bblatter @elisa_17098 by @claradousson
5
9 months ago
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Graphic and type design made at @zoo_designers_graphiques for Design Disco Club, an event by @pli_office and @jtm.revue at @lafayetteanticipations 

Creative direction 
@zoo_designers_graphiques 

Design team 
@quentin_cholley by @claradousson
5
10 months ago
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[EB010]

Meet EB Venezia, by Alan Madić and Clara Dousson, a typeface inspired by the work produced for Olivetti and their typewriters. Designed in 1976 for the TES 501 electronic typewriter, a typeface named “Venezia” served as the basis for Madić and Dousson’s new typeface. 

After an initial version, called “Extra” and designed whilst they were students, Madić and Dousson developed the design further into these smooth, rounded shapes, contrasting with the rigidity of typefaces for typewriters. They have developed a unique system of units allowing the typeface to have proportional spacing whilst remaining constrained within a precise grid, giving EB Venezia a pleasant texture for continuous reading.

The availability of several weights, from light to bold, makes it suitable for use across a wide range of media, from signage and book design to logos.

The typeface is still in development and will have an extended character set, fitting Électro-bibliothèque’s standard. Italics are also in production and will be ready for the final release, scheduled for the end of 2026.

Called “Avant-première”, our beta program allows you to try and buy our upcoming typefaces.
Buy the typefaces in beta version at a discount price, receive the complete font when they will be fully finished and released.

EB Venezia
Design: Clara Dousson, Alan Madić (2021–2025)
Development: Clément Le Tulle-Neyret (2025–2026)
Cuts: 4 (Chiara, Normale, Media, Nera)
Files format: OTF, WOFF, WOFF2
Version: Avant-première (1.000)
Release: 07/05/2026

@alanmadic
@claradousson

#electrobibliotheque #typefaces #venezia #alanmadic #claradousson by @claradousson
11
5 months ago
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Launch campaign made at @zoo_designers_graphiques for the metamorphosis of the @centrepompidou, as part of its global rebranding strategy.

Creative direction 
@zoo_designers_graphiques 

📸 @ewengx @legarconalagraveuselaser by @claradousson
5
a year ago
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Display type specimen showcasing the typefaces Marte, Kristbergs, Strazza, and Doppel, currently in progress.
Marte is a sturdy and vibrant typeface, inspired by 19th-century American wood type antiques.
Kristbergs is a digital reinterpretation of a pointed pen calligraphy model from 1939, originally from Riga, Latvia, found in an instructional manual. 
Strazza revisits the Monch Antiqua in its widest style, originally drawn in 1914 by Anton Durstmüller and published by the Poppelbaum foundry in Vienna. It keeps the main features of the original design, while giving this high-contrast slab serif a more modern feel. Doppel is inspired by several condensed German antique typefaces from the 19th century.

Many thanks to @malou__mess__ @alaricgarnier @lisometrique @alanmadic 💚 by @claradousson
17
a year ago
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Lettering design for the latest issue of Revue Maison @revuemaison 💚 by @claradousson
8
a year ago
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Spreads from my master’s dissertation «Recueillir et cataloguer», which explores books that collect vernacular graphic forms. 

Typeset in Image by @alanmadic 🖤
Many thanks to @malou__mess__ @mxbnhmm @alaricgarnier @lisometrique @alanmadic by @claradousson
15
2 years ago
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À l’occasion de la biennale de l’édition Exemplaire 2024, organisée par l’ @esad_valence, nous nous sommes occupées du design éditorial, de la direction artistique et de la photographie de l’ouvrage cat.exp. 

Cat.exp est un recueil de conversations menés avec plusieurs designers, de textes et d’images autour du catalogue d’exposition, qui s’est construit collectivement sur deux années.

Pour une compréhension plus historique du catalogue d’exposition, des textes issus d’un travail de recherche sont publiés dans l’ouvrage. Ces textes, écrits @malou__mess__ et @lisometrique, abordent principalement la figure importante de Pontus Hultén, ainsi que le catalogue « Andy Warhol », publié en 1968. 

Coordination 
@catalogue_general 
@malou__mess__ 

Avec l’aide de 
@alaricgarnier
@rebekkadeubner 

Relectures
Catherine Bergeon 

Interviews et contributions
@m.forax
@leyre______ 
@florencebiero
@maia.opale 
@claradousson
@lisometrique
@observatoire.journal
@camille_lsl 

Interviewé·es
@jerome.slb
@bizzarri_rodriguez
@neoneo.ch
@huz_bosshard 
@elisegay_kevindonnot
@maechaelamine
@jeromeknebusch
@atelier_pentagon 
@catalogue_general
@ericandmarie
@jeanphilippebretin
@samuelvermeil
Philippe Millot
Wijntje van Rooijen & Pierre Péronnet
Lisa Sturacci 

Textes composés en EB Trainer Grotesk par @electrobibliotheque @antoineelsensohn 
et Century Schoolbook Condensed BT by @claradousson
12
2 years ago
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Prix de Paris poster proposal 
Typeface by @alanmadic by @claradousson
4
2 years ago
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