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Camille Martinet

@cmll_mrtnt

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camillemartinet.eu
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𝕬𝖇𝖗𝖆𝖈𝖆𝖉𝖊𝖓𝖈𝖑𝖆𝖛𝖆𝖈𝖆𝖉𝖆𝖒 ! 🪄

L’Enclava et ses ligatures Acadam rejoignent la typothèque @bye.byebinary dans sa version 2.0 🌐
Ces caractères enclavés, issus d’anciens modèles d’écriture ont été exhumés d’outre-livres en 2022 par trois compagnon·nes @troubadour_graphique @cmll_mrtnt @ographique à l’@isdaT 📜

Si des caractères vous manquent, des bugs apparaissent, signalez-le nous, il nous reste encore du pain sur la planche mais nous ne rechignons pas à la besogne ! 🤓 #girlboss

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𝕬𝖇𝖗𝖆𝖈𝖆𝖉𝖊𝖓𝖈𝖑𝖆𝖛𝖆𝖈𝖆𝖉𝖆𝖒!🪄
The Enclava and its Acadam ligatures join the typotheque @bye.byebinary in its 2.0 version🌐
These enclaved characters, from old writing models, were exhumed from beyond the books in 2022 by three companions @troubadour_graphique @cmll_mrtnt @ographique at the @isdaT📜
If you are missing characters, bugs appear, let us know, we still have work to do and we are not reluctant to do it!🤓 #girlboss taken in Toulouse, France by @cmll_mrtnt

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8 months ago

🪨 Lothaire Arnoux (ANRT 2024–2026)
«Pastoral Graffiti at the Merveilles Valley»

🪨 Camille Martinet (ANRT 2023–2025)
«Tracing the Traces: Engraved Graffiti at Metz Cathedral»

The research projects of Lothaire Arnoux @lothaire_arnx and Camille Martinet @cmll_mrtnt focus on pastoral engravings found in the Merveilles Valley and engraved graffiti in Metz Cathedral, both in France.
The projects will be presented during the TAG conference @thetagconference in Vienna from 7–9 November. by @cmll_mrtnt

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a year ago

In the margins of stones, the project of Camille Martinet @cmll_mrtnt , @anrt_type @ensadnancy 2023–2025  « When graffiti are found in large numbers in one and the same place, they gain the importance of an historical document.»
Rodolfo Lanciani, Ancient Rome in the Light of Recent Discoveries
This research focuses on graffiti incised in stone, these forgotten and stealthy writings. The ones we don’t see, don’t look at, know nothing about. It is a popular form of writing, a collective memory often ignored by History. Inside Metz’s Cathedral of Saint-Étienne, in the shadows, and highlighted sometimes by the sunray, there’s an amazing abundance of graffiti. Found in large numbers as stratigraphic palimpsests in the ambulatory, they are incised into the soft Jaumont stone characteristic of the region. A stratigraphic palimpsest refers to the accumulation of written, engraved signs, superimposed over time; reflecting the successive gestures and inscriptions of visitors. Dating from the fifteenth century to the present day, these vandal inscriptions, most of them votive, contain names, signatures, drawings and blend seamlessly with the architecture of the building. These inscriptions have never been recorded or studied and they could disappear as part of a future restoration, with their history still unknown. This research is about the heritage dimension and the revaluation of graffiti located inside a historical building. And finding a graphic and typographic way to save them from being erased and forgotten.

French text in the first comment.
The presentation (EN) is now online: anrt-nancy.fr taken in École nationale supérieure d'art et de design de Nancy by @cmll_mrtnt

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