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@cmll_mrtnt

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L’œuvre de @cmll_mrtnt
La Place des Justes
Moi devant ma contribution

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𝕬𝖇𝖗𝖆𝖈𝖆𝖉𝖊𝖓𝖈𝖑𝖆𝖛𝖆𝖈𝖆𝖉𝖆𝖒 ! 🪄

L’Enclava et ses ligatures Acadam rejoignent la typothèque @bye.byebinary dans sa version 2.0 🌐
Ces caractères enclavés, issus d’anciens modèles d’écriture ont été exhumés d’outre-livres en 2022 par trois compagnon·nes @troubadour_graphique @cmll_mrtnt @ographique à l’@isdaT 📜

Si des caractères vous manquent, des bugs apparaissent, signalez-le nous, il nous reste encore du pain sur la planche mais nous ne rechignons pas à la besogne ! 🤓 #girlboss

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𝕬𝖇𝖗𝖆𝖈𝖆𝖉𝖊𝖓𝖈𝖑𝖆𝖛𝖆𝖈𝖆𝖉𝖆𝖒!🪄
The Enclava and its Acadam ligatures join the typotheque @bye.byebinary in its 2.0 version🌐
These enclaved characters, from old writing models, were exhumed from beyond the books in 2022 by three companions @troubadour_graphique @cmll_mrtnt @ographique at the @isdaT📜
If you are missing characters, bugs appear, let us know, we still have work to do and we are not reluctant to do it!🤓 #girlboss

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🪨 Lothaire Arnoux (ANRT 2024–2026)
«Pastoral Graffiti at the Merveilles Valley»

🪨 Camille Martinet (ANRT 2023–2025)
«Tracing the Traces: Engraved Graffiti at Metz Cathedral»

The research projects of Lothaire Arnoux @lothaire_arnx and Camille Martinet @cmll_mrtnt focus on pastoral engravings found in the Merveilles Valley and engraved graffiti in Metz Cathedral, both in France.
The projects will be presented during the TAG conference @thetagconference in Vienna from 7–9 November.

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In the margins of stones, the project of Camille Martinet @cmll_mrtnt , @anrt_type @ensadnancy 2023–2025  « When graffiti are found in large numbers in one and the same place, they gain the importance of an historical document.»
Rodolfo Lanciani, Ancient Rome in the Light of Recent Discoveries
This research focuses on graffiti incised in stone, these forgotten and stealthy writings. The ones we don’t see, don’t look at, know nothing about. It is a popular form of writing, a collective memory often ignored by History. Inside Metz’s Cathedral of Saint-Étienne, in the shadows, and highlighted sometimes by the sunray, there’s an amazing abundance of graffiti. Found in large numbers as stratigraphic palimpsests in the ambulatory, they are incised into the soft Jaumont stone characteristic of the region. A stratigraphic palimpsest refers to the accumulation of written, engraved signs, superimposed over time; reflecting the successive gestures and inscriptions of visitors. Dating from the fifteenth century to the present day, these vandal inscriptions, most of them votive, contain names, signatures, drawings and blend seamlessly with the architecture of the building. These inscriptions have never been recorded or studied and they could disappear as part of a future restoration, with their history still unknown. This research is about the heritage dimension and the revaluation of graffiti located inside a historical building. And finding a graphic and typographic way to save them from being erased and forgotten.

French text in the first comment.
The presentation (EN) is now online: anrt-nancy.fr

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🎓 Félicitations aux diplômé·es de l’@anrt_type, promo 2023-2025 🔥

Khải Nguyễn @quangkhai_ngn, Jeanne Saliou @salioujeanne, Johannes Ammon, Juliette Ogier @ographique, Fangzheng Li @hello.fangzheng, Camille Martinet @cmll_mrtnt, Ariq Syauqi @ariqsy

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✸ Présentations finales ANRT — promo 2023-2025 ✸

L’ANRT, Atelier Nationale de Recherche Typographique est le programme de recherche de l’Ensad Nancy.
Lors de cette journée, les étudiant·es présentent le fruit de deux ans de recherche post-master.

— Rendez-vous le jeudi 27 mars 2025
de 9h30 à 17h à l’Ensad Nancy
Amphi, salle N113 et livestream

Entrée libre, dans la limite des places disponibles

— Planning des présentations :

09h30 — Khải Nguyễn @quangkhai_ngn – Phong Hóa
10h30 — Jeanne Saliou @salioujeanne – La Bolée de cristal
11h30 — Johannes Ammon – A Typeface for the Gutenberg-Jahrbuch 100
13h30 — Juliette Ogier @ographique – L’Écriture décorative d’Alfred Erdmann
14h30 — Fangzheng Li @hello.fangzheng – The Missing Scripts: Sidetic
16h00 — Camille Martinet @cmll_mrtnt – In the margins of stones
17h00 — Ariq Syauqi @ariqsy – The Missing Scripts: Typographic development of Southern Sumatran scripts, Lampung to Kerinci

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ANRT final presentations March 27, Ensad Nancy & online
We invite you to see the final presentations of the ANRT promo 2023–2025: Johannes Ammon, Li Fangzheng @hello.fangzheng , Camille Martinet @cmll_mrtnt , Khải Nguyễn @quangkhai_ngn , Juliette Ogier @ographique , Jeanne Saliou @salioujeanne , Ariq Syauqi @ariqsy
The presentations will be also recorded and available on the website — link in bio.

Design: @hugueto.fr @samdroual

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Can You Read Me Now?
Fonts and Faces #11
November 6, 2024

Speakers:
⦿ Jean-Baptiste Barra (@marius_plus)
⦿ Daniel Berio (@colormotor_feed)
⦿ François Chastanet (@francois_chastanet)
⦿ Félix Farjas (@felixfarjas)
⦿ Highontype (@highontype)
⦿ Camille Martinet (@cmll_mrtnt)
⦿ Coline Sunier & Charles Mazé (@colinesuniercharlesmaze)
⦿ Papon Punyahotra (@tpaponp)

@campus_fonderie_de_limage
Registration:
urlr.me/BwCP7
Online Conferences:
https://shorturl.at/GqyWJ

#fontsandfaces #typeface #writing #typedesign #typography #typographie #design #grafitti #elementarytypeface

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Explorons ensemble les idées qui animent les rues de Nancy ! 🌟

Dans cette vidéo micro-trottoir, nous avons demandé à la communauté nancéienne quelles actions culturelles elles aimeraient voir fleurir dans notre belle ville.

Des suggestions passionnantes, des rêves artistiques et une dose d’inspiration culturelle à chaque coin de rue!

Partagez vos pensées et contribuez à façonner le futur culturel de Nancy ✨

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AlumnisdaT 2023 / L’isdaT vous propose deux jeudis par mois un nouveau rendez-vous avec la présentation des projets des artistes et designers diplômé·es du DNSEP de l’isdaT en 2023.

Aujourd’hui, on vous présente le travail de Camille Martinet @cmll_mrtnt, diplômée DNSEP design graphique avec les félicitations du jury !

« Ce projet de diplôme est une proposition de réponse à la question de l’entre-deux dans la typographie gravée : quand l’interdit et l’officiel se rencontrent.
J’ai décidé dans mon accrochage de mettre en confrontation les deux caractères typographiques que j’ai dessinés, la Sainte-Cécile et la Lazer Metro, qui ont pour origine des inscriptions gravées officielles et interdites, deux extrêmes. Dans ce projet, l’objectif était pour moi de montrer que cet entre-deux peut exister grâce à nous en tant qu’utilisateur·ices, en manipulant des caractères qui parlent de leur histoire, de les déplacer vers d’autres espaces, permettant de créer un nouveau regard et de déconstruire ces deux extrêmes trouvés dans l’histoire des inscriptions gravées. »

Photographies © @ffranckaalix
#isdat #toulouse #alumnisdat #ecoledart #typography #letters #epigraphy #graphicdesign #dnsep

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Venus out the Shell Oil on canvas 150x200 2022

#painting #modernart #oilpainting #art #uglypainting #artist #contemporaryart #kitsch

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