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@col_marine

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Design & Crafts
1/2 @amalgamestudio
Alumna @ecole.boulle.officiel & @ecal_ch

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From May to June this year, we had the pleasure of showing our KHÍA stools in the group exhibition « Positions on Freedom. Design and Its Boundaries », curated by the thing Magazine @the.thing.magazine.

« Positions on Freedom. Design and Its Boundaries » was on view at Museum Angewandte Kunst (Museum of Applied Arts) in Frankfurt, Germany, in the framework of World Design Capital 2026.

The exhibition, realised as part of the thing Fellowship, explores how freedom can be expressed, and how its tensions can be negotiated between institutional structures and corporate interests.

Curated by Vera Sacchetti (@vsacchetti) and Anton Rahlwes (@anton_rahlwes)
An exhibition by @museumangewandtekunst as part of @wdc2026
Realised in partnership with @usmmodularfurniture and fondation USM
Photography by the thing Agency
Exhibition Opening photography by Ilayda Dağlı

#KHIAbyamalgame #thething #wdc2026 taken in Museum Angewandte Kunst by @col_marine

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13 days ago

Hand-cut mother-of-pearl inlaid into stainless steel, material sample.

One of 30 tiles from our materials library, developed as part of “Héritages Nacrés”, a body of work exploring the traditional craft of mother-of-pearl inlay in Vietnam.

The research was developed during our residency at Villa Saigon, supported by the French Institute in Vietnam @ifvhcmv in 2025.

#amalgamestudio #KHIAbyAmalgame #villasaigon

Chú Linh’s shell collection, Tú Bon, Bình Dương

Part of this research looks at nacre at its source. In Vietnam, mother-of-pearl exists as a secondary material stream alongside the country’s cultured pearl-farming industry. Once the oyster reaches the end of its productive cycle, its shell is cut, sanded and transformed into mother-of-pearl blanks.

In the centre of this image is the green sea snail, another shell commonly collected along Vietnam’s coast, valued both as a food source and for its shell. The shell can be cut along its spiral and flattened into long strips of nacre (see next pic).

Anh Hùng’s workshop in Chuyên Mỹ, Hà Nội.

Today, Anh Hùng mainly works on lacquer paintings inlaid with mother-of-pearl, as well as small decorative objects. Seating and tables adorned with nacre are no longer produced in his workshop, reflecting the decline in demand for traditional furniture with shell inlay.

Every single piece is drawn, traced, hand-carved and cut, then set into wood using natural lacquer.
Here, we can see the different types of shell blanks used in the process, including oyster and snail shells.

Part of our research involved experimenting with laser cutting as an alternative to the traditional hand-cutting process.

Each mother-of-pearl blank is different, with its own shape, pattern and imperfections. We scanned and traced every piece, placing our designs onto the individual shells to make sure they would fit.

Although the laser cutter allowed us to achieve very intricate details, the process reinforced our appreciation for the hand craft and the small imperfections that make the shell work unique.

We went through multiple phases of experimentation, peeling back raw shells layer by layer, scanning them and tracing their patterns again taken in Ho Chi Minh City, Vietnam by @col_marine

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22 days ago

We are thrilled to be part of TOUT EST CHAOS, an exhibition presented by @pli_office at @gaitelyrique as part of @parisdesignweek 2026!

🤍🤍🤍

À l’occasion de la @parisdesignweek, @pli_office présente TOUT EST CHAOS une nouvelle exposition à @lagaitelyrique et présente 75 designer·euses et architectes, invité·es et sélectionné·es par le commissaire Christopher Dessus. @christopher_dessus

🕯️ Cette exposition propose un espace de dialogue et de réflexion poétique sur notre rapport contemporain aux objets.
Ces visions prennent vie dans une scénographie signée et produite par @paf_atelier.

🕯️ Vernissage de TOUT EST CHAOS, le mercredi 9 septembre à partir de 19h.
🎟️ L’événement est gratuit, mais la réservation est vivement conseillée.
📍 La Gaité Lyrique – 3bis Rue Papin, 75003 Paris.
🔗 Plus d’infos et réservations dans le lien en bio et sur pli-office.fr.

↳ Installations inédites et d’objets par @atelierfomenta (CA), @baptiste.meyniel (FR), @camille.vllt / @theo.lclq (FR), @cluzel_pluchon (FR), @gregorylacoua (FR), @lucaslorigeon (FR), @mariajeglinska (PL), @matalicrasset (FR), @oddmatter (NL), @patrickdeglodebesses (FR), @samy_rio (FR).

↳ Présentation d’objets issus du travail de 64 designers sélectionné.es par l’appel à objets international lancé cette année

↳ Une installation immersive de paroles de designers

↳ Scénographie @paf_atelier ; curateur @christopher_dessus ; organisation @pli_office ; design graphique @studiofables ; pièce musicale : @faafabad @sanea_ima avec @janishername ; conception lumière : @iiode ; fabrication : @pz.stud
.
Partenaires principaux : @paf_atelier, @strateecolededesign et le LID (Laboratoire d’images et de design)
Partenaires de production : @iiode, @pz.stud, @tout_terrain__ et la ville de Saint-Amand Montrond
Partenaires des designers : @anewframework, Kihara, @mdd_furniture, @polyrey_wilsonart, Terre cuite de Bourgogne, @theoreme_editions, @ventdesforets
Soutiens : @respirenaturel, @topologie.official
Partenaires média : @designboom, @viewsfrance, @jtm.revue taken in Paris, France by @col_marine

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a month ago

Rooted in Vietnamese and East Asian carpentry traditions, the TABI stool draws on the visual language of carved animal legs in furniture.

Nodding to the intricate dragon claws and lion feet, symbols of strength and empowerment, TABI reinterprets these forms with flared legs and a split-hoof detail.

Featured during 3 Weeks of Design 2026 @gallery.medium

#amalgamestudio #TABIbyAmalgame #shousugiban taken in Ho Chi Minh City, Vietnam by @col_marine

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2 months ago

COWGIRL Chair and Dining table for @toromanifesto, launched at Art Week Mexico 2026 with @unique_design_x_group

The COWGIRL collection explores steel as a living, timeworn surface.

Through controlled oxidation, the industrial material becomes a register of time, transforming hardness into the memory of skin.

Photo by @a.a.alejos 🤎

#amalgamestudio #COWGIRLbyAmalgame taken in Mexico City by @col_marine

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3 months ago

A fleeting encounter with NILA: a body of work woven from banana fibre, rooted in the material culture of Hampi in South India.

Made in collaboration with @kishkindatrust as part of our residency at @hampiartlabs

#amalgamestudio #NILAbyAmalgame #hampiartlabs #collectible taken in Hampi, Karnataka by @col_marine

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7 months ago

During our 3-month residency at @hampiartlabs, we made several research trips to the village of Anegundi, where banana fibre weaving continues as a living craft practice.

In the workshop of @kishkindatrust, crochet basketry and indigo-dyed fibre led our conversations with the weavers, through observation, trials, adjustments, and cups of chai ☕️🐄🌴

#amalgamestudio #NILAbyAmalgame #analogphotography #35mmfilm taken in Hampi, Karnataka by @col_marine

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8 months ago

#Spotlight: Emmie Massias (@emmiemassias) and Marine Col (@col_marine) of Amalgame Studio (@amalgamestudio) explore contrasts and contradictions between craftsmanship, territories, and material. As part of Hampi Art Labs' batch 8, they collaborated with artisans from The Kishkinda Trust (@kishkindatrust), experimented with indigo dyeing during Aboubakar Fofana’s (@aboubakarfofana) workshop, and developed a seating collection that combines banana fibre and indigo.

Step into their journey of material, place, and practice. taken in Hampi Art Labs by @col_marine

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9 months ago

Preview of NILA seen during our Open Studios at @hampiartlabs. More to come soon.

Collaboration with @kishkindatrust

#amalgamestudio #NILAbyAmalgame taken in Hampi Art Labs by @col_marine

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9 months ago

TREO Scarf holder, 2025
Sapele wood and Carnelian stone

Drawing from the Vietnamese vòng ngọc jade bracelet, the TREO hook collection reclaims the jewellery emblem into architectural features, reflecting on collective memory and ritualised habits of care.

We had the pleasure to exhibit the TREO collection at @parisdesignweek Factory 2025 at @galeriejoseph, and @gallery.medium as part of 3 Weeks of Design 2025 in HCMC.

Keep an eye out for TREO in the 2026 @erria_xyz calendar!

Photos shot by @nathan.saillet ✨

#amalgamestudio #amalgamations #TREObyAmalgame taken in Galerie Joseph PARIS by @col_marine

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10 months ago

Experimenting with Indigo and wood, as part of our residency research at Villa Saigon @ifvhcmv.

Much beyond any usual stain or natural dye, this process required 3 weeks of fermentation before making our first tests on pine and teak wood.

Thank you @saigon.indigo for your guidance and support.

We are currently expanding our material investigation on Indigo during our 3 months residency in India at @hampiartlabs. Stay tuned 🌀

#amalgamestudio #amalgamations #indigo #materialresearch taken in Ho Chi Minh City, Vietnam by @col_marine

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a year ago

Revisiting the craft of mother-of-pearl inlay through digital fabrication. What does craft mean in a city defined by industry?

At our local fablab, we examined how traditional techniques might be reinterpreted through digital tools, reflecting on the industrial & cultural identity of HCMC.

As part of our research project “Héritages Nacrés” and residency at Villa Saigon 2025 @ifvhcmv.

#amalgamestudio #amalgamations #villasaigon2025 #khiabyamalgame #process #lasercut #designvietnan taken in Ho Chi Minh City, Vietnam by @col_marine

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a year ago