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Collective Rewilding

@collectiverewilding

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Female multiplicity curating for a broken world 🌏 🌱
@sarisgarzon @sabsgram @mayahayda

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For those in Busan, this is an invitation to my public lecture, titled 'Towards Postartistic Museology’. It addresses questions such as: can a museum collect ideas rather than objects?, or: can a museum exist without physical features? The lecture will also explore how postartistic practices, social practice, lumbung, arte útil and other approaches that align art with political, decolonial or climate activism can help form communities. The presentation is loosely based on an essay, commissioned by Collective Rewilding for their upcoming book. ||| 20th September, 17:30, Space Dot, Totatoga, 부산광역시 중구 대청로 135번길 10, 5층. Photo: from the WHW Akademija 2026 🙏 This September I've been generously hosted in Busan by Totatoga. The programme 'Postartistic Practices in South Korea and Poland', has received funding from the ReSide programme, which is operated by the Adam Mickiewicz Institute (IAM). taken in Busan 부산 by @collectiverewilding

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FROM REWILDING TO RE-CONTAINING EXPLORING CURATORIAL LEAKAGE by Collective Rewilding

The book proposes rethinking the art system and cultural diversity in all their complexity, drawing on urgent themes such as intercultural studies, Global South economies, comparative decolonial theories, crisis, and technology.

Texts by:
Ana Castella
Patrick Charpenel
Ivy Fu
Kekena Corvalán
Daniel Daou
Irmgard Emmelhainz
Edgar Alejandro Hernández
Chao Jiaxing
Maya Juracán
Echo Can Luo
Fabiola Larios
Xueer La
Memo Martínez
Rodrigo Mendoza
Daniela Ortiz
Sahej Rahal
Megha Ralapati
Emilya Rendón
Collective Rewilding
Day Rodrigues
Torrivilla
Juan Covelli
Lifang Zhang
Rogelio Zárate

Diseño: Lizbeth Palacios
Registro fotográfico by @collectiverewilding

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2 months ago

👏👏👏 congrats @sarisgarzon for being selected as curator of the Bienal Internacional de Arte de Antioquia y Medellin ( @labiam_ ) for 2027 ! Under the framework of “cohabitar mundos comunes” the biennial will explore ecological, ontological, and relational practices for multi-species becoming ! What an exciting new adventure! We hope to join Sara and the curatorial team next year in Medellin, Colombia!! 🌱💥❤️‍🔥 by @collectiverewilding

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4 months ago

Last night, we hosted “A Gathering Without a Manual,” an event structured as a performative reading and an open space for reflection on curatorial ethics.

The gathering marked the upcoming publication of “The Anti-Manual of Care and Accountability” by the @collectiverewilding curatorial collective. Through feminist, decolonial, and ecological lenses, the publication interrogates the conditions of artistic production and the inherent responsibilities of curatorial practices amidst the current climate and social crises.

The evening was led by collective member @sabsgram , who wove selected excerpts from the book with sound compositions by artist @nico_lh . The gathering concluded with a collective reflection on the practice of listening, prompted by questions formulated by the @bureauforlistening .

The event took place during the exhibition “Zbogom formi” by @kokos1top , which provided an evocative setting for the discussion.

Thank you to everyone who joined us and contributed to this dialogue!

📸 @upitnikusklicnik taken in Galerija Novo by @collectiverewilding

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9 months ago

A Gathering Without a Manual

15. 1. 2026., 19:00 h

performative reading

With:
@collectiverewilding &
@sabsgram

A Gathering Without a Manual is an open gathering: a space for dialogue, collective listening, reflection, and reading of excerpts from the emerging publication.

In times when art institutions increasingly speak about care, yet rarely take responsibility for the ecological, social, and inter-species crises they have helped shape, we gather around the question: what does it mean to care today – curatorially, artistically, politically? The event is part of the upcoming international book project The Anti-Manual of Care and Accountability which is inspired by practice based artistic interventions and curatorial case studies that, through feminist, decolonial, and ecologically sensitive approaches, interrogates the conditions under which art is produced, circulates, and acts.

The evening includes listening to selected compositions from the album Respuestas by Nicole L’Huillier – created from the exhibition project Resonaciones (ifa Gallery Stuttgart). The vibrations of the whistling vessels expand in dialogue with recordings of planetary tremors, environmental oscillations, visitor contributions, and AI-mediated reinterpretations, creating a sound field that connects the past, present and possible futures. Her compositions act as a listening laboratory: a space in which fragments, noises and layers are transformed into a deep, immersive auditory situation. (With generous support from ifa Gallery – @ifa.visualarts)

In keeping with the ethos of the book itself, the event does not follow the logic of the stage and distance, but unfolds in an intimate, organic arrangement: as a circular gathering in dialogue with the space and those present. The event opens questions, presents drafts and texts that already now seek interlocutors and shared reflection.

Photo: Monika Kováčová taken in Galerija Novo by @collectiverewilding

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9 months ago

A Gathering Without a Manual

15. 1. 2026., 19:00 h

performative reading

With:
@collectiverewilding &
@sabsgram

A Gathering Without a Manual is an open gathering: a space for dialogue, collective listening, reflection, and reading of excerpts from the emerging publication.

In times when art institutions increasingly speak about care, yet rarely take responsibility for the ecological, social, and inter-species crises they have helped shape, we gather around the question: what does it mean to care today – curatorially, artistically, politically? The event is part of the upcoming international book project The Anti-Manual of Care and Accountability which is inspired by practice based artistic interventions and curatorial case studies that, through feminist, decolonial, and ecologically sensitive approaches, interrogates the conditions under which art is produced, circulates, and acts.

The evening includes listening to selected compositions from the album Respuestas by Nicole L’Huillier – created from the exhibition project Resonaciones (ifa Gallery Stuttgart). The vibrations of the whistling vessels expand in dialogue with recordings of planetary tremors, environmental oscillations, visitor contributions, and AI-mediated reinterpretations, creating a sound field that connects the past, present and possible futures. Her compositions act as a listening laboratory: a space in which fragments, noises and layers are transformed into a deep, immersive auditory situation. (With generous support from ifa Gallery – @ifa.visualarts)

In keeping with the ethos of the book itself, the event does not follow the logic of the stage and distance, but unfolds in an intimate, organic arrangement: as a circular gathering in dialogue with the space and those present. The event opens questions, presents drafts and texts that already now seek interlocutors and shared reflection.

Photo: Monika Kováčová taken in Galerija Novo by @collectiverewilding

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0

9 months ago

A Gathering Without a Manual

15. 1. 2026., 19:00 h

performative reading

With:
@collectiverewilding &
@sabsgram

A Gathering Without a Manual is an open gathering: a space for dialogue, collective listening, reflection, and reading of excerpts from the emerging publication.

In times when art institutions increasingly speak about care, yet rarely take responsibility for the ecological, social, and inter-species crises they have helped shape, we gather around the question: what does it mean to care today – curatorially, artistically, politically? The event is part of the upcoming international book project The Anti-Manual of Care and Accountability which is inspired by practice based artistic interventions and curatorial case studies that, through feminist, decolonial, and ecologically sensitive approaches, interrogates the conditions under which art is produced, circulates, and acts.

The evening includes listening to selected compositions from the album Respuestas by Nicole L’Huillier – created from the exhibition project Resonaciones (ifa Gallery Stuttgart). The vibrations of the whistling vessels expand in dialogue with recordings of planetary tremors, environmental oscillations, visitor contributions, and AI-mediated reinterpretations, creating a sound field that connects the past, present and possible futures. Her compositions act as a listening laboratory: a space in which fragments, noises and layers are transformed into a deep, immersive auditory situation. (With generous support from ifa Gallery – @ifa.visualarts)

In keeping with the ethos of the book itself, the event does not follow the logic of the stage and distance, but unfolds in an intimate, organic arrangement: as a circular gathering in dialogue with the space and those present. The event opens questions, presents drafts and texts that already now seek interlocutors and shared reflection.

Photo: Monika Kováčová taken in Galerija Novo by @collectiverewilding

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9 months ago

We had the pleasure of presenting an excerpt of our upcoming book project *”The Anti-Manual of Care and Accountability”* through an inter-species dialogue. This encounter was a happening in which we entered into a dream that the Colombian artist Nicolas Paris had for more-than-human thinking and posthuman unlearning!

Thank you Nicolas and Jesus Fuenmayor for the invitation to dream together in this gathering of radical pedagogies.

@collectiverewilding has created this incomplete and partial anti-manual to guide the actions and relations we create as curators inquiring into the possibilities of transforming our paradigms from re-presention to re-existance.

This document is not a guide.
It is a refusal of guidance.
It is not a map.
It is the ground shifting beneath us.

It begins with questions—questions that precede method, precede mastery, precede knowledge:

What infrastructures—material, conceptual, or spiritual—must we build to sustain these plural worlds in coexistence? And what role might art, curation, and cultural institutions play in cultivating the sensibilities required to live in a world fundamentally composed of many worlds?

What methodologies emerge when we take seriously the proposition that reality is plural—not metaphorically, but ontologically? How might such a stance reshape the ways we conduct research, curate exhibitions, or build institutions capable of attending to more-than-human modes of existence?

As a permeable working document, this provocation delineates a set of principles that may allow us to situate ourselves and orient our thinking. This re-orientation is guided by materials, experiences, and teachings that come from a variety of scholars and artists, many of whom think with and alongside the earth and more-than-human entities.

Stay tuned for more !! 🌱🌱💥

Drawing: Patricia Dominguez
“Matrix Vegetal; reorder my hologram in its best version” 2021
Watercolour on paper
70 x 51 cms
Wellcome Collection

📸 Cordelia Kapfer by @collectiverewilding

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a year ago

Congrats to our own @sarisgarzon ! What a stellar team!!

Don’t miss the II Bienal das Amazônias “Verde Distancia opening August 26, 2025 in Belém do Pará!

💚💚💚 by @collectiverewilding

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a year ago

Over the past few weeks, our very own Sabina (@sabsgram) has been curator-in-residence at @culturehubcroatia, where she developed her project Nourishment Ties.

A slow, living, entangled journey — Nourishment Ties invited audiences to taste, touch, think, and feel. It asked not for quick answers, but for lingering questions. Participation wasn’t assumed; it was earned, through presence, care, and reflection.

Guided by incredible artists — masharu, Dora Ramljak, Darko Brajković, and Tintin Patrone — the project explored food not just as nourishment, but as medium, method, and metaphor.

Together, they asked: What ties tie ties?
How do soil, mussels, microbes, robots, and stories nourish us? What responsibilities come with that nourishment? How do we listen to the voices of machines, ecosystems, and bodies often overlooked?

Congratulations on the wonderful project, we are looking forward to reading about it in the upcoming publication.

@dr.masharu
@plantaasia
@brajkovicdepetonjapo
@tintin_patrone

Photo: Bruno Marević, Nino Šarić by @collectiverewilding

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a year ago

Congratulations to our very own @sarisgarzon for her most recent article “Fabricating Amazonia” included in the book “We live like trees insinde the footsteps of our ancestors,” edited by Mariana Cunha and Marianna Tsionki. It’s now available for preorder through @k_verlag

“We live like trees insinde the footsteps of our ancestors,” explores a range of artistic practices from Latin America and conceptual frameworks engaging with ecological sensibilities, pedagogies, and knowledge systems that move away from Western-centered and colonial notions of nature. Adopting decolonial, ecocritical, and more-than-human approaches, this book weaves together historical and material conditions and environmental struggles, examining how these come to bear on contemporary Latin American artistic production. Linking neoliberal exploitative economies, extractive practices and the failures of colonial modernity, the publication aims to shed light on alternative ways of understanding nature and interspecies kinships, and to resurface other epistemologies, which critically reflect on the schism between nature and culture.

With contributions by Jens Andermann, Mariana Cunha, Sara Garzon, Lilian Fraiji, Marianne Hoffmeister, Renata Padovan, and Marianna Tsionki. Design by K. Verlag with Wolfgang Hückel & Katharina Tauer. by @collectiverewilding

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2 years ago

We are delighted to collaborate with Sabina Oroshi, curator and co-founder of Collective Rewilding. Oroshi’s work focuses on the intersections of art, ecology, and cultural narratives. She has curated interdisciplinary projects across Europe, including exhibitions at Kunsthalle Trier, Kunsthalle Bratislava, or the Museum of Contemporary Art of Istria. In a lab, she will present her own curatorial practice, bring relevant references from the broader field of art and curating, and offer one-on-one sessions with the artists.

~The artists-in-residency program Fluid Materialities is directed and hosted by Marie-Luise Meister and funded by the EU and Goethe Institute. The programm focuses on the interconnectedness of all life forms and collective reflection on coexistence and diversity in an ever-changing future.~

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Wir freuen uns sehr über die bereichernde Collaboration mit Sabina Oroshi. Sie ist Kuratorin und Mitbegründerin von Collective Rewilding. Oroshis Fokus liegt auf den Schnittstellen von Kunst, Ökologie und kulturellen Narrativen. Sie hat interdisziplinäre Projekte in Europa kuratiert, darunter Ausstellungen in der Kunsthalle Trier, der Kunsthalle Bratislava oder dem Museum für zeitgenössische Kunst Istriens. In Form eines Labs wird sie ihre eigene kuratorische Praxis vorstellen und damit relevante Referenzen aus dem weiteren Feld von Kunst und Kuration mitbringen, sowie eine one-on-one Session mit den Künstlerinnen anbieten.

~Das Artist-Residenzprogramm Fluid Materialities wird von Marie-Luise Meister geleitet und von der EU und dem Goethe-Institut finanziert und unterstützt. Das Programm fokussiert sich auf die Verflechtung aller Lebensformen und die kollektive Reflexion über Koexistenz und Vielfalt in einer sich ständig wandelnden Zukunft.~

Photo by Lea Legac
#culturemoveseurope #fluidmaterialities @culturemoveseurope @sabsgram @collectiverewilding @mariemeister_ by @collectiverewilding

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2 years ago