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cyanotype artist & educator
texas/ny
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At the center of Praise Fuller’s (@cvsreceipt) work is a practice that explores self-portraiture, archival imagery, and found materials. Drawn from Southern folklore and oral tradition, Fuller utilizes cyanotype to explore the constraints of family, the church, trauma, and the cultural realities of the South. 
 
For this Studio Store project, Fuller drew inspiration from historical imagery of Texas and the broader American South, and the Studio Museum in Harlem’s archives. Incorporating key moments in the Museum’s history—including a scene from the Eleo Pomare Dance Troupe performance in 1972 and a 1969 image of the Museum’s second director, Edward Spriggs—Fuller invites viewers to reflect on individual and collective memory. 
 
Shop Fuller’s Studio Designer T-shirt, along with shirts from designers Tajah Ellis, Melinda Griffith, and Jasmine Plantin in-store at Studio Store on 125th Street today!
 
 
Images and videos courtesy Praise Fuller. taken in Studio Museum in Harlem by @cvsreceipt
8
a month ago
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The Weight of Wholeness Is No Trifling Matter

2026
Cyanotype on silk, canvas, ceramic, glass candle holders; cyanotype solution in holy water vessel; cyanotype on book cover; found table; synthetic braiding hair; wax, water, salt, branches

(long post im so sorry but also deal with it)

ā€œAre you sure, sweetheart, that you want to be well?… Just so’s you’re sure, sweetheart, and ready to be healed, cause wholeness is no trifling matter. A lot of weight when you’re well.ā€ 

In my journey to be a more understanding individual, understanding of myself and understanding of the world around me, I found Salt Eaters by Toni Cade Bambara. 

This book challenges the structure of linear storytelling through shifts in timeline and perspective to show that achieving wholeness is by no means a linear process, and when we neglect ourselves the opportunity to embrace this process, our community notices. I compare digesting this book to laying on the ground hearing a lengthy jazz improvisation track with occasional shouts or prose in the left or right headphone. Through ancestral healing, community organizing, art, music, epiphanies, and symphonies of weathered stories, this piece came to be.

One figure is trying to save the other, her fractured self, from a life ending decision so they can rest in front of an altar of salt and become whole. 

It’s not meant to be a self portrait, but I believe it shows my dedication to trying to become the best version of myself, and realizing she may not be the happiest. But life isn’t about being as happy as I can be, that's not being "whole". Recognizing what the brain thinks is safe, isn’t always what’s the safest. Learning to embrace an unfamiliar heaven over a familiar hell helps me stay true to my values and live earnestly and wholly. Through this, learning, devotion, creation and love are my priorities. And I hope to engage with those with all of you as we go through cycles of saving ourselves and each other.

ā€œYou never really know a person until you've eaten salt togetherā€.Ā 

Salt is known to have healing properties. With that, you never know a person until you've healed together. 

til 4/5 at Isolde

pics: @leib.jonathan by @cvsreceipt
32
7 months ago
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it’s my first big girl group show….yall knew a long ig caption was coming 

Idk, sometimes there’s so much emotion that swells up in this heart of mine, I spend more time trying to contain it than I do expressing it. But I’m sentimental and have a deep love for and devotion to people. As an only child growing up in the South in a very sheltered home, I felt like I was hidden from people for so long and now all I want to do is understand and make people feel seen and understood.

And because of that, I am overwhelmed, humbled, and gracious to have felt so seen last night. What I was able to create with my hands to share and be interpreted openly couldn’t have been done without the upmost support from everyone in my life. My achievements are not mine alone and I think that’s why I feel so overwhelmed. I don’t want to diminish my personal development of practice and hand in getting where I am today, I’m well aware of my capabilities and capacities. I just think it serves the purpose of the work and the show to emphasize that the concept and creation of these pieces were from seen, unseen — direct and indirect labor and love. I think that’s what creates faith anyway. 

Ty @geraldlovell & @ppowgallery for allowing me to be in this group show with artists I cherish and respect so so so deeply

also shoutout @jacquardproducts we’ve been locked in for almost 10 years now 

(excerpt from studio journal while making the work in carousel) by @cvsreceipt
73
6 months ago
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two versions of the same piece both fractured selves finding a way 

- 

plugging my newsletter once more because email is fun and I’d like to b here even less than I have been lately (in my bio xx) by @cvsreceipt
2
a day ago
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my reflections of my year will remain personal but I’ve flown this silk cyanotype from a piece earlier this year as a white flag, surrendering to the message the version of me that created the original installation was trying to uphold. I’m scared and sensitive and wanna be Well. by @cvsreceipt
5
4 days ago
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from 2021, me in the mountains w the belly of a horse as my sky by @cvsreceipt
0
6 days ago
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there have been so many of me over the years, and this year tried to give me amnesia from remembering by @cvsreceipt
1
14 days ago
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the love I have for dave is a rare one, he’s someone I have to reference when I meet people in order for them to know me a bit more. His heart and writing are a blessing and I’m blown away by his book with the final title after many iterations ā€œGulf of Americaā€ lol. I loved watching you read and sing Waylon. I love watching you exist. Thanks for letting me be a baddie on the cover alongside Rosa and being part of the shoot with many others that mean so much to us. Thanks for letting me read my poem (slides 4-6) at your launch about learning the color blue in a new context: a series of mini heartbreaks from men with dirty fingers. everyone I love inspires me so much. @smokermanwithavan / @better_read_than_dead_bk by @cvsreceipt
4
23 days ago
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one week w my spunky, light skin, genius, shadow bat. mostly in my bed lol. But she gets her steps in bc I will not have a chunky chihuahua. by @cvsreceipt
31
a month ago
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Showing a new piece w @wardgallerynyc and @spielzeug.nyc šŸ¤

Ward Gallery and Spielzeug are pleased to present ā€œThe Holesā€, an art exhibition in conversation with Max Friedlich’s The Holes, presented at Wild Project performance theatre, opening September 26th from 5:30-7:30pm. The show is a confrontation with shame against desire; tradition against progress; community against individualism; and Kingston, New York’s relationship to New York City. by @cvsreceipt
5
a month ago
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Virgo season admin reveal, we’re trucking along folks by @cvsreceipt
5
2 months ago
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archiving some footage on my hard drive and here’s some BTS of the cyanotype bridge, diy janky set ups forever <3 working on a new zine about the bridge n some other pieces too. Have been missing the studio fervor from winter and spring. by @cvsreceipt
57
2 months ago
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