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Damkapellet

@damkapellet

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Damkapellet is a musical collective that highlight and performs music by artists who define themselves as women, non-binary or trans-person

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Ansgarkirken inviterer til koncert med kvinders stemmer i fokus, når Damkapellet fylder kirkerummet med individuel og kollektivistisk klang.

Søndag d. 20. september 2026
Kl. 16.00
Fri entré
Ansgarkirken, Mågevej 33

Damkapellet er et musikkollektiv med fokus på musik af kvindelige komponister fra alle tider, og som eksperimenterer med kollektive kompositionspraksisser.

Ensemblet er i øjeblikket i færd med skabelsen af et nyt album, hvortil hvert medlem af kollektivet har komponeret et kort værk. Disse opføres sammen med det tidligere skabte kollektive værk Signature.

Foto: Hipermania taken in Ansgarkirken København by @damkapellet

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a month ago

Vi er tilbage!<3
Har du også lidt post-ferie blues? Her er gode ting at tage til i august og september, imens vi alle lander blødt i det begyndende efterår🍁

Læs mere om arrangementerne på kirkernes hjemmesider.

@tingbjerg_kirke @kapernaumskirken @tagensbokirke @husumvoldkirke @bellahoejkirke @ansgarkirken @grundtvigskirke @damkapellet @winnieraeder @simon_ask__ @ellakoppel @charlotroslev @claushoxbroe @folkekirken @nordvestandmore @nordvestpamflet @hidden.nordvest taken in 2400 København NV by @damkapellet

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2 months ago

DAMKAPELLET @CPH JAZZ

Damkapellet is happy to celebrate our 10-year anniversary with three concerts at @koncertkirken tomorrow, 8th July 🔴🟠🟡

Doors 19:30
20:00 Tvinna (Tove Bagge & Julija Morgan)
21:00 Damkapellet set 1
22:00 Damkapellet set 2

We will be performing both compositions by our members, improvisations, as well as works by Alina Petrova, Frangiz Ali-Zadeh, Sophie Søs Meyer and Catherine Lamb

#cphjazz #damkapellet #femalecomposers #improvisation #anniversaryconcert taken in KoncertKirken by @damkapellet

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3 months ago

If not us at @intonalfestival @st_pauli_kyrka with amazing @damkapellet
I am most lucky to work with those wonderful musicians, artists and collegues

Thanks to all lovely who were there, thanks Malmö
❤️

Thanks @ahmedmuin_abuamsha and Gaza Birds Band Singing for love and resistance through music and singing
I will always owe you

@julijamorgankiibus
@nicolehogstrand
@irenebianco13
@bagge.t

Choreography @mariapahls
Palestinian song @ahmedmuin_abuamsha
Mastering @po.nilsson.18
Sound @malheim
Light Jubilee Priar
Photo @hugo_roisland

#intonalfestival
#stpaulikyrkamalmö
#musikisyd by @damkapellet

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6 months ago

Two dates. Two churches. Two distinct evenings within sacred architecture.

THU 23 — S:t Johannes kyrka
Doors 18:30
On stage 19:00
Curfew 21:30
Entry with Full Festival Pass or Pass A (Thursday pass)
Tickets at the door: 160:-
No age restriction

FRI 24 — S:t Pauli kyrka
Doors 17:30
On stage 18:00
Curfew 19:00
Free entry for all
No age restriction

As evening settles over Malmö, Intonal moves beyond Inkonst and into spaces where sound carries differently — slower, further, with more room to unfold.

—

Juli Deák — The Breathing Project (Thu 23)
Juli Deák focuses on the physical act of sound-making. Using flute and saxophone, she builds long tones through circular breathing, letting airflow, key sounds and voice remain present.
The result is close and concentrated, shaped by endurance, detail and careful control.

—

Erik Klinga + Lyn Vokalensemble (Thu 23)
World premiere
Erik Klinga presents new work created together with Lyn Vokalensemble. His electroacoustic compositions move gradually, with textures that shift and return over time.
Lyn’s vocal practice brings in elements of early music and Nordic traditions, blending with the electronic material in a shared, attentive space.

—

Damkapellet / Agnes Kofoed Christiansen — If Not Us (Fri 24)
A performative work for Damkapellet, composed by Agnes Kofoed Christiansen. Developed with choreography, the piece moves between music and physical presence.
It reflects on resistance, asking how individual and collective expression can coexist in times of conflict.

—

Thursday is ticketed.
Friday is open to all. taken in Malmö, Sweden by @damkapellet

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6 months ago

INTONAL 2026 Artist Presentation:
Damkapellet/Agnes Kofoed Christianson
If Not Us is a performative work for acoustic instruments and performative musicians, composed for Damkapellet.

In this piece, composer Agnes Kofoed Christianson explores the interwoven forms of interdisciplinary contemporary art music as an act of resistance, developed through a process-based collaboration with choreographer and dancer Maria Påhls and the ensemble.

Created in a time of genocide and war, the work seeks to explore the true meaning of resistance. It draws inspiration from the energy of anger and the conflict in Peter Weiss’ play Marat/Sade, asking whether “revolution” and the “self” can share common ground - or if they are, by nature, irreconcilable.

Damkapellet ensemble:
Violin - Julija Morgan
Viola - Tove Bagge
Cello - Nicole Hogstrand
Percussion - Irene Bianco
Vocalist, composition, concept, costume - Agnes Kofoed Christianson
Choreography - Maria Påhls
Costume inspiration and consultation - Maja Svartåker and Ranin George Souliman

The concert is produced by Lynx performance in collaboration with Intonal, St Pauli kyrka in Malmö and Musik i Syd. Supported by Kulturrådet, Malmö stad, Stockholm stad, Helge Ax:son Johnsons stiftelse, KODA.

https://www.instagram.com/damkapellet
https://www.instagram.com/agneskofoedchristianson
https://www.instagram.com/mariapahls
https://www.facebook.com/damkapellet
https://www.facebook.com/agnes.christianson
https://www.facebook.com/maria.pahls
https://www.damkapellet.com
https://www.agneskofoedchristianson.com
https://www.mariapahls.com

#intonal26 #intonal taken in S:t Pauli kyrka, Malmö by @damkapellet

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6 months ago

“If not us” at @intonalfestival April 24th

@agneskofoedchristianson
@julijamorgankiibus
@bagge.t
@irenebianco13
@nicolehogstrand taken in Sankt Petri Kyrka Malmö by @damkapellet

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7 months ago

Fylkingen, 21.11.2025

video: @johnchantler by @damkapellet

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10 months ago

Damkapellet is looking for a producer!

Apply at jobscenen.dk:
https://jobscenen.dmf.dk/job-posting/producent-til-damkapellet
Deadline January 8

Hope to hear from you! <3

Picture by Mai Staunsager from our perfromance at Spot Festival May 2025

mai_staunsager @spotfestival @dmf_danskmusikerforbund by @damkapellet

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10 months ago

Huge thanks to Statens Kunstfond for the ensemble grant!

This means a great deal for Damkapellet that next year celebrates 10 years anniversary!

Photos from February when we performed the new piece Efungelium Tristi by Sono Figures Society.

Picture from video by George Chiper-Lillemark <3

@statenskunstfond @sonofigures @georgechiper by @damkapellet

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10 months ago

If not us with Damkapellet final in Stockholm last Friday

Composition/concept/costume - Agnes Kofoed Christianson
Choreography - Maria Påhls
Musicians/Performers - Damkapellet: Irene Bianco, Josefine Weber Hansen, Julija Morgan Kibus, Nicole Hogstrand, Tove Bagge
Palestinian song - Ahmed Muin Abu Amsha and Gaza Birds Band
Mastering - P-O Nilsson

Thanks amazing amazing @irenebianco13 @josefineweberhansen @julijamorgankiibus @nicolehogstrand @bagge.t
@mariapahls
ahmedmuin_abuamsha
@po.nilsson.18

Costume did everything, thanks for inspiration and dialogues Maja Svartåker and Ranin George Souliman

Amazing pictures by @annadrvnik, Hans Rådahls video documentation, Maria Påhls

@damkapellet
@samtidamusik
@soundofstockholm
@fylkingen.se

#contemporaryartmusic
#experimental performance
#musicdrama by @damkapellet

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a year ago

DAMKAPELLET & AGNES KOFOED CHRISTIANSON

Continuing with Friday’s performances, we are presenting Damkapellet in collaboration with Samtida Musik.

Damkapellet, the Copenhagen based collective was founded in 2016 to diversify the Danish music scene by presenting works by women, non-binary, and transgender artists. Today, the ensemble is celebrated across Denmark and the Nordic region for amplifying underrepresented voices in contemporary music. The performative work, If Not Us, by Swedish composer and performance artist Agnes Kofoed Christianson is created in collaboration with dancer and choreographer Maria Påhls. The piece explores resistance in a time of war and genocide, drawing on the energy of anger and the conflict in Peter Weiss’ play Marat/Sade, and questioning whether “revolution” and the “self” can ever truly align.
______

The video contains an excerpt from the performance “PULS 2.0”, written by Lo Kristenson and performed by Damkapellet at Koncertkirken, Copenhagen, on March 8, 2019. by @damkapellet

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a year ago