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I.

The Detail of Subduction: a conversation tracing the faults along land masses whose imagined boundaries rend, raze, and fracture along the points of their meeting. 

Serving as a foreword to the exhibition titled: Tectonics, The African Plate: The Architecture of Geopolitical Upheaval, we frame and situate the works in the storied context of the heart of Johannesburg. 

Ogorogile Nong begins the conversation with an aural response. The room is soon awash with a wall of sound that begins as granular moments, remnants of frictional encounter with self and other, collapsing ripwise ebb and flow with the shore of memory. 

The room widens itself to hold the rupture. It is still. It is more than silent. taken in Ellis House by @dangerkotsiii
1
20 days ago
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THE DETAIL OF SUBDUCTION

Join us for The Detail of Subduction, a panel discussion forming part of Tectonics, The African Plate: The Architecture of Black Geopolitical Upheaval.

📍 Ellis House, 23 Voorhout Street, Bertrams, Johannesburg
📅 10 September 2026
⏰ 11:00–14:00

Featuring:

Motheo Mamabolo
Mxolisi Makhubo
Thinasofaslahlane Mkhulise
Tatenda Magaisa
Dr Thabang Manyike

Moderated by Bokang Motshabi and Mohapi Pepenene.

With an aural performance by Ogorogile Nong.

On 3 October 2026, we open:

TECTONICS, THE AFRICAN PLATE: THE ARCHITECTURE OF BLACK GEOPOLITICAL UPHEAVAL

Featuring works by artists from across Africa.

More details and participating artists to follow.

#TheDetailOfSubduction #TectonicsTheAfricanPlate #BlackGeopoliticalUpheaval #EllisHouse #Johannesburg by @dangerkotsiii
15
2 months ago
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Studios become sites of excavation as memory and resistance begin to gather form. What is emerging is not a singular narrative, but a shifting architecture of Black geopolitical upheaval.

Tectonics, The African Plate: The Architecture of Black Geopolitical Upheaval
with The Arts Company Soweto and Kianda Contemporary
curated by Danger.Kotsii

20 Countries. 
1 Continent. by @dangerkotsiii
0
5 months ago
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Something is shifting.

A gathering between Danger Kotsii, TACS The Arts Company Soweto, and Kianda Contemporary.

20 artists.
Across the continent.
A study of pressure, fracture, movement, and what forms beneath it.

Tectonics, The African Plate: The Architecture of Black Geopolitical Upheaval.

Soon.

@llet_ruoy_noisiv
@lb8b0000
@jpegb_
@theartscompanysoweto
@kianda_comtenporary_art

Photographer : m_ee_lo by @dangerkotsiii
1
5 months ago
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Foreward: II. 

The root, cura: care- or more helpfully,  curare: to care for, grounds and guides our practice as custodians of culture. 

To grapple with selves historied with rupture, reduction, and redaction, Nthabiseng Boledi Kekana (b.1999)  authors offerings that peregrinate through 
the tumult of unearthing memory and selfhood by way of ochres of becoming and thatch-edificed sanctums. Through layered and textured works, we, the audience, are asked what it means to be ever swallowed into the ebb of future, untethered and without anchor.  We must "go back and fetch" our fragments across time to (re)member ourselves whole. 

DANGER | KOTSI is ever grateful to @wunikamukangallery @wunika and @nthabibkekana for allowing us to provide the care the work demands of us. 

@fnbartjoburg by @dangerkotsiii
3
a year ago
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Foreword: I. by @dangerkotsiii
0
a year ago
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