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Hamparsumyan Fine Art

@daniel.hamparsumyan

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📍New York 📍Paris
Private art dealer and advisor
Specializing in modern, post-war and contemporary art
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My work was shown as part of a traveling exhibition with a final stop this week in Paris in a beautiful setting that is the home of Artcurial — the grand mansion overlooking the Rond Point des Champs-Élysées, just by avenue Montaigne and the fashion houses — for the 80th anniversary of ELLE. I couldn’t be there in person as I’m preparing for an upcoming exhibition, but my friends went and stood with my work for me. Their eyes, their presence, their photos… made me feel like I was there too. Grateful for this moment ✨🤍 Thank you to the Artcurial team and the ELLE team for their enthusiasm and energy, proceeds from the sale will benefit women’s initiatives by ELLE— and to Daniel and Anne-Valérie, my dear friends, Thank you for being there and holding the moment for me. See you in Paris! @artcurial__ @elleboutique #Artcurial #ELLE80 #contemporaryart #parisartscene #artistlife #artandfashion by @daniel.hamparsumyan
With @artbasel 55th edition taking place this week, we reflect on recent highlights at auctions and fairs in an ever more volatile environment. As the art world is adjusting to changing tastes and shifting trends, artists’ reappraisals, and art prices being under scrutiny, significant realignments are in motion. ✨✨✨ - A selection of distinct works across recent auctions and fairs: 📷📹 1. Piet Mondrian, ‘Composition with Large Red Plane, Bluish Gray, Yellow, Black and Blue, 1922, Leonard & Louise Riggio Collection @christiesnewyork 2. René Magritte,’L’Empire des Lumières’, 1949, Leonard & Louise Riggio Collection @christiesnewyork 3. René Magritte’, Les Droits de l’Homme, 1947-1948, Leonard & Louise Riggio Collection @christiesnewyork 4. Ruth Asawa, installation, David Zwirner @TEFAFNew York 5. Jean-Michel Basquiat, ‘Baby Boom’, 1982 @christiesnewyork 6. Frank Stella, ‘Adelante’, 1964, @sothebysnewyork 7. Ed Ruscha, ‘That Was Then, This is Now’, 1989, @sothebysnewyork 8. Elsworth Kelly, ‘Blue, Black, Red’, 1964 The BassCollection @christiesnewyork 9. Archile Gorky, ‘Virginia Pastel’, 1943, Leonard & Louise Riggio Collection @christiesnewyork 10. Alberto Giacometti, ‘Femme de Venise’, Leonard & Louise Riggio Collection @christiesnewyork 11. Lee Ufan, ‘From Point No. 780113’, 1978, Ben Brown @TEFAFNewYork 12. Pablo Picasso, ‘Tête d’Homme à la Pipe’, 1971, fair-warning 13. Olga de Amaral, ‘Imagen Paisaje I’, 2006, @sothebysnewyork - #Christiesnewyork #sothebysnewyork #TEFAFNewYork #pietmondrian #renemagritte #ruthasawa #davidzwerner #jeanmichelbasquiat #frankstella #edruscha #elsworthkelly #archilegorky #albertogiacometti #benbrownfinearts #pablopicasso #olgadeamara #artadvisor #artadvisory #businessofart #artcollector #contemporaryart #20thcenturyart #modernart #danielhamparsumyan by @daniel.hamparsumyan
With the ADAA Art Show upon us in New York this week, we look back at this month’s vibrant European fairs focusing on Paris and its exceptional presentation of works by leading artists of modern and contemporary abstraction, in dialogue with ones focusing on representational art. Although the venue of the Grand Palais is well known, the relentless energy during the VIP preview and throughout the whole week @ArtBasel highlighted a breathtaking renovation with even the second-floor exhibition space looking spectacular. In addition, the fair partnered with exhibitions in multiple venues with the city hosting no less than 5 key satellite fairs. Numerous stellar museum shows and terrific gallery exhibitions confirmed that Paris has achieved a preeminent spot on the international calendar, blending brisk business with cultural events in an awe-inspiring setting, often pushing boundaries with a French touch. 🇫🇷🇨🇭✨✨✨ _ 📷📹 1. Yves Klein, ‘Monochrome Bleu sans Titre’, 1959 2. A selection of works by Tanguy, Lam, Penalba, Cárdenas in “Terre Sacrée” 3. Kazimir Malevich, ‘Suprematism, 18th Construction’, 1915 4. Jackson Pollock, ‘Crucifixion’, 1939-40 5. Simon Fujiwara, ‘Who’s Lost in a Sea of Images’, 2024 6. Marcel Broodthaers, ‘Société’, 1969 7. Olga de Amaral, ‘Viento Oro’, 2014 8. Jacques Villeglé, ‘Rues Lafayette / d’Hauteville, avril 1988’, 1988 9. Takako Yamaguchi, 2024 10. Beverly Fishman, ‘Relief, Tranquility, Deep Sleep, Comfort’, 2020 _ #artbaselparis #artbasel #artadvisor #artadvisory #yveskklein #kazimirmalevich #jacksonpollock #yvestanguy #wilfredolam #alicipenalba #augustíncárdenas #simonfujiwara #marcelbroodthaers #olgadeamaral #jacquesvilleglé #takakoyamaguchi #beverlyfishman #gagosian #didonnagalleries #hauserwirth #estherschippers #mariangoodmangallery #lissongallery #vallois #ortuzarprojects #jessicasilverman #danielhamparsumyan by @daniel.hamparsumyan
Don’t miss the chance to join Daniel Hamparsumyan as he discusses the life and works of Assadour, a renowned Lebanese-Armenian artist. See you at L’ART, 𝗧𝘂𝗲𝘀𝗱𝗮𝘆 𝟮𝟰𝘁𝗵 𝗦𝗲𝗽𝘁𝗲𝗺𝗯𝗲𝗿.🖊️ The talk will cover the artist’s main themes resulting from his upbringing and multicultural influences: Through his works, filled with codes, signs, and fragments, Assadour seeks to find tech­nical and artistic solu­tions to ques­tions he asks him­self. Born in Beirut, the well-traveled artist is not only aware of his origins as a member of an Armenian family but also of the rich traditions of a very wide variety of civilizations – from the Orient to the Latin world. We will address this permanent feeling of uprooting, as if the world is sliding towards an abyss that permeates throughout his works against the experience of reconstruction that shines regularly across his graphic and pictural landscape. 📍 37, Thurloe St London SW7 2LQ RSVP at art@janetradyfineart.com #JanetRadyFineArt #JanetRady #fineart #Artscoops #LARTLondon #TimeinMotion #Assadour #Soloshow #ArtExhibition #ArmenianArtist #LebaneseArtist #Contemporaryart #Contemporaryartist by @daniel.hamparsumyan
⏳ A S S A D O U R | TIME IN MOTION ⌛️ (II) Fantastic response to the announcement of Assadour’s first solo exhibition in the United Kingdom organized by @janetrady and @artscoops. We are pleased to confirm that our featured oil on canvas ‘22H06GMT’ is being added to the private collection of a discerning Middle Eastern contemporary collector. ✨✨✨ 🟧🟨 The secret prince of encryp­tion, with a tem­pered yet pas­sionate nature.” - Gérard Xuriguera Born in 1943 in Beirut, his international career is a perfect reflection of his rich and diverse heritage, giving his work universal appeal and timeless relevance. The exhibition features 28 works from private collections. Highlights include ‘Coupole et Polygones’, a rare, almost ethereal landscape from 1987 as well as other notable paintings and stunning works on paper. They epitomize Assadour’s distinctive visual language, revealing his enduring rebellious creative personality throughout the years, never afraid of being an outsider, of challenging the status quo. Like countless institutions and collectors around the world, it has been a privilege to champion his career for close to three decades and to offer passionate connoisseurs the opportunity to collect his work. - 📹📷 1. ‘22H06GMT, 1998, o/c 2. ‘Coupole et Polygones’, 1987, o/c 3. ‘Horizons’, 1990-94, o/c 4. Assadour in his studio, c.1980, © Assadour 5. 📆 His work is included in the collection of The British Museum, London; The Victoria & Albert Museum, London; L’Institut du Monde Arabe, Paris; Fonds National d’Art Contemporain; The Gulbenkian Foundation, Lisbon; the Barjeel Art Foundation, Sharjah; Mathaf: Arab Museum of Art, Doha; Dalloul Art Foundation, Beirut; the Sursok Museum, Beirut; Galleria Nationale, Rome; Paribas, Paris among several others. - 📍 4 Cromwell Place, London, June 5 - 9, 2024 A fully illustrated catalogue accompanies the exhibition. For further information please DM us. _ #Assadour #AssadourBezdikian #janetradyfineart #artscoops #DanielHamparsumyan #lebaneseart #lebanesemodernart #cromwellplace #londonartscene #londonartshow #galleryexhibition #soloexhibition #contemporaryart #artadvisor #artadvisory by @daniel.hamparsumyan
⏳ A S S A D O U R | TIME IN MOTION ⌛️ (I) Thrilled and honored to have collaborated with @janetrady and Raya and May Mamarbuchi @art_scoops on a truly remarkable exhibition featuring over four decades of Assadour’s artistic journey. “I am a painter of ambiguity and doubt, which is for me the source, the very place of creation” - Assadour TIME IN MOTION marks the first-ever solo exhibition of Lebanese-Armenian, Paris-based artist Assadour (b. 1943) in the United Kingdom and features a superb curated selection of his vibrant mixed-media work. He has brilliantly transcended throughout his practice, cultures as diverse and complex as the ones from the Middle East, Europe, Africa and South East Asia. Drawing on eclectic influences ranging from Buddhist iconography and African tribal masks to Renaissance paintings, Assadour’s body of work delves into thought-provoking themes that are inescapably ever-present in the world today: The passage of time, the construction of identity, chaos, displacement, civil war, genocide, destruction, reconstruction, resilience and ultimately hope. A genuine testimony of the universality of the human condition. 🟧🟡🟠⚪️🌅🌙✨🌍🌏🌎 ⏳TIME IN MOTION focuses on works from private collections spanning over four decades with a focus on his exceptional output on works on paper - temperas, gouaches, watercolors, etchings - and rare to the market paintings, highlighting his mastery of playing with geometric colored forms, against a backdrop of architectural landscapes. - 📷 1. 🗓️ 2. 22H06GMT, oil on canvas, 1998 3. Assadour, photo credit: DR 4. Assadour, Gravures, Aquarelles, Peintures, Gérard Xuriguera, FVW Edition, Paris 5. Assadour - Osthaus Museum, 2022, exhibition catalogue 6-7- Assadour - Sursock Museum, 2016, exhibition catalogue 📍TIME IN MOTION | 4 Cromwell Place, London, SW7 2JE Wednesday, June 5 - Sunday, June 9, 2024 For further information regarding the show, please DM us. - #Assadour #AssadourBezdikian #janetradyfineart #danielhamparsumyan #artescoops #timeinmotion #lebanesemodernart #arabmodernart #cromwellplace #londonartshow #galleryexhibition #soloexhibition #contemporaryart #artadvisor #artadvisory #artcollector by @daniel.hamparsumyan
Against the backdrop of a suspected cyberattack, several blue-chip works are to be sold @Christiesinc starting this evening (21st Century Evening Sale/Della Cruz Collection) and then Thursday (20th Century Evening Sale). A selection of our highlights follows which despite the challenging social and political global climate and the added uncertainty brought by this technical issue should sell and for some works remarkably well. Works to watch tonight include Brice Marden’s glorious ‘Event’, Jean-Michel Basquiat’s most revered 1982 stretcher bar painting among others, as well as the Della Cruz discerning collection as a whole with Ruscha’s ‘Truth’ later this week. ✨✨✨💫⏳ @christiesinc - 📷📹 1. Brice Marden, ‘Event’, 2004-2007 2. Jean-Michel Basquiat, ‘The Italian Version of Popeye has no Pork in his Diet’, 1982 3. Joan Mitchell, ‘Crow Hill’, 1966 4. Julie Mehretu, ‘Fever Graph (Algorithm for Seredipity), 2013 5. Felix Gonzalez-Torres, ‘ “Untitled” (America #3), 1992 6. Ed Ruscha, 1973, ‘Truth’, 1973 7. Alma Thomas, ‘Tulips in Spring Sunshine’, 1969 8. Alighiero Boetti, ‘Aerei’, 1969 9. Frank Stella, ‘Concentric Squares’ 10. Henry Moore, ‘Animal Form’, 1969 - #christies #bricemarden #jeanmichelbasquiat #joanmitchell #juliemehretu #felizgonzalestorres #edruscha #almathomas #alighieroboetti #frankstella #henrymoore #businessofart #artadvisor #artadvisory #artcollector #contemporaryart #20thcenturyart #modernart #danielhamparsumyan by @daniel.hamparsumyan
The New York May auction sales are kicking off in a few hours and here is a selection of our few highlights across contemporary and XXth century works to be sold starting this evening @Sotheby’s. Among several gems, a historical Stella from his ‘Notched V’ series is selling this evening (Contemporary Evening Auctions) and a mesmerizing Magritte next week (Modern Evening Auction). ✨💫⏳ @sotheby’s - 📷📹 1. Frank Stella, ‘Ifafa I’, 1964 2. René Magritte, ‘Le Banquet’, 1955-57 3. Lucio Fontana, ‘Concetto Spaziale, La Fina Dio’, 1964 4. Richard Diebenkorn, ‘Ocean Park #126’, 1984 5. Francis Bacon, ‘Portrait of George Dyer Crouching’, 1966 6. Joan Mitchell, ‘Noon’, 1969 7. Roy Lichtenstein, ‘Woman Reading’, 1980 8. Gerhard Richter, ‘Abstraktes Bild’, 1990 9. Cecily Brown, ‘Sirens and Shipwrecks and Bathers and the Band’, 2016 10. Ed Ruscha, ‘You Cannot Be Serious’, 2008 - #sothebysnewyork #frankstella #renemagritte #luciofontana, #richarddiebenkorn #francisbacon #joanmitchell #roylichtenstein #gerhardrichter #cecilybrown #edruscha #artadvisor, #artadvisory, #businessofart #artcollector #contemporaryart #20thcenturyart #modernart #danielhamparsumyan by @daniel.hamparsumyan
Thrilled to have collaborated with @galerielouisbarrand on “Nature morte”, a group exhibition focusing on still life paintings, watercolors, and drawings by French modernist Georges Rohner. The show which has been extended until the end of April, features alongside works by Georges Rohner still lifes by XXth-century French artists who have explored this genre, hugely popular since the 17th century. ✨✨✨ “Rohner’s work passes through contemporary art with the force of a cannonball that shatters our ingrained certainties.” - Bruno Foucart “Nature morte” Galerie Louis Barrand 7, Avenue Franklin D. Roosevelt, Paris VIII Through the end of April, by Appointment - T: +33 6 32 17 01 44 Works by Georges Rohner to be available thereafter - 📷📹 1-2. ‘Verre Renversé’, 1973, oil on canvas, 65 x 92 cm, signed 3. ‘Orange sur Nappe Rouge et Blanche’, 1967, oil on canvas, 50 x 61 cm, signed (detail) 4. ‘Plat de Cerises’, 1982, oil on canvas, 46 x 55 cm, signed 5. ‘Coupe et Citron’, 1975, 73 x 92 cm, signed 6. ‘La Musique’, 1942, oil on paper laid down on canvas, 38 x 46 cm, signed 7. ‘Les Bouteilles’, 1976, oil on canvas, 80 x 80 cm, signed 8. ‘Trois Pommes’, 1982, oil on canvas, 46 x 55 cm, signed 9. Georges Rohner, portrait of the artist in his studio 10. Rohner, Pierre Cabanne, Editions Ides et Calendes 📙 Georges Rohner (1913-2000) sophisticated figurative work, whose style oscillates between Realism, Hyperrealism, and Surrealism was strongly influenced by Ingres, Chardin, Mondrian, Hopper, and De Chirico. Technically, his representation process has been defined as particularly close to the pictural technique of Hopper and De Chirico. He participated in the first exhibition of the group “Forces Nouvelles” (“New Forces”) in 1935 and was one of its major members throughout the 30’s. - #naturemorte #stillife #stilllifepainting #georgesrohner #rohner #forcesnouvelles #modernart #peinturemoderne #contemporarypainting #contemporaryart #figurative #figurativepainting #parisexhibition #artadvisor #artadvisory #artcollector #danielhamparsumyan by @daniel.hamparsumyan
The artistic journey of Assadour has never been more relevant than nowadays and on the last day of the 1st month of 2024 we take comfort in the artist’s almost spiritual meditation and look forward to more stable times ahead. ‘To No Man’s Land’ is a perfect example of his endless exploration of the themes of chaos, civil war, genocide, destruction and reconstruction. His practice is perhaps his lost paradise or is it hell? Leaving the viewer to decide. This bold work is now entrusted with a discerning collector and this year will see terrific exposure of his work that we will make sure to report on. ✨🌟⬜️🟨🟧🟥🌍 Throughout his career his has drawn from his fascination with technology and geometric landscape, filled his compositions with codes and signs without neglecting the human soul and body. - 📷 1-3. Assadour Bezdikian, ‘To No Man’s Land’, 1998, oil on canvas. Private Collection 4. Assadour Bezdikian, photo credit: DR 5. Assadour in his studio, rue du Dragon, Paris, photo credit: David Mohror 6. Assadour, Gravures, Aquarelles, Peintures, Gérard Xuriguera, FVW Edition, Paris Born in Beirut into a Lebanese-Armenian family, Assadour Bezdikian, known as Assadour, went abroad aged 18 to study engraving and painting first in Italy and then in Paris (since 1964). He developed his formal outstanding technique during his formative years. He is recognized as a master in the field of engraving and has developed a superb oeuvre of distinctive works on paper and sought-after dynamic oils on canvas. The artist lives and works in Paris. His work is included in the collection of the British Museum, London; The Victoria & Albert Museum, London; L’Institut du Monde Arabe, Paris; Bibliothèque Nationale, Paris; Fonds National d’Art Contemporain, Paris; The Gulbenkian Foundation, Lisbon, the Barjeel Art Foundation, Sharjah; Mathaf: Arab Museum of Art, Doha; Dalloul Art Foundation, Beirut and the Sursock Museum, Beirut among others. - #Assadour #AssadourBezdikian #middleeasternart #arabmodernart #lebanesemodernart #20thcenturyart #modernart #contemporaryart #artadvisor #artadvisory #artcollector #danielhamparsumyan by @daniel.hamparsumyan
In the very last hours of 2023, we look back at one of the most memorable museum exhibitions of the year and certainly one for the ages: The stunning Mark Rothko (1903-1970) retrospective at the Fondation Louis Vuitton in Paris - the largest devoted to the artist so far - which opened in the fall and will run through April 2024. 🟥⬛️🟩🟧🟦🟨⬜️ “Tragedy, ecstasy, doom, and so on…,” was Mark Rothko’s answer in 1957, when questioned about what he attempted to convey through his paintings. And above all, he declared “It is not color I am after, it’s light”. From the early figurative works to the much-celebrated iconic abstract compositions where one better canvas than the other is on view side by side, nothing can express the feeling of viewing his paintings in such a context, conveying an almost spiritual experience. _ 📷 A selection of works on view: “Mark Rothko” @fondationlv in Paris ranging from the forties to 1970. _ #Rothko #markrothko #fondationlouisvuittonparis #artadvisor #danielhamparsumyan by @daniel.hamparsumyan
We reflect on last week's Paris+ by Art Basel which seemed questionably immune to the geopolitical fury that has been unleashing since the beginning of the month. As if the commerce of art and the choice of exceptional museum exhibitions in Paris this month could relegate the intensely agonizing global situation to the background. Obviously, that sense of business as usual was rightfully challenged in private discussions considering the gravity of the current developments. The French capital did put its very best foot forward though, and Paris+ proved for a second year that it can equally compete with its Swiss counterpart and could soon potentially become the most globally important art fair. 🇫🇷🇨🇭✨ ✨ - A selection of artists and their works at the fair: 📷📹 1. Claire Fontaine, 'Is Freedom Therapeutic?', 2023 2. Valentin Carron, 'L’Homme et l'Enfant', 2023 3. Alice Neel, ‘Abdul Rahman', 1964 4. Anish Kapoor, 'Spanish and Pagan Gold Satin', 2020 5. Tomm El-Saieh, 'Vanda', 2023 6. Jean Dubuffet, 'Paysage Tavelé, Ciel Rougâtre', 1954 7. Edmund de Waal, 'A House Full of Music, II', 2023 8. Olafur Eliasson, 'Mindmap for Broadway Boogie Woogie’, 2021 9. Latifa Echkakhch, 'The All', 2023 10. Gertrud Abercrombie, 'Shell and Drape', 1952 - #artbaselparis #artadvisor #artadvisory #contemporaryart #foreignerseverywhere #valentincarron #aliceneel #anishkapoor #tommelsaieh #jeandubuffet #edmunddewaal #oliafureliasson #latifaechakhch #gertrudabercrombie #neugalerie #kamelmennour #davidswirnergallery #kukjegallery #luhringaugustine #galeriezlotowski #galeriemaxhetzler #neugerriemschneider #kaufmannrepetto #karmagallery #danielhamparsumyan by @daniel.hamparsumyan

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