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Daniel de la Barra

@danieldelabarra

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@morcharpentier
@liviabenavidesgaleria
📍Basel

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Alegoría I: Nova Reperta (after Johannes Stradanus)
Oil on linen
195x145
@morcharpentier by @danieldelabarra

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10

3 days ago

For this new exhibition, @morcharpentier brings together a selection of works that explore the multifaceted nature of the sacred. Whether experienced as a space for healing, a political gesture, or a way to reconnect with the living world, this concept moves beyond traditional religious belief to become a powerful lens for understanding the contemporary world.

The final room explores the sacredness of nature through the raw power of the elements and renewal of the living world. Daniel de la Barra’s triptych revisits the 19th-century Romantic concept of sublime, where nature served as an overwhelming force exposing human vulnerability, by picturing tempestuous storms to highlight the ocean’s untamable nature in the face of commercial and military exploitation.

“No saben el Camino”
Oil on linen
700cmx200cm

Vestiges du sacré

October 10th - November 14th, 2026

Featuring works by: Kader Attia, Daniel de la Barra, Bianca Bondi, Sacha Cambier de Montravel, Malo Chapuy, Claudia Comte, Daniel Correa Mejia, Carlos Garaicoa, Mateo López, Guadalupe Maravilla, Teresa Margolles, Carlos Motta, Rosângela Rennó, Charwei Tsai taken in Paris, France by @danieldelabarra

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16

7 days ago

Our group exhibition Vestiges du Sacré is now open in Paris!

For this new group exhibition, mor charpentier brings together a selection of works that explore the multifaceted nature of the sacred. Whether experienced as a space for healing, a political gesture, or a way to reconnect with the living world, this concept moves beyond traditional religious belief to become a powerful lens for understanding the contemporary world

Featuring works by: Kader Attia, Daniel de la Barra, Bianca Bondi, Sacha Cambier de Montravel, Malo Chapuy, Claudia Comte, Daniel Correa Mejía, Carlos Garaicoa, Mateo López, Guadalupe Maravilla, Teresa Margolles, Carlos Motta, Rosângela Rennó, Charwei Tsai

@thekaderattia @danieldelabarra @bondi_bianca @sacha_cambier_de_montravel @chapichapo02 @claudiacomte @daniel.correa.mejia @carlosgaraicoa_studio @vemirave @guadalupe__maravilla @carlosalejandromotta @turistatranscendental @charweitsai

Until November 12th, do not miss it!
Photo: Hafid Lhachmi taken in Mor Charpentier by @danieldelabarra

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4

9 days ago

[Vestiges du sacré]

This Saturday, October 10, during @artbasel Paris, I’m very happy to reunite with the @morcharpentier space and take part in this very special group exhibition, alongside other outstanding artists.

For this occasion, we will present the monumental painting “No saben el camino”in France for the first time, following its recent presentation at the Malta Biennale.

Everyone is warmly invited! taken in Paris, France by @danieldelabarra

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13 days ago

Very happy to share that I’ll be joining the @janvaneyckacademie in Maastricht as part of the 2027 programme.

Very grateful for this opportunity and excited for what’s ahead. See you soon, Maastricht 🖤 by @danieldelabarra

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15

20 days ago

@morcharpentier @programaartbo
ArtBo 2026
1. La parábola del ciego (en búsqueda del templo perdido)
Oil on linen
150x100cm
2. Borracheros
Oil on linen
45x30cm taken in Bogota, Colombia by @danieldelabarra

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22 days ago

Diseño de valla para forja. by @danieldelabarra

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2

2 months ago

We are pleased to announce that Daniel de la Barra will join mor charpentier as a represented artist.

Daniel de la Barra, born in Lima, Peru in 1992, He Lives and works itinerantly between France and Spain

Working across painting, video, and installation, de la Barra explores the potential of fiction and political imagination as tools for questioning and transforming the power structures that have shaped histories and territories. His practice examines the global consequences of extractive models and the colonial dynamics that continue to influence relationships between land, resources, and communities.

Through his works, de la Barra creates spaces of reflection and transformation, challenging narratives of domination and exploring new forms of coexistence beyond established systems of exploitation.

His work has been presented internationally at Casa de Velázquez, Madrid; La Casa Encendida, Madrid; Fondazione Sandretto Re Rebaudengo, Madrid; La Maison de l’Amérique Latine, Paris; Delfina Foundation, London; Real Academia de España, Rome; Fundació Miralles, Barcelona; and Museo Central, Lima, among others. He has recently been invited to participate in the 2026 Malta Biennale. In 2027, he will be a resident at the Jan Van Eyck Academie in Maastricht.

We are very happy to welcome Daniel and look forward to working together.

Photo: Tarama de la Fuente by @danieldelabarra

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47

3 months ago

A fragment from The Pearl of the Mediterranean, 2026
(8’58”).

A video work revisiting the 1913 promotional film of the same name to examine the Mediterranean as a militarized frontier, where the seamless circulation of global capital contrasts with the violent control of human migration. By reversing the visual language of tourism and the Romantic tradition, the work reveals the port infrastructures, surveillance mechanisms and border regimes that continue to shape the sea as a space of institutional power.

In collaboration with my brother, @emanuele_quartarone , behind the camera as always. by @danieldelabarra

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5

4 months ago

“What a powerful difference!”
Oil on linen
180x120

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#presa #landscape #contemporarypainting by @danieldelabarra

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4 months ago

“The vengeance of the Cacique”
Oil on linen 140x100cm

@morcharpentier

#romanticlandscape #contemporarypainting #artbasel taken in Basel, Switzerland by @danieldelabarra

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4 months ago

@artbasel with @morcharpentier is now open 🇨🇭
‘Navegar sin brújula ni estrellas’
Oil on linen
200x200cm
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#artbasel #contemporaryart taken in Basel, Switzerland by @danieldelabarra

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4 months ago